| Bill Paxton | ... | Bill Henrickson | |
| Jeanne Tripplehorn | ... | Barb Henrickson | |
| Chloë Sevigny | ... | Nicolette Grant | |
| Ginnifer Goodwin | ... | Margene Heffman | |
| Amanda Seyfried | ... | Sarah Henrickson | |
| Douglas Smith | ... | Ben Henrickson | |
| Melora Walters | ... | Wanda Henrickson | |
| Joel McKinnon Miller | ... | Don Embry | |
| Daveigh Chase | ... | Rhonda Volmer | |
| Jolean Wejbe | ... | Tancy Henrickson | |
| Grace Zabriskie | ... | Lois Henrickson | |
| Matt Ross | ... | Alby Grant | |
| Harry Dean Stanton | ... | Roman Grant | |
| Ellen Burstyn | ... | Nancy Davis Dutton | |
| Philip Baker Hall | ... | Ned Johanssen | |
| Luke Askew | |||
| Judith Hoag | ... | Cindy | |
| Aaron Paul | ... | Scott | |
| Anne Dudek | ... | Laura Grant | |
| Mireille Enos | ... | Kathy Marquart (as Mirelle Enos) | |
| Audrey Wasilewski | ... | Pam Martin | |
| Hayley Erin | ... | Jennifer | |
| Caroline Fogarty | ... | Leslie | |
| Mark Hames | ... | Cousin Howard | |
| Keegan Holst | ... | Wayne Henrickson | |
| Keaton Tyndall | ... | Sissy Marquart | |
| Kylie Tyndall | ... | Penny Marquart | |
| Garrett Gray | ... | Raymond Henrickson (as Garret Gray) | |
| rest of cast listed alphabetically: | |||
| John Robert | ... | Wedding guest (uncredited) | |
| Episode Crew |
Directed by | |||
| Jim McKay | |||
Writing credits | ||
| Mark V. Olsen | (creator) & | |
| Will Scheffer | (creator) | |
| Eileen Myers | (writer) | |
| Jennifer Schuur | staff writer | |
| Doug Stockstill | staff writer (as Douglas Stockstill) | |
Produced by | |||
| Julie Antonelli | .... | associate producer | |
| Peter Friedlander | .... | co-producer | |
| Mark V. Olsen | .... | executive producer | |
| Will Scheffer | .... | executive producer | |
Original Music by | |||
| David Byrne | |||
Cinematography by | |||
| James Glennon | |||
Film Editing by | |||
| Byron Smith | |||
| Tanya M. Swerling | |||
Casting by | |||
| Libby Goldstein | |||
| Junie Lowry-Johnson | |||
Production Design by | |||
| Kitty Doris-Bates | |||
Art Direction by | |||
| Valerie Green | |||
Set Decoration by | |||
| Lisa Tong | (as Lisa G. Tong) | ||
Costume Design by | |||
| Chrisi Karvonides-Dushenko | |||
Makeup Department | |||
| Nathalie Allen | .... | additional makeup artist | |
| John Damiani | .... | department head makeup artist | |
| Polly Lucke | .... | key hair stylist | |
| Kimberly Meyer | .... | key head makeup artist (as Kimberly K. Meyer) | |
| Scott Williams | .... | department head hair stylist | |
Production Management | |||
| Bernadette Caulfield | .... | unit production manager (as Bernie Caulfield) | |
Second Unit Director or Assistant Director | |||
| Brent Clark | .... | second second assistant director (as Brent R. Clark) | |
| Ernie F. Orsatti | .... | second unit director | |
| Shea Rowan | .... | second assistant director | |
| Stacy Stuart | .... | dga trainee | |
| Mark Tobey | .... | first assistant director | |
| Daniella Eisman | .... | trainee assistant director (uncredited) | |
| Matthew Janssen | .... | dga trainee (uncredited) | |
| Mike Naylor | .... | dga trainee (uncredited) | |
| Marc Newland | .... | dga trainee (uncredited) | |
Art Department | |||
| Shelly Adajian-Hill | .... | paint gang boss (as Shelly Adajian) | |
| Nina Alexander | .... | on-set dresser | |
| Paul Baker | .... | additional props | |
| Bobby Bednar | .... | construction coordinator | |
| Bryan 'Shorty' Clark | .... | swing gang | |
| Michael T. Daigle | .... | paint supervisor | |
| Paolo DeLeon | .... | leadman (as Paolo D. DeLeon) | |
| Charles C. Eguia Jr. | .... | assistant property master (as Charles C. Eguia) | |
| Justin Fisher | .... | swing gang | |
