W. (2008/I)

Director:

Oliver Stone

Writer (WGA):

Stanley Weiser (written by)

Release Date:

17 October 2008 (USA)

Genre:

Biography | Drama

Tagline:

Get Ready

Plot:

A chronicle on the life and presidency of George W. Bush.

Plot Keywords:

George W. Bush | President | 2000s | USA | Oil

Awards:

4 nominations

Cast

Josh Brolin	...	George W. Bush
Colin Hanks	...	Speechwriter #1
Toby Jones	...	Karl Rove
Dennis Boutsikaris	...	Paul Wolfowitz
Jeffrey Wright	...	Colin Powell
Thandie Newton	...	Condoleezza Rice
Scott Glenn	...	Donald Rumsfeld
Richard Dreyfuss	...	Dick Cheney
Bruce McGill	...	George Tenet
Wes Chatham	...	Fraternity Enforcer
Jesse Bradford	...	Fraternity President
Sean Stone	...	Fraternity Pledge #1
Ben Mayer	...	Fraternity Pledge #2
James Cromwell	...	George H.W. Bush
Juan Gabriel Pareja	...	Oil Worker

Also Known As:

Bush (USA) (working title)
Oliver Stone's W. (Germany) (TV title)
W. - Ein missverstandenes Leben (Germany) (DVD title)

MPAA:

Rated PG-13 for language including sexual references, some alcohol abuse, smoking and brief disturbing war images.

Runtime:

129 min

Country:

USA | Hong Kong | Germany | UK | Australia

Language:

English | Spanish

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

USA:PG-13 (certificate #44818) | UK:15 | Canada:G (Québec) | Canada:PG (Alberta/British Columbia/Manitoba/Ontario) | Portugal:M/12 | Ireland:PG | Finland:K-7 | Australia:M | Netherlands:16 | Norway:15 | Argentina:13 | Germany:12 (DVD rating) | Germany:12 | Brazil:14 | Hong Kong:IIA | Singapore:NC-16 | Mexico:B

Filming Locations:

Shreveport, Louisiana, USA

Company:

Emperor Motion Pictures

Trivia:

Oliver Stone's son Sean Stone makes an appearance as one of the college boys.

Goofs:

Continuity: A scene in 1988 in George Bush Snr's Vice-Presidential office shows them discussing him becoming a "born again" Christian. When Karl is leaving, in the first shot he walks past W, who is holding the door, and is almost out of the office. Then in the next shot he is back by his chair and again walks past W and gives him a VCR.

Quotes:

George Herbert Walker Bush: [on the phone with George W. after he gets arrested] My father would've kicked the living crap out of me if I ended up where you are now, Junior.

Movie Connections:

Referenced in Will Ferrell: You're Welcome America - A Final Night with George W Bush (2009) (TV)

Soundtrack:

Blue Skirt Waltz

Uncomfortable

One word sums up how I felt while watching W: uncomfortable.

I went into this film expecting more of an absurdist comedy than a tragedy. The level of realism was far beyond what I expected. For the most part, the cast, makeup, and casting crew did such a good job with the characters that it was very easy to imagine that these were not actors on the screen but the actual people. Josh Brolin's characterization of W was certainly Oscar-worthy.

Even better than Brolin's part was Phedon Papamichael's photographic direction. The job of the Director of Photography is to bring the story to life through the creation of images to draw the attention of the viewer where the Director wants. Few films are as good of an example of this as W. Papamichael used the camera to force moral and emotional perspective in a way that I have rarely seen outside of the films of Stanley Kubrick. I've only seen the film once, viewing it as a complete work. I intend to watch it again to study the photography.

Overall, I thought the film was fair in its treatment of the actual people involved. The most ardent Bush supporters will not like it, but to still be that supportive of him in the final months of his second term, you either have to not be paying attention or be uncritical in all of your thought. While artistic license was taken throughout the film, the portrayal of all events and people, with the possible exception of Dick Cheney, were far more grounded in reality and recorded history than I expected.

The film made me uncomfortable on multiple levels, which is why it succeeds and deserves such a high rating. The portrayal of Bush's relationship with his parents, especially his father, forces the viewer to feel sorry for him. The overt religiosity that pervades the public service portion of his life must anger anyone who believes strongly in the separation of church and state. There are many moments when, with any other characters, the film should have generated much laughter. Only one moment in the film actually caused more than one person in the theater to laugh. I guess 4000+ dead soldiers drains the humor out of even the most hilarious gaffes.

I would recommend this film to anyone who wants to see a realistic portrayal of historical events. I wish Stone had waited until Bush was out of office to make it, though. While it captures the major events that were involved in building the Bush legacy, it ends far too early.