| Photos (see all 93 | slideshow) | Videos (see all 17 videos ) |
| Jason Segel | ... | Peter Bretter | |
| Kristen Bell | ... | Sarah Marshall | |
| Mila Kunis | ... | Rachel Jansen | |
| Russell Brand | ... | Aldous Snow | |
| Bill Hader | ... | Brian Bretter | |
| Liz Cackowski | ... | Liz Bretter | |
| Maria Thayer | ... | Wyoma | |
| Jack McBrayer | ... | Darald | |
| Taylor Wily | ... | Kemo | |
| Davon McDonald | ... | Dwayne the Bartender (as Da'Vone McDonald) | |
| Steve Landesberg | ... | Dr. Rosenbaum | |
| Jonah Hill | ... | Matthew the Waiter | |
| Paul Rudd | ... | Chuck | |
| Kala Alexander | ... | Greg | |
| Kalani Robb | ... | Helpful Hawaiian Waiter | |
| Francesca DeBlanco | ... | Hostess at Buffet | |
| Branscombe Richmond | ... | Keoki | |
| Billy Bush | ... | Himself | |
| William Baldwin | ... | Billy Baldwin - Det. Hunter Rush on 'Crime Scene' | |
| Jason Bateman | ... | Detective on 'Animal Instincts' | |
| Peter Lewis | ... | Suspect on 'Animal Instincts' (as Peter Gray Lewis) | |
| Trula M. Marcus | ... | Lawyer on 'Crime Scene' (as Trula Marcus) | |
| Kirk Fox | ... | Mixer | |
| June Diane Raphael | ... | Ann at the Bar (as June Raphael) | |
| Ahna O'Reilly | ... | Leslie | |
| Tanisha Harper | ... | Model | |
| Carla Gallo | ... | Gag Me Girl | |
| Murray Miller | ... | Photographer | |
| Cynthia Lamontagne | ... | Female Bartender | |
| Max Alexander | ... | Big Dracula Head (as Maxwell Alexander) | |
| Kris Fitzgerald | ... | Man Who Proposes | |
| Brittany Ross | ... | Screaming Girlfriend | |
| Joe 'Kaleo' Kelii | ... | Singer in Band | |
| Peter Salett | ... | Keyboard Player | |
| Gedde Watanabe | ... | Hotel Manager | |
| Allan Jeff Ho | ... | Male Bar Patron | |
| Chaunnel Salmon | ... | Female Bar Patron | |
| Mervyn Lilo | ... | Fire Dancer | |
| Philip Matila | ... | Luau Band Leader | |
| Danielle Prem | ... | Hula Dancer #1 | |
| Tehina-Mai K. Mataele | ... | Hula Dancer #2 | |
| Agnes Matila | ... | Hula Dancer #3 | |
| Genny Wilson | ... | Engaged Luau Woman | |
| Scott Francis Russell | ... | Engaged Luau Man | |
| rest of cast listed alphabetically: | |||
| Massi Furlan | ... | Bar Patron at Table | |
| Phillip Sanchez | ... | Theater Group | |
| Jean Huynh | ... | Bar Patron (uncredited) | |
| Albert Miranda | ... | Bar Patron (uncredited) | |
Directed by | |||
| Nicholas Stoller | |||
Writing credits(WGA) | ||
| Jason Segel | (written by) | |
Produced by | |||
| Judd Apatow | .... | producer | |
| Shauna Robertson | .... | producer | |
| Rodney Rothman | .... | executive producer | |
| Richard Vane | .... | executive producer | |
Original Music by | |||
| Lyle Workman | |||
Cinematography by | |||
| Russ T. Alsobrook | |||
Film Editing by | |||
| William Kerr | |||
Casting by | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Jackson De Govia | |||
Art Direction by | |||
| Alicia Maccarone | |||
| Scott Meehan | |||
Set Decoration by | |||
| K.C. Fox | |||
Costume Design by | |||
| Leesa Evans | |||
Makeup Department | |||
| Linda Arnold | .... | department head hair stylist | |
| Brooke Bell | .... | makeup artist | |
| Lotus Benedix | .... | additional hair stylist | |
| Leo Corey Castellano | .... | prosthetic design and application | |
| Tracey Levy | .... | makeup department head | |
| Karen Iboshi Preiser | .... | makeup artist | |
| Wendy Robin | .... | assistant makeup artist | |
| Leah Vautrot | .... | makeup artist | |
Production Management | |||
| Renee Confair | .... | production supervisor | |
| Nadia Paine | .... | production supervisor: Los Angeles | |
| Don Zepfel | .... | unit production manager | |
Art Department | |||
| Jason Beale | .... | art department coordinator: re-shoots | |
| Rachel Block | .... | art department assistant | |
| Susan A. Burig | .... | graphic designer | |
| Marco A. Campos | .... | propmaker foreman | |
| Peggy Casey | .... | set decoration buyer | |
| Doug Crawford | .... | propmaker | |
| Jim Dultz | .... | puppet supervisor | |
| Doug DuRose | .... | assistant property master | |
| Alyce Fahsholtz | .... | painter | |
| Kent Harland | .... | construction office manager | |
