| Photos (see all 7 | slideshow) | Videos |
| Radha Mitchell | ... | Kate Ryan | |
| Michael Vartan | ... | Pete McKell | |
| Sam Worthington | ... | Neil Kelly | |
| Caroline Brazier | ... | Mary Ellen | |
| Stephen Curry | ... | Simon | |
| Celia Ireland | ... | Gwen | |
| John Jarratt | ... | Russell | |
| Heather Mitchell | ... | Elizabeth | |
| Geoff Morrell | ... | Allen | |
| Damien Richardson | ... | Collin | |
| Robert Taylor | ... | Everett Kennedy | |
| Mia Wasikowska | ... | Sherry | |
| Barry Otto | ... | Merv |
Directed by | |||
| Greg Mclean | |||
Writing credits(in alphabetical order) | ||
| Greg Mclean | writer | |
Produced by | |||
| Matt Hearn | .... | producer | |
| David Lightfoot | .... | producer | |
| Greg Mclean | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Cinematography by | |||
| Will Gibson | |||
Film Editing by | |||
| Jason Ballantine | |||
Casting by | |||
| Angela Heesom | |||
| Venus Kanani | |||
| Mary Vernieu | |||
Production Design by | |||
| Robert Webb | |||
Art Direction by | |||
| Lucinda Thomson | |||
Makeup Department | |||
| Mark Cleary | .... | creature effects | |
| Tina Gordon | .... | makeup artist | |
| Jennifer Lamphee | .... | hair stylist | |
| Jennifer Lamphee | .... | makeup artist | |
Production Management | |||
| Ayisha Davies | .... | production manager: second unit | |
| Mark 'Sharky' Johnson | .... | unit manager | |
| Sue Wild | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marshall Crosby | .... | first assistant director | |
| Todd Embling | .... | second assistant director | |
Art Department | |||
| Ben Barber | .... | props buyer | |
| Ben Barber | .... | set dresser | |
| Steven Carroll | .... | prop sculptor | |
| Ben Corless | .... | construction manager | |
| Justin Dix | .... | head sculptor | |
| Jennifer Donaldson | .... | set designer | |
| Alar Hordern | .... | greens foreman | |
| Peter Hordern | .... | head greensman | |
| Les Landon | .... | stand-by greensman | |
| Andy Robinson | .... | scenic artist | |
| Tuesday Stone | .... | art department assistant | |
| Scott Young | .... | assistant sculptor | |
Sound Department | |||
| Craig Carter | .... | sound designer | |
| Alan Freedman | .... | adr mixer: Los Angeles | |
| Chris Goodes | .... | adr mixer | |
| Jason Hancock | .... | foley recordist | |
| James Harvey | .... | adr editor | |
| Tom Heuzenroeder | .... | sound editor | |
| Des Keneally | .... | sound recordist | |
| Liam Price | .... | foley recordist | |
| John Simpson | .... | foley artist | |
| Peter D. Smith | .... | sound re-recording mixer | |
Special Effects by | |||
| Don Brooker | .... | sculptor: John Cox's Creature Workshop | |
| John Cox | .... | animatronics supervisor: John Cox's creature Workshop | |
| Tobias Jahke | .... | ceature effects crew | |
| Lee O'Shaughnessy | .... | stunt team | |
| Ali Pearce | .... | special effects technician | |
| Brian Pearce | .... | special effects supervisor | |
| Cassie Pearce | .... | special effects technician | |
| Michael Plummer | .... | special effects technician | |
Visual Effects by | |||
| Dan Ashton | .... | film recording technician: Weta Digital | |
| Jason Bath | .... | visual effects producer | |
| Jason Billington | .... | compositor: Fuel International | |
| Marten Blumen | .... | digital compositor | |
| Nick Booth | .... | film recording supervisor: Weta Digital | |
| Kent Boswell | .... | visual effects producer: Fuel | |
| Romain Buignet | .... | digital effects artist | |
| Luke Cole | .... | systems administrator: FUEL International | |
| Sam Cole | .... | senior compositor: FUEL | |
| Nicholas Cross | .... | CG environments | |
| Dexter Davey | .... | digital compositor | |
| Chris Davies | .... | digital compositor | |
| Rahul Deshprabhu | .... | effects & lighting technical director | |
| Mark Dickson | .... | digital rig/wire removal | |
| Stéphanie Dubé | .... | creature texture painter | |
| Kane Elferink | .... | CG environments | |
| Lianne Forbes | .... | camera tracking supervisor | |
| Amelia Ford | .... | visual effects editor | |
| Matt Greig | .... | digital compositor | |
| Belinda Griffiths | .... | 3D surface artist | |
| Belinda Griffiths | .... | matte painter | |
| Kate Hagar | .... | on-set visual effects coordinator | |
| David Hampton | .... | film recording technician: Weta Digital | |
| Andrew Hellen | .... | visual effects supervisor | |
| Christian Liliedahl | .... | animator | |
| Grant Lovering | .... | digital compositor | |
| Olivia Lyne | .... | visual effects coordinator | |
| Roy Malhi | .... | effects animator | |
| Dave Morley | .... | visual effects supervisor | |
| An Nguyen | .... | system administrator/pipeline engineer: FUEL International | |
| Pawel Olas | .... | digital artist | |
| Michael Orbing | .... | modeler | |
| Nicole Papax | .... | matte painter | |
| Dylan Penhale | .... | systems administrator | |
| Marty Pepper | .... | colourist | |
| Marty Pepper | .... | visual effects compositor | |
| Richard Pritchard | .... | digital matte painter | |
| Richard Pritchard | .... | surfacing artist | |
| Craig Rowe | .... | digital compositor | |
| Murray Smallwood | .... | digital compositor | |