| Stephen Garner | .... | construction foreman (as Stephen B. Garner) | |
| Teresa Keith | .... | art department coordinator | |
| Rafael López | .... | labor foreman (as Rafael Lopez) | |
| Ramón López | .... | propmaker (as Ramon Lopez) | |
| Moe Moe Lwin | .... | buyer | |
| Kevin 'Chevy' Martinez | .... | swing gang | |
| Nicole Matsudaira | .... | art production assistant | |
| Brendan Maze | .... | swing gang | |
| Amie McCarthy | .... | assistant property master (as Amie F. McCarthy-Winn) | |
| Anthony Medina | .... | general construction foreman (as Tony E. Medina) | |
| Arielle Mermin | .... | set decorator production assistant | |
| Charles Reyes | .... | labor gang boss | |
| Blanche Sindelar | .... | property master | |
| Nandor Szilagy | .... | on-set dresser (as Nandor Szilagyi) | |
| Barry Tugendhaft | .... | greens foreman (as Barry R. Tugendhaft) | |
| Eric Wortmann | .... | stand-by painter (as Eric J. Wortmann) | |
| Steven P. Duchscherer | .... | set dresser (uncredited) | |
| Brendan C. Fenton | .... | props (uncredited) | |
| Tom Frohling | .... | set designer (uncredited) | |
| Mark Hill | .... | set dresser (uncredited) | |
| Mike Horn | .... | set dresser (uncredited) | |
| Kevin Hummel | .... | props (uncredited) | |
| Jordan King | .... | greensman (uncredited) | |
| William F. Matthews | .... | set designer (uncredited) | |
| Eric P. Paczkowski | .... | flooring foreman (uncredited) | |
| Shanna Starzyk | .... | art department assistant (uncredited) | |
| Brian Walsh | .... | set dresser (uncredited) | |
| Thomas 'Noe' Welch | .... | set dresser (uncredited) | |
Sound Department | |||
| Julie Altus | .... | adr recordist | |
| Peter Bentley | .... | sound mixer | |
| Michael J. Broomberg | .... | foley artist | |
| Susan Cahill | .... | adr supervisor | |
| Benjamin L. Cook | .... | sound re-recording mixer (as Benjamin Cook) | |
| Benjamin L. Cook | .... | supervising sound editor (as Benjamin Cook) | |
| Rob Cunningham | .... | boom operator | |
| Alan Decker | .... | sound re-recording mixer | |
| Mark DeSimone | .... | adr mixer: New York | |
| Jason George | .... | supervising sound editor | |
| Colin Jones | .... | boom operator | |
| Devin Joseph | .... | dialogue editor | |
| Amy Kane | .... | foley artist | |
| Jacqueline Marie McLaughlin | .... | utility sound | |
| Brian Smith | .... | adr mixer | |
| R. Russell Smith | .... | sound re-recording mixer | |
| Kevin K. Sorensen | .... | boom operator | |
| Dean St. John | .... | adr mixer | |
| Kevin Wahrman | .... | foley editor | |
| Ben Wilkins | .... | sound effects editor | |
Special Effects by | |||
| Joe Quinlivan | .... | key special effects | |
| J.D. Streett | .... | special effects supervisor (as J.D. Streett IV) | |
Visual Effects by | |||
| Dan Lopez | .... | visual effects | |
| Randy Lowder | .... | smoke artist | |
| Matt von Brock | .... | visual effects supervisor | |
Casting Department | |||
| Nick Anderson | .... | casting associate | |
| Kristan Berona | .... | extras casting | |
| Lisa Soltau | .... | casting associate | |
Costume and Wardrobe Department | |||
| Danielle Baker | .... | set costumer (as Danielle C. Baker) | |
| Sarah Basta | .... | costume production assistant | |
| Debra Beebe | .... | costume supervisor (as Debra A. Beebe) | |
| Gwen Fornataro | .... | set costumer | |
| Olga Ishkhanova | .... | cutter/fitter (as Olga Y. Ishkhanova) | |
| Megan Lungerhausen | .... | additional costumer | |
| Caroline Quiroga | .... | additional costumer | |
| Robin Roberts | .... | key costumer | |
| Andrea Sweet | .... | costumer | |
Editorial Department | |||
| Christopher Grizey | .... | post-production assistant | |
| Jamie Keeney | .... | assistant editor | |
