| Photos (see all 3 | slideshow) | Videos (see all 2) |
| Cornelio Wall | ... | Johan | |
| Maria Pankratz | ... | Marianne | |
| Miriam Toews | ... | Esther | |
| Peter Wall | ... | Padre | |
| Jacobo Klassen | ... | Zacarias | |
| Elizabeth Fehr | ... | Madre | |
| rest of cast listed alphabetically: | |||
| Jacques Brel | ... | Himself (archive footage) | |
Directed by | |||
| Carlos Reygadas | |||
Writing credits(in alphabetical order) | ||
| Carlos Reygadas | writer | |
Produced by | |||
| Jeroen Beker | .... | co-producer | |
| Jean Labadie | .... | associate producer | |
| Carlos Reygadas | .... | producer | |
| Jaime Romandia | .... | producer | |
| Frans van Gestel | .... | co-producer | |
Cinematography by | |||
| Alexis Zabe | |||
Film Editing by | |||
| Natalia López | |||
Art Direction by | |||
| Nohemi Gonzalez | |||
Production Management | |||
| Luisa Blanco | .... | assistant production manager | |
| Gerardo Tagle | .... | director of production | |
Second Unit Director or Assistant Director | |||
| Alex Ezpeleta | .... | first assistant director | |
Sound Department | |||
| Jaime Baksht | .... | sound mixer | |
| Michelle Couttolenc | .... | sound mixer | |
| Sergio Diaz | .... | supervising sound editor | |
| Martín Hernández | .... | supervising sound editor | |
| Raul Locatelli | .... | sound | |
Visual Effects by | |||
| Juan Manuel Nogales | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Jonathan Leys | .... | grip assistant | |
| Nicolas Martin | .... | Steadicam operator | |
| Daniel Valdes | .... | assistant camera | |
Thanks | |||
| Alfonso Cuarón | .... | thanks | |
| Alejandro González Iñárritu | .... | thanks | |
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| Batalla en el cielo | The Pillow Book | Journal d'un curé de campagne | El crimen del padre Amaro | Cristo si è fermato a Eboli |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Mexico section |
| Add this title to MyMovies |
This is certainly not a film for everybody and I will be careful in who I recommend this movie to. It is challenging because it is very unsatisfying to the 5 senses we are used to (over)feed. This movie is like meditating, you need to surrender to it, ignore what your mind is telling you about what a movie should be, surrender to the slowness first and then to the lack of almost everything we are normally used to in a movie. There is so little you can chew on, no acting, inhibited emotions, no laughter, even the acclaimed picture is unsatisfying (don't see this movie for that reason). Everything is internal, barely reaching the surface. If you can tune in though, like in a meditation, you will become ultra sensitive, sense the subtle and begin to enjoy. Some scenes may even totally fill your spirit. One word of caution though, if you intend to see this movie in a theatre: it is very likely that some people will become uncomfortable and leave, keep talking, protest etc... which makes it even more difficult to watch it with serenity so renting it as a DVD may be a more suitable option. If you are the kind of person enjoying a walk in the countryside contemplating nature without talking you'll probably enjoy this movie. If you prefer talking or being entertained then chances are that you will not.