Metal: A Headbanger's Journey (2005)

Directors:

Sam Dunn
Scot McFadyen

Writers:

Sam Dunn (writer)
Scot McFadyen (writer)

Release Date:

21 June 2006 (USA)

Genre:

Documentary | Music

Tagline:

The Film That Will Take You Into the Heart of the Beast.

Plot:

Sam Dunn is a 30-year old anthropologist who wrote his graduate thesis on the plight of Guatemalan refugees...

Plot Keywords:

Metal | Heavy Metal | Rock Festival | Music History | Censorship

Awards:

1 win & 1 nomination

Cast

  (Credited cast)

Chris Adler	...	Himself
Tom Araya	...	Himself
Gavin Baddeley	...	Himself
Blasphemer	...	Himself
Randy Blythe	...	Himself
Alice Cooper	...	Himself
Pamela Des Barres	...	Herself
Bruce Dickinson	...	Himself
Ronnie James Dio	...	Himself
Malcolm Dome	...	Himself
Sam Dunn	...	Himself
Robert Ezrin	...	Himself
George Fisher	...	Himself
Gaahl	...	Himself
Donna Gaines	...	Herself
Al Gore	...	Himself (archive footage)
Tipper Gore	...	Herself (archive footage)
Angela Gossow	...	Herself
Ernest F. Hollings	...	Himself (archive footage)
Ihsahn	...	Himself
Tony Iommi	...	Himself
Joey Jordison	...	Himself
John Kay	...	Himself
Kerry King	...	Himself
Chuck Klosterman	...	Himself
Mercedes Lander	...	Herself
Morgan Lander	...	Herself
Geddy Lee	...	Himself
Lemmy	...	Himself
Tom Morello	...	Himself
Necrobutcher	...	Himself
Vince Neil	...	Himself
Doro Pesch	...	Herself
Samoth	...	Himself
James 'Munky' Shaffer	...	Himself
Brian Slagel	...	Himself
Dee Snider	...	Himself
Corey Taylor	...	Himself
Eddie Trunk	...	Himself
Robert Walser	...	Himself
Alex Webster	...	Himself
Rob Zombie	...	Himself

MPAA:

Rated R for language, violent images, some nudity and sexual content.

Runtime:

USA:96 min | Canada:96 min (Toronto International Film Festival) | Canada:96 min | Australia:98 min

Country:

Canada

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Canada:18A | Australia:M | USA:R | Finland:K-11 | Netherlands:12 | Singapore:M18 | Brazil:14

Filming Locations:

Canada

Company:

Banger Productions

Trivia:

Varg Vikernes was released from prison the week of May 13 2009 after serving nearly 16 years.

Goofs:

Factual errors: Dunn also mentions the "Filthy 15", a list of artists with lyrics considered obscene in one of a number of ways. Sam mentions that, of the 15, 8 are metal bands- he has miscounted. Upon reviewing the list, Danish black metal band Mercyful Fate make the list but bump the count to 9 bands. They are also not highlighted like the other metal bands sharing spots on the list.

Quotes:

Sam Dunn: Ever since I was 12 years old I had to defend my love for heavy metal against those who say it's a less valid form of music. My answer now is that you either feel it or you don't. If metal doesn't give that overwhelming surge of power that make the hair stand up at the back of your neck, you might never get it, and you know what? That's okay, because judging by the 40,000 metalheads around me we're doing just fine without you.

Movie Connections:

References This Is Spinal Tap (1984)

Soundtrack:

The Number Of The Beast

a good subjective approach to the many strands and off-shoots of an under-looked genre of music

Actually, to say that heavy-metal music is just a genre of music is almost insulting in some circles. As someone who's too eclectic to really be solely a metal-head, but has been in the realm of the metal world to see how it goes, I can empathize with Sam Dunn's main intention with the documentary; this music should not be seen as just some goofy, crude, offensive, or dangerous off-shoot of old-time rock n roll (not that the last one doesn't apply in one or two cases). It's to show how personal this music, and how this 'way of life' can be for a person, and how it affects personality but not necessarily in the perceived negative light. Dunn, of course, has his head totally together, which is how he can go head-to-head with metal legends &/or notorious sorts like Tony Iommi, Bruce Dickinson, Lemmy, Alice Cooper, Dee Snider, Dio and Rob Zombie (Geddy Lee is also among the big known interviewees, though it's strange to see him here when he's not really 'metal', at least in league with these guys).

But through him and his collaborators, he is able to get inside not just the off-shoots and specifics of the world of heavy-metal. The look, the style, the attitude, the controversies both domestic (i.e. Dee Snider's battle with Tipper Gore) and foreign (a superlatively done look at the Norwegian black-metal scene, which is both tense and hilarious), the women bands in the world, and how it helps some people really get better on with life either to hear it or play it or, of course, both. Dunn's look is good if, by necessity perhaps too, too brief, as he at one point lists a kind of heavy-metal family tree of sorts- all too quickly to really see every single one- and barely scratches the surface in the 96 minute running time. Maybe there is only so much that can be covered in a feature-length film, but the subject matter serves to be even more looked into; VH1 had also done a heavy-metal documentary, and it lasted four hours. On the other hand, Dunn and his people actually do get some material here that is more precious, and more enlightening. The juxtaposition of the 'true believers' and horrors in Norways black-death-metal scene with a band like Slayer, who are bad to the bone and have fans who go toe limit, is interesting.

It's the kind of documentary that really does work for that it's worth, but not enough of a good thing is explored for fans. Non-fans may get just enough that they can handle, a mix of the basic facts and key points (i.e. the coining of the term 'metal', the roots in the blues, the devil horns, and a look at outrageous album covers). It's good subjective film-making, though edging a little much on trying to get enough history along with the personal history.