| Scott Klein | .... | final colorist | |
| Jennifer Ross | .... | post-production coordinator | |
| Aaron Rottinghaus | .... | assistant editor | |
| Mauricio Tassara | .... | dailies colorist | |
Music Department | |||
| Deva Anderson | .... | music supervisor | |
| Evan Greenspan | .... | music clearance | |
| Ernie Mannix | .... | music editor | |
| Delphine Robertson | .... | music supervisor | |
| Lee Scott | .... | music editor | |
Transportation Department | |||
| Randy Burke | .... | transportation captain | |
| Rick Chouinard | .... | transportation co-captain | |
| George Clayton Jr. | .... | driver | |
| David Diaz | .... | transportation office coordinator (as David R. Diaz) | |
| Pablo Gonzalez | .... | driver | |
| Brandon Handt | .... | driver | |
| Garner Humphrey | .... | driver | |
| Bob Komisar | .... | driver | |
| Dan Marrow | .... | transportation coordinator | |
| William J. McCance | .... | driver | |
| Evan Sklov | .... | driver | |
| Gary D. Stalker | .... | driver (as Gary Stalker) | |
| Laurie Taylor | .... | driver | |
| Mark Valdez | .... | driver | |
| Daniel Valenzuela | .... | driver (as Daniel R. Valenzuela) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Patricia Breen | writer (2008) | |
| Mark V. Olsen | creator | |
| Will Scheffer | creator | |
Stunts | |||
| Daniel Arrias | .... | stunts | |
| Steve Kelso | .... | stunt coordinator | |
| Paul Lacovara | .... | stunts | |
| Christopher J. Tuck | .... | stunt double: Bill Paxton | |
Other crew | |||
| Grace Bustos | .... | stand-in | |
| Main series | Episode guide | Full cast and crew |
| External reviews | IMDb TV section | IMDb Drama section |
| Add this title to MyMovies |
*** This comment may contain spoilers ***
Wow. 'Take Me as I Am' is an excellent addition to the sensational Season 2 of Big Love, and it is extremely powerful and emotional throughout. Barb tries to reconcile things with her mother and family, and things spiral out of control at her mother's wedding. Alby receives false information from the Greenes, and relays that information to Nicki; he is told that Bill said that they needed to kill Roman. Barb goes through lots of inner conflict and has to face the choices that she has made with her life. She knows that she is practicing polygamy not because she approves of it, but because she loves Bill so deeply. Thus, it is completely natural that she would be concerned when Ben starts dating twins, both of whom wish to get married by the time they are 17.
Barb shows that she really loves her mother and cares deeply about her family. It is appalling just how much her family seems to disapprove of polygamy, and her sister continues to be just as evil as always. Alby continues emerging as a huge threat. Barb's relationship with her mother is revealing to her character and her personality. She clearly has problems with her past, and wants to make things better. Her dialogue with her mother is perfectly written, and Jeanne Tripplehorn gives one of her most unforgettable performances yet. She brings such believability and personality to the character of Barb that, coupled with the fantastic writing, makes this a truly memorable episode.
Nicki must ultimately make a choice between which family she cares about the most. From all the information she gets from Alby, she seems torn in some cases, and seems to make some of her decisions based solely on her life in the compound. She also displays many selfish behaviors, and is truly a deep and complex character.
The final scene is just as unforgettable as the rest of the episode, and it just goes to show how much of a threat Alby has become. One of the best episodes of Big Love so far, and I can't wait for the season finale.