Shine a Light (2008)

Director:

Martin Scorsese

Release Date:

4 April 2008 (Brazil)

Genre:

Documentary | Music

Plot:

A career-spanning documentary on the Rolling Stones, with concert footage from their "A Bigger Bang" tour.

Plot Keywords:

Concert Film | Rock Music | Rock Band | IMAX Version | Concert

US Showtimes:

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Cast

Mick Jagger	...	Himself (also archive footage)
Keith Richards	...	Himself (also archive footage)
Charlie Watts	...	Himself (also archive footage)
Ron Wood	...	Himself (as Ronnie Wood)
Christina Aguilera	...	Herself
Buddy Guy	...	Himself
Jack White	...	Himself (as Jack White III)
Darryl Jones	...	Himself
Lisa Fischer	...	Herself
Bernard Fowler	...	Himself
Blondie Chaplin	...	Himself
Chuck Leavell	...	Himself
Bobby Keys	...	Himself
Tim Ries	...	Himself
Martin Scorsese	...	Himself

Also Known As:

Shine a Light (USA) (working title)
Shine a Light: The IMAX Experience (USA) (IMAX version)
Untitled Rolling Stones Documentary (USA) (working title)
Untitled Stones/Scorsese Film (USA) (working title)

MPAA:

Rated PG-13 for brief strong language, drug references and smoking. (edited for re-rating; originally rated R for some language)

Runtime:

Argentina:122 min | USA:122 min

Country:

USA | UK

Language:

English

Color:

Color | Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Sonics-DDP (IMAX version) | Dolby Digital | SDDS | DTS

Certification:

Germany:o.Al. | Argentina:Atp | Switzerland:7 (canton of Vaud) | Sweden:Btl | USA:PG-13 (certificate #43785) | Hong Kong:IIA | Australia:M | Switzerland:7 (canton of Geneva) | Brazil:Livre | Norway:A | Finland:S | Ireland:12A

Filming Locations:

Beacon Theatre, New York City, New York, USA

Company:

Concert Promotions International

Trivia:

First documentary to open the Berlin Film Festival (7 February 2008).

Quotes:

Keith Richards: Hi, Clinton. I'm "Bushed"!

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2008-04-05)" (2008)

If only all concert films were like this

"Shine a Light" is Martin Scorsese's second real concert film after 1978's "The Last Waltz", which by now is generally acknowledged as a masterpiece and is my favorite film by the director. I really hope we will see more concert films from Scorsese in the future, because "Shine a Light" is further excellence from him. If all, or even a significant number of concert films were filmed with such skill and exuded such energy, there would be far more of them made and far more released theatrically.

"Shine a Light" is a concert film. I'm not sure I'd call it a documentary on the Rolling Stones so much as a filming (a brilliant filming) of an especially good concert they played recently. Scorsese is smart enough, however, to use interviews and clips from all stages of the Stones' career for purposes of humor and even commentary on various aspects of music and the music business, as well as the band itself.

Your average Rolling Stones fan waiting to see a Rolling Stones concert and who isn't a fan of film probably will be bored during the film's opening scenes, but for those interested in film, they provide a fascinating glimpse into the marriage of live music and film-making, which doesn't happen as much as it should. It's also quite an intimate look at the Stones as a bunch of people, exposing them in the same sort of way the non-concert scenes in "Gimme Shelter" did. Then again, how much of it is real and how much is an act is really the essential question that we will forever be asking about this band.

"Shine a Light" isn't a document of an important historical event like Scorsese's "The Last Waltz" or the Maysles Bros' "Gimme Shelter" was as a Rolling Stones film, so one shouldn't expect that sort of greatness from "Shine a Light". What one should expect is a great concert, filmed with great skill, tasteful guest appearances that do nothing but add to the music, and a gorgeous film interspersed tastefully with archive footage chosen carefully and played at just the right moments.

The Stones and Scorsese are on top form here, making this a memorable and exciting concert film and the sort of marriage of film-making and live music that really should happen more often.

8.5/10