| David J. Smith | .... | lead animator | |
| Tim Sotiri | .... | visual effects artist: FUEL International | |
| Francois Sugny | .... | senior 3D programmer | |
| Damien Thaller | .... | matte painter | |
| Anders Thonell | .... | 3D supervisor | |
| Ray Van Steenwyk | .... | lead animator | |
| Grant Warwick | .... | modeler | |
| Pete Williams | .... | film recording manager: Weta Digital | |
| Matthew Wynne | .... | digital compositor | |
| Koji Yamaguchi | .... | compositor | |
Stunts | |||
| Nash Edgerton | .... | stunt double: Michael Vartan | |
| Zev Eleftheriou | .... | stunt coordinator | |
| Amanda Graver | .... | stunts | |
| Jon Kralt | .... | stunt rider | |
| Siros Niaros | .... | stunt rigger | |
Camera and Electrical Department | |||
| Craig Dusting | .... | key grip | |
| Karl Engeler | .... | gaffer | |
| Anthony Gerrish | .... | second grip | |
| Adrian Goodwin | .... | fourth grip | |
| John Le Roy | .... | key rigging grip: reshoot | |
| Henare Mato | .... | rigging gaffer | |
| Darren McAngus | .... | additional grip | |
| Jody Muston | .... | first assistant camera | |
| Jacko Panagiotou | .... | third grip | |
| Ruru Reedy | .... | electrician | |
| Justin Rodski | .... | video split operator | |
| Natalie van den Dungen | .... | second assistant camera | |
| Anthony Veith | .... | best boy | |
Animation Department | |||
| Gary Hebert | .... | title animator | |
| Paul Lada | .... | animator | |
Casting Department | |||
| Julie Lewington | .... | casting | |
Costume and Wardrobe Department | |||
| Laurel Morgan | .... | costumer | |
| Polly Smyth | .... | costume stand-by | |
Editorial Department | |||
| Amelia Ford | .... | first assistant editor | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| Manuel Caracciolo | .... | production assistant | |
| Mason Curtis | .... | location manager | |
| Jane Forbes | .... | script supervisor | |
| Alex Franklin | .... | development executive | |
| Robyn Good | .... | island construction supplier | |
| Tiny Good | .... | diver | |
| Tiny Good | .... | head scaffolder | |
| Tiny Good | .... | island construction supplier | |
| Michael Ienna | .... | stand-in | |
| Nick Jeffrey | .... | assistant accountant | |
| Nate Jones | .... | assistant: Ms. Mitchell | |
| Rosemary Lara | .... | manager of production: Lions Gate Film | |
| Julie Lewington | .... | production coordinator | |
| Andrew Lindley | .... | payroll accountant | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Joe Pampanella | .... | safety supervisor | |
| James Paul | .... | puppet animatronic technician | |
| Laura Sevier | .... | rights and clearances | |
| Amanda Shamis | .... | business affairs coordinator | |
| Robbie Simons | .... | production assistant | |
| Monika Stankowski | .... | assistant accountant | |
| Aaron Sterns | .... | script editor | |
| Trudy Talbot | .... | financial controller | |
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| Poseidon | Dèmoni | Batoru rowaiaru | Hostel | Dawn of the Dead |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Australia section | Add this title to MyMovies |
Granted, it's not perfect, and the idea is not 100% original (from a cinematic point of view) but one thing I love about Greg McLean's films is that he takes what are essentially Australian icons and flips them totally askew. For instance in Wolf Creek the films brutal killer - Mick Taylor is basically Mick Dundee turned psycho. And in Rogue, he yet again takes a well known Australian reptile and sets it loose on some unsuspecting tourists.
There's no denying McLean can shoot a beautiful movie, and some of the wonderful scenes of the Australian top-end are simply stunning. The characters all portray strong performances, especially when the pressure sets in and they begin to crack. McLean also does a good job at drip feeding the dread and teasing the audience with nothing but growls, grunts and slippery tails. It's an age old formula where directors don't show the full extent of the threat till the end - well, thankfully we don't have to wait that long, as when the croc does reveal itself - we see that it is frickin'MASSIVE! And what's even more scary is that these thing's actually exist up there.
The croc itself is naturally CGI with some animatronics, and it's a relief to see that it looks "real". The movement and animation is authentic and the sound design is also effective in giving the audience that jolted feeling a 3 tonne croc would give.
It's a tense, taught and well directed film, and the only gripe I have about it is that it seems a little short - maybe that was put down the fact that I was so immersed into the film? But it did feel a little short. It also lacked the brutal punch Wolf Creek gave us back in 2005, but never the less, it's a cute little Aussie horror thriller where McLean pays sound homage to classics like Jaws and Aliens. And it's also good to see more "genre" films like this coming out of Australia, and it's also good to know people like the Weinsteins and Warner Brothers are backing horror films from Australia for international releases and distribution.
For anyone into their Reptillian chills and thrills - I highly recommend ROGUE.