| Kay Kropp | .... | lead painter | |
| Craig K. Lewis | .... | set dresser | |
| Alicia Maccarone | .... | set designer | |
| Eugene McCarthy | .... | property master | |
| Michael McCombe | .... | greens foreman | |
| Jennifer Moller | .... | art department coordinator | |
| Steven O'Bannon | .... | labor foreman | |
| Sarah Regan | .... | painter | |
| Brent Rice | .... | lead man | |
| John H. Samson | .... | construction coordinator | |
| Andre Sowards | .... | on-set dresser: additional photography | |
| Sharon Speller | .... | decorator painter | |
| Christopher Stanback | .... | art department coordinator | |
| Darrell Tachibana | .... | greensman: Hawaii | |
| Gary Thomas | .... | storyboard artist | |
| Laura Whitehead | .... | set decorating production assistant | |
| Maret Wicken | .... | head paint foreman: reshoots | |
| Maret Wicken | .... | set painter gang boss | |
| Liloa Wong | .... | head greens coordinator | |
| Richard Ewan | .... | painter (uncredited) | |
Sound Department | |||
| George H. Anderson | .... | supervising sound editor | |
| Bill Burns | .... | assistant adr editor | |
| Tammy Fearing | .... | adr supervisor | |
| Brooke Graeff | .... | foley assistant | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Larry Kemp | .... | sound editor | |
| Kraig Kishi | .... | boom operator | |
| Chet Leonard | .... | utility sound | |
| Cindy Marty | .... | sound effects editor | |
| Joe Schiff | .... | foley editor | |
| Roy Seeger | .... | foley editor | |
| Greg Steele | .... | adr mixer | |
| Orest Sushko | .... | sound re-recording mixer | |
| Cherie Tamai | .... | first assistant sound editor | |
| Richard Van Dyke | .... | production sound mixer | |
| Don White | .... | foley recording mixer | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Scott Land | .... | puppet builder | |
Visual Effects by | |||
| Chris Chappell | .... | compositor | |
| Sam Dabbs | .... | titles | |
| Scott M. Davids | .... | visual effects supervisor | |
| Shaina Holmes | .... | digital compositor | |
| Jalal Jemison | .... | digital compositor | |
| Benjamin Locke | .... | compositor (as Ben Lock) | |
| Madhava Reddy | .... | digital intermediate | |
| Michael Rivero | .... | computer display graphics | |
Stunts | |||
| Tim Trella | .... | stunt coordinator | |
| Michael Trisler | .... | stunt double | |
Casting Department | |||
| Nicole Abellera | .... | casting associate | |
| Joanne Bloom | .... | casting assistant | |
| Kyle Burch | .... | extras casting assistant | |
| Elizabeth Dionne | .... | casting manager | |
| Rich King | .... | extras casting | |
| Leslie Woo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anatole Brattson Jr. | .... | costume production assistant | |
| Kristen Evenson | .... | costumer | |
| Ariel Gold | .... | set costumer | |
| Molly Grundman | .... | key costumer | |
| Mila Hermanovski | .... | key costumer | |
| Michelle Margolis | .... | costumer | |
| Olivia Miles | .... | costumer | |
| Diana Savone | .... | wardrobe assistant | |
| Brooke C. Thatawat | .... | key costumer | |
| Robyn Zucker | .... | set costumer: Hawaii | |
Editorial Department | |||
| Nathan Bruner | .... | apprentice editor | |
| Gary Burritt | .... | negative cutter | |
| Jimmy Fusil | .... | digital intermediate producer | |
| Mikki Levi | .... | post-production assistant | |
| Brian Scott Olds | .... | assistant editor | |
| John Persichetti | .... | digital colorist | |
| Michael L. Sale | .... | additional editor | |
| Dov Samuel | .... | first assistant editor | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Brad Haehnel | .... | score mixer | |
| Jonathan Karp | .... | music editor | |
| Jonathan Karp | .... | music supervisor | |
| Tim Rodier | .... | orchestrator | |
| Peter Salett | .... | production music consultant | |
| Carl Sealove | .... | additional music editor | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Selena Carrillo | .... | transportation office coordinator | |
| Daniel Davis | .... | driver | |
| Royale Edward | .... | driver | |
| Bill Lopez-Arjona | .... | driver | |
