| Photos (see all 49 | slideshow) | Videos (see all 65 NEW) |
Directed by | |||
| Ethan Coen | |||
| Joel Coen | |||
Writing credits(WGA) | ||
| Joel Coen | (screenplay) & | |
| Ethan Coen | (screenplay) | |
| Cormac McCarthy | (novel) | |
Produced by | |||
| Ethan Coen | .... | producer | |
| Joel Coen | .... | producer | |
| David Diliberto | .... | associate producer | |
| Robert Graf | .... | executive producer | |
| Mark Roybal | .... | executive producer | |
| Scott Rudin | .... | producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Roger Deakins | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Jess Gonchor | |||
Art Direction by | |||
| John P. Goldsmith | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup department head (as Jean A. Black) | |
| Debra Clair | .... | additional hair stylist (as Debra R. Clair) | |
| Brian Hillard | .... | mold technician | |
| Paul LeBlanc | .... | hair department head | |
| Geordie Sheffer | .... | assistant hair stylist | |
| Dave Snyder | .... | makeup applicator | |
| Sarah Spier | .... | makeup assistant | |
| Christien Tinsley | .... | makeup department head | |
| Christien Tinsley | .... | special makeup effects artist | |
| Teresa Valenzuela | .... | wig maker | |
| Corey Welk | .... | additional makeup artist | |
Art Department | |||
| Chris Alvarez | .... | welding foreman | |
| J. Todd Anderson | .... | visual consultant | |
| Mark Bankins | .... | set dresser | |
| Pedro Barquin | .... | stand-by greens | |
| Marcia Calosio | .... | assistant set decorator | |
| John C. Cameron | .... | assistant property master | |
| John C. Cameron | .... | property master: second unit | |
| Dennis Collins | .... | stand-by painter | |
| Sage Emmett Connell | .... | set dresser (as Sage Connell) | |
| Chadney Everett | .... | set decoration foreperson | |
| James Fowler | .... | set dresser | |
| Bobbi Jo Gonzales | .... | props | |
| Peter Grendle | .... | art department assistant | |
| Paul Haag | .... | set dresser | |
| Paul Harman | .... | sign painter | |
| Gregory Hill | .... | graphic designer (as Gregory L. Hill) | |
| Deborah Jensen | .... | assistant art director (as Deborah L. Jensen) | |
| Caylen Johnson | .... | welding gangboss | |
| Jason Mack | .... | set dresser | |
| Roberta Marquez Seret | .... | art department coordinator (as Roberta Marquez) | |
| Quentin Matthys | .... | set dresser | |
| Randy Moffitt | .... | propmaker | |
| Cee Moravec | .... | on-set dresser | |
| Tony Perez | .... | lead man | |
| Scott Troha | .... | leadperson | |
| Benjamin M. Walsh | .... | set dresser | |
| Keith Walters | .... | property master | |
| Christopher Windisch | .... | construction coordinator | |
| Jeri Woodward | .... | paint foreman | |
| Randal Woodward | .... | lead scenic | |
| Chris Windish | .... | laborer/greensman (uncredited) | |
Sound Department | |||
| Craig Berkey | .... | sound designer | |
| Craig Berkey | .... | sound re-recording mixer | |
| Joseph F. Brennan | .... | boom operator (as Joe Brennan) | |
| Joel Dougherty | .... | assistant sound editor | |
| Cole Gittinger | .... | cable person | |
| Catherine Harper | .... | foley artist | |
| Eric Harwood | .... | sound re-recordist | |
| Kenton Jakub | .... | adr editor | |
| Randall L. Johnson | .... | boom operator (as Randy Johnson) | |
| Jeff Knudsen | .... | sound mixer: second unit | |
| Peter F. Kurland | .... | sound mixer (as Peter Kurland) | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Darrin Mann | .... | foley mixer | |
| Christopher Moriana | .... | foley artist | |
| Greg Orloff | .... | sound re-recording mixer | |
| Derek Pippert | .... | foley recordist | |
| Derek Vanderhorst | .... | foley editor | |
| Byron Wilson | .... | dialogue editor | |
Special Effects by | |||
| Peter Chesney Jr. | .... | special effects foreman | |
| Peter Chesney | .... | special effects coordinator | |
| Tom Chesney | .... | special effects technician | |
| Val Crawford | .... | hair/fur department | |
| Paul Deely | .... | special effects | |
| Jason Hamer | .... | special effects coordinator | |
