| Photos (see all 11 | slideshow) | Videos |
| Victoria Pratt | ... | Carrie Rieger | |
| Sid Haig | ... | Pashek | |
| Ken Foree | ... | Stanis | |
| Jason Connery | ... | Keaton | |
| William Snow | ... | Thomas | |
| Wes Ramsey | ... | Fork | |
| Jeremy James Kissner | ... | Derek | |
| Rachel Grant | ... | Jill | |
| rest of cast listed alphabetically: | |||
| Jack Donner | ... | Paul Cramer | |
| Bill Doyle | ... | Sid | |
| Maxwell Fasen | ... | Extra | |
| Jonathan Fraser | ... | Grant | |
| Ryan Izay | ... | James Christin | |
| Darrin James | ... | Chris | |
| Boris Kievsky | ... | Stregoi | |
| Adrienne McQueen | ... | Elena | |
| Marc Ian Sklar | ... | Torrek | |
| Angela Trimbur | ... | Carla | |
Directed by | |||
| Michael Roesch | |||
| Peter Scheerer | |||
Writing credits(in alphabetical order) | ||
| Michael Roesch | writer | |
| Peter Scheerer | writer | |
Produced by | |||
| Nicole Ackermann | .... | producer | |
| Mark Burman | .... | producer | |
| Wolfgang Herold | .... | co-producer | |
| Scott Pearlman | .... | co-producer | |
| Juergen Popp | .... | executive producer | |
| Eric Ricart | .... | line producer | |
| Sascha Seifert | .... | co-producer | |
| Calum Waddell | .... | associate producer | |
| Max Wanko | .... | associate producer | |
Original Music by | |||
| Tom Bimmermann | |||
| Ralph Rieckermann | |||
Cinematography by | |||
| River O'Mahoney Hagg | |||
| River Mahoney | |||
Film Editing by | |||
| Andrew Bentler | |||
Casting by | |||
| Caroline Liem | |||
| Ricki Maslar | |||
Production Design by | |||
| Thomas William Hallbauer | |||
Art Direction by | |||
| Maxwell Fasen | |||
Set Decoration by | |||
| Jasmine Garnet | |||
Costume Design by | |||
| Sarah Jeanne Mgeni | |||
Makeup Department | |||
| Shyann Swisher | .... | co-key makeup artist | |
| Rileah Vanderbilt | .... | co-key makeup artist | |
Production Management | |||
| Wil Evans | .... | unit production manager | |
| Jon D. Wagner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Scott McCleary | .... | first assistant director | |
Art Department | |||
| Maxwell Fasen | .... | artist: Romanian church mural | |
| Jasmine Garnet | .... | set dresser | |
| Benc Orpak | .... | artist: Vlad Kossei painting | |
Sound Department | |||
| Willy Allen | .... | sound mixer | |
| Willy Allen | .... | sound mixer | |
| Wolfgang Herold | .... | sound supervisor | |
| Manuel Karakas | .... | sound re-recording mixer | |
| Dana Kopetzky | .... | sound mixer | |
| Tim Montijo | .... | adr recording engineer | |
| Barry Shea | .... | boom operator | |
| Steven Stuhr | .... | sound mixer | |
| Max Wanko | .... | supervising sound editor | |
Visual Effects by | |||
| Christian Haas | .... | visual effects supervisor | |
| Zoran Kazic | .... | visual effects artist | |
| Tim Montijo | .... | digital color grader | |
Camera and Electrical Department | |||
| Jonathan S. Abrams | .... | head key grip | |
| Chris Ekstein | .... | gaffer | |
| Satir González | .... | still photographer | |
| Sketch Pasinski | .... | camera operator | |
| James Roddy | .... | assistant camera | |
| John Rogers | .... | director of photography: second unit | |
| John Rogers | .... | gaffer | |
| Andy Rydzewski | .... | gaffer | |
Costume and Wardrobe Department | |||
| Erin McCall | .... | wardrobe assistant | |
Editorial Department | |||
| David Nippert | .... | assistant editor | |
Other crew | |||
| Wil Evans | .... | production coordinator | |
| Susan L. Oberg | .... | assistant: Sid Haig | |
| Lolita A. O'Connor | .... | script supervisor | |
| Sam Reinis | .... | script supervisor | |
| Mike Tristano | .... | armorer | |
Thanks | |||
| Trent Martin | .... | thanks | |
| Ryan Turek | .... | special thanks | |
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| The Fugitive | Punisher: War Zone | Body of Lies | The Tournament | Ghosts of Mars |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
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Subtlety is a very important thing in any good horror movie. Not only does subtlety reduce the ridiculous amount of "in-your-face-quality" that today's horror movies seem to love, which effectively makes then just plain old action movies, subtlety shows that a film has respect for its audience. It doesn't feel like it has to explain everything at every step of the way since it knows that an interested audience will be on the lookout for hints as to what is going on. That's what makes films like this enjoyable. In fact, that what makes any film enjoyable. It isn't just a barrage of images, but rather an engaging sequence of them. This sequence can be unchronologically organized or in any number of ways obscured to create suspense, but as long as it is engaging, the audience will be happy. There are numerous hints as to what is really going on and the final climatic twist is really a good one.