| Tom Rebber | .... | transportation captain | |
| John Reed | .... | transportation coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
I often go see advance screenings in my area, especially now that I must officially be on "the list" as I am constantly finding tickets in my work inbox. This was the second Apatow production I've seen in advance and just like "Superbad", this did not disappoint. At the same time, while many of the cast members may be recognizable, there seems to be something different about this installment than I've seen in the likes of "40 Year Old Virgin", "Superbad", or "Knocked Up".
For starters, there was a definite presence of the "TV actors on the big screen" theme here, but I am pleased to report that Jason Segel, Kristen Bell, and Mila Kunis take to movies like naturals. Like many Apatow productions, Segel penned the script and takes over as lead Peter Bretter, proving yet again that with this crew the writer is best suited for the leading role. Segel delivers a character we all know too well from our own personal experiences and never breaks role from the shocking beginning to appropriate ending. I even give Segel extra credit for not completely victimizing his character and pointing out apparent flaws on both ends of the ending relationship.
Kristen Bell plays Sarah Marshall, the iconic ex of the film, but her role sits on the back burner along with the truly hilarious Aldous Snow (Russell Brand) to make way for a leading role in Mila Kunis. From the beginning it is clear that her not-too-smart and shallow role of "That 70s Show" didn't follow her to "Forgetting"'s script. Kunis plays Racheal, a hospitality girl for the hotel that "Forgetting" takes place, and subsequently deals with Peter as he tries to get over Sarah Marshall. Her character is intelligent, charismatic, and appreciative of the good in people, a strong juxtaposition to the seemingly selfish starlet Sarah Marshall. Kunis owns the role with pride, even slipping in gestures and glances that didn't seem to initially be in the script. Hopefully this will open her up for more serious roles than "American Psycho 2" and the typecasting that often happens with TV actresses like her.
The star of the film, in my opinion, easily has to be Russell Brand, who plays the over-conscious over-sexed rock star Aldous Snow. Snow adds the necessary level of comedy that could have been missing from what is truly a tragic plot. About halfway in the film, I couldn't help but snicker to myself just with the presence that Brand creates (complete with perfect costume choices). The only downfall to a character who is truly the Mercutio of this tragedy is that Brand clearly overshadows Bell's performance as Sarah Marshall, who is ironically the most forgettable character of the film.
The writing flows with well-timed jokes, apathetic digs, and shocking vulgar humor. There is even a few moments where you feel Segel was digging on the cast with jokes involving crime dramas (Segel did time on "CSI") and TV actresses in horrible horror movies (Kunis did the atrocious "American Psycho 2"); not sure if it was intentional, but I caught what I thought was a reference. Just as with most Apatow productions, leave the kids at home. Unlike the rest, however, the crude humor doesn't overflow and turn off most audiences (like I noticed with "Superbad"). It also doesn't get very heavy in the least (which is what I felt hurt "Knocked Up"). I think Apatow has found a great balance with this production and Segel's script. I also want to give credit to Nicholas Stoller , who proved that he can be successful as a director after the hit he took from helping write "Fun with Dick and Jane".
All in all, this comedy is just another example of a good time for adults. It keeps a consistently flowing script, unlike many recent comedies that seem to lose pace as they close the story. While crude, the jokes are just light enough to appease most adult audiences and the short 100 minute run time will ensure you won't be glancing at your watch waiting for it to end, just laughing hysterically.