| Caylen Johnson | .... | special effects technician | |
| Emmet Kane | .... | special effects technician | |
| Sandra Stewart | .... | special effects technician | |
| Russell Tamillo | .... | special effects first assistant | |
| Diane Woodhouse | .... | special effects shop coordinator | |
| Mark Ballou | .... | fabricator: Tinsley Transfers Inc. (uncredited) | |
| Megan Flagg | .... | special makeup effects artist: Tinsley Transfers (uncredited) | |
Visual Effects by | |||
| Robert Adams | .... | digital compositor | |
| Alexandre Cancado | .... | visual effects | |
| Vincent Cirelli | .... | visual effects supervisor: Luma Pictures | |
| Daniel Craemer | .... | digital artist | |
| Michael Dillon | .... | digital intermediate assistant producer | |
| Chad Dombrova | .... | lead technical director: Luma Pictures | |
| David V. Fedele | .... | visual effects: Luma Pictures | |
| Cameron Gray | .... | animation supervisor: Luma Pictures | |
| H Haden Hammond | .... | sequence supervisor: Luma Pictures | |
| John R. Hazzard | .... | character animator: Luma Pictures | |
| David Hochstadter | .... | digital artist: Luma Pictures | |
| Cajun Hylton | .... | digital artist: Luma Pictures | |
| Justin Johnson | .... | digital effects supervisor | |
| Wendy Klein | .... | visual effects: Luma Pictures | |
| Jason Locke | .... | matchmover | |
| Valy Lungoccia | .... | visual effects | |
| Glenn Morris | .... | visual effects producer | |
| Ashok Nayar | .... | visual effects coordinator: Luma Pictures | |
| Ben Neall | .... | texture artist: Luma Pictures | |
| Ian Noe | .... | visual effects producer | |
| Pavel Pranevsky | .... | digital artist: Luma Pictures | |
| Pimentel A. Raphael | .... | lead animator | |
| Burke Roane | .... | lead animator: Luma Pictures | |
| Charles Scott IV | .... | digital compositor | |
| Gabe Shedd | .... | visual effects staff | |
| Payam Shohadai | .... | executive visual effects supervisor: Luma Pictures | |
| Joey Sila | .... | digital effects artist: Luma Pictures | |
| Jared Simeth | .... | digital compositor: Luma Pictures | |
| Thanapoom Siripopungul | .... | visual effects artist: Luma Pictures | |
| Steven Swanson | .... | visual effects supervising producer: Luma Pictures | |
| Jason Yanofsky | .... | senior lighting/compositing | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Bill Anagnos | .... | stunts | |
| Christopher Lee Bailey | .... | stunts | |
| Ben Bray | .... | stunts | |
| Tim Buchanan | .... | stunts | |
| Laurence Chavez | .... | stunts | |
| Eddie J. Fernandez | .... | stunts (as Eddie Fernandez) | |
| Lakshman Nathaniel Garin | .... | stunts (as Lakshman Garin) | |
| Jim Henry | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Toby Holguin | .... | stunts | |
| Brett A. Myrick | .... | stunts (as Brett Myrick) | |
| Mark Norby | .... | stuntperson: Josh Brolin | |
| Steve Rizzo | .... | stunts | |
| Tom Roach | .... | stunts | |
| Thomas Rosales Jr. | .... | stunts (as Tommy Rosales) | |
| Ramsey Scott | .... | stunts | |
| Jose L. Vasquez | .... | stunts (as Jose Vasquez) | |
| Laurence Vasquez | .... | stunts | |
| Jim Henry | .... | stunt double: Chip Love (uncredited) | |
| Steve Rizzo | .... | stunt double: Zach Hopkins (uncredited) | |
Casting Department | |||
| Jo Edna Boldin | .... | location casting | |
| Elizabeth Gabel | .... | background casting | |
| Barbara Harris | .... | voice casting | |
| Katy Houska | .... | background casting assistant | |
| Tracy Kilpatrick | .... | additional casting | |
| Marie A. Kohl | .... | casting assistant: New Mexico | |
| Amelia Rasche | .... | casting associate: New York | |
| Kathryn Schuetze | .... | casting assistant: New Mexico (as Kathryn 'Kit' Schuetze) | |
| Rachel Tenner | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Aleah Ames | .... | key costumer | |
| Lori DeLapp | .... | costume supervisor | |
| Jenny Eagan | .... | assistant costume designer | |
| Emily Egge | .... | set costumer | |
| Delia Hauser | .... | costumer | |
| Christine Hawes | .... | costumer | |
| Nikki Kelly | .... | wardrobe production assistant | |
