| Photos (see all 11 | slideshow) | Videos |
| Victoria Pratt | ... | Carrie Rieger | |
| Sid Haig | ... | Pashek | |
| Ken Foree | ... | Stanis | |
| Jason Connery | ... | Keaton | |
| William Snow | ... | Thomas | |
| Wes Ramsey | ... | Fork | |
| Jeremy James Kissner | ... | Derek | |
| Rachel Grant | ... | Jill | |
| rest of cast listed alphabetically: | |||
| Jack Donner | ... | Paul Cramer | |
| Bill Doyle | ... | Sid | |
| Maxwell Fasen | ... | Extra | |
| Jonathan Fraser | ... | Grant | |
| Ryan Izay | ... | James Christin | |
| Darrin James | ... | Chris | |
| Boris Kievsky | ... | Stregoi | |
| Adrienne McQueen | ... | Elena | |
| Marc Ian Sklar | ... | Torrek | |
| Angela Trimbur | ... | Carla | |
Directed by | |||
| Michael Roesch | |||
| Peter Scheerer | |||
Writing credits(in alphabetical order) | ||
| Michael Roesch | writer | |
| Peter Scheerer | writer | |
Produced by | |||
| Nicole Ackermann | .... | producer | |
| Mark Burman | .... | producer | |
| Wolfgang Herold | .... | co-producer | |
| Scott Pearlman | .... | co-producer | |
| Juergen Popp | .... | executive producer | |
| Eric Ricart | .... | line producer | |
| Sascha Seifert | .... | co-producer | |
| Calum Waddell | .... | associate producer | |
| Max Wanko | .... | associate producer | |
Original Music by | |||
| Tom Bimmermann | |||
| Ralph Rieckermann | |||
Cinematography by | |||
| River O'Mahoney Hagg | |||
| River Mahoney | |||
Film Editing by | |||
| Andrew Bentler | |||
Casting by | |||
| Caroline Liem | |||
| Ricki Maslar | |||
Production Design by | |||
| Thomas William Hallbauer | |||
Art Direction by | |||
| Maxwell Fasen | |||
Set Decoration by | |||
| Jasmine Garnet | |||
Costume Design by | |||
| Sarah Jeanne Mgeni | |||
Makeup Department | |||
| Shyann Swisher | .... | co-key makeup artist | |
| Rileah Vanderbilt | .... | co-key makeup artist | |
Production Management | |||
| Wil Evans | .... | unit production manager | |
| Jon D. Wagner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Scott McCleary | .... | first assistant director | |
Art Department | |||
| Maxwell Fasen | .... | artist: Romanian church mural | |
| Jasmine Garnet | .... | set dresser | |
| Benc Orpak | .... | artist: Vlad Kossei painting | |
Sound Department | |||
| Willy Allen | .... | sound mixer | |
| Willy Allen | .... | sound mixer | |
| Wolfgang Herold | .... | sound supervisor | |
| Manuel Karakas | .... | sound re-recording mixer | |
| Dana Kopetzky | .... | sound mixer | |
| Tim Montijo | .... | adr recording engineer | |
| Barry Shea | .... | boom operator | |
| Steven Stuhr | .... | sound mixer | |
| Max Wanko | .... | supervising sound editor | |
Visual Effects by | |||
| Christian Haas | .... | visual effects supervisor | |
| Zoran Kazic | .... | visual effects artist | |
| Tim Montijo | .... | digital color grader | |
Camera and Electrical Department | |||
| Jonathan S. Abrams | .... | head key grip | |
| Chris Ekstein | .... | gaffer | |
| Satir González | .... | still photographer | |
| Sketch Pasinski | .... | camera operator | |
| James Roddy | .... | assistant camera | |
| John Rogers | .... | director of photography: second unit | |
| John Rogers | .... | gaffer | |
| Andy Rydzewski | .... | gaffer | |
Costume and Wardrobe Department | |||
| Erin McCall | .... | wardrobe assistant | |
Editorial Department | |||
| David Nippert | .... | assistant editor | |
Other crew | |||
| Wil Evans | .... | production coordinator | |
| Susan L. Oberg | .... | assistant: Sid Haig | |
| Lolita A. O'Connor | .... | script supervisor | |
| Sam Reinis | .... | script supervisor | |
| Mike Tristano | .... | armorer | |
Thanks | |||
| Trent Martin | .... | thanks | |
| Ryan Turek | .... | special thanks | |
|
|
|
|
|
| The Fugitive | Punisher: War Zone | Body of Lies | The Tournament | Ghosts of Mars |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
Unlike most suspense thrillers,'brotherhood of blood' remains interesting even after multiple viewings. Its charm is not dependent on suspense alone.Its true force comes from the acting by the main leads and the narrative technique. Just when one story thread appears to be in the danger of going limp, there emerges another much tauter. The screenplay is such a deviously contrived maze that almost every character appears to be lost at one point or another.
Some people may complain about the contrived ending. But why ending alone? The whole plot is a contrivance. More important than the plausibility element, I think it's the entertainment angle that's really taken care of. And it's pretty cerebral at that.
One of the pleasures of this move is that it makes you care about some of the main characters. You don't see many low budget movies these days that make you feel that way.