| Claire Sandrin | .... | key set costumer | |
| Mary Beth Sterling | .... | costume production assistant: Los Angeles | |
| Stephani Lewis | .... | seamstress (uncredited) | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Buster Jacob Coen | .... | post-production assistant | |
| Catherine Farrell | .... | post-production coordinator | |
| Michael Hatzer | .... | supervising digital colorist: Efilm (as Mike Hatzer) | |
| Michael Kennedy | .... | digital intermediate producer (as Mike Kennedy) | |
| Catie Laffoon | .... | post-production assistant | |
| Marc Lulkin | .... | digital color assist | |
| Katharine McQuerrey | .... | assistant editor | |
| Neil A. Stelzner | .... | associate editor | |
| Tom Reiser | .... | colorist assist: Efilm (uncredited) | |
Music Department | |||
| Michael Farrow | .... | score mixer | |
| Gordon Gottlieb | .... | musician | |
| Todd Kasow | .... | music editor | |
| John Palatucci | .... | musician | |
| Sandra Park | .... | conductor | |
| Chris Robertson | .... | music clearance | |
| David Torn | .... | musician | |
Transportation Department | |||
| Lyle Christensen | .... | shotmaker driver | |
| John Christopher Hicks | .... | driver | |
| Scott Howard | .... | transportation | |
| Jack Prince | .... | driver | |
| Paul Ripple | .... | transportation dispatcher | |
| Timothy P. Ryan | .... | transportation coordinator | |
| Faith Strongheart | .... | driver: cast | |
| Jeff J. Williams | .... | driver: vip | |
Thanks | |||
| Jason Willaford | .... | thanks | |
| Ree Willaford | .... | thanks | |
|
|
|
|
|
| Pulp Fiction | Grosse Pointe Blank | The Salton Sea | Live Free or Die Hard | The Fugitive |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
No Country for Old Men is as exceptional a mix of two creative talents- the Coen brothers, Joel and Ethan Coen, and author Cormac McCarthy (recent winner of the Pulitzer for The Road, his own masterpiece) as one could imagine, as they converge on a story that in lessor hands would be just a B movie. The story concerns an average Joe out hunting one day in Texas who comes across a bunch of dead bodies, heroin, and a satchel with 2 million in cash. He takes it, but without knowing that a true embodiment of a psychopath (Javier Bardem) is on his trail, and as he evades him it becomes more and more clear the fatalism that lies in store, as a weathered sheriff (Tommy Lee Jones) is also on the trail with perpetulally sad eyes looking on from his stolid demeanor.
More than this, it's also about as good a morality play as one could ask for, because it plays and tools and makes very serious questions about what is moral, or what isn't, or what is so ambiguous that it's all up to the toss of a coin or a chance ride out of town. There are a few interpretations to Bardem's character Anton that could be taken, but one thing is certain- he's less a symbol than a real presence, a "ghost" as Jones's sheriff calls him that can come around at the drop of a pin, usually in the dark, and strike the utmost fear (or confusion if you're a clerk) in the hearts of men and women. You'll never look at a coin toss the same way again. Or an air-gun. Or fixing a bullet wound in a leg. Or a hunt at a motel. Or even the aftermath of a car crash.
But at the same time it's the purest time of cinema, recalling Hitchcock and Leone and Welles's Touch of Evil and the best of noir and westerns. There are so many exceptional shots and lighting, so much depth to the perception of the characters through the mis-en-scene, so much tension, that through this it's all up to the actors to make or break the near-perfection that is the McCarthy source. Bardem embodies Anton like no other could- you can't look at his eyes, often steel-cold and horrifically professional (to what professional who can say), which occasional tear- and it's obviously worthy of an Oscar. And Josh Brolin and Tommy Lee Jones are also fantastic; we see Brolin often in the midst of an action scene, a moment of 'save-your-life' going on, and one can finally see an actor of his caliber completely breaking out in a role that doesn't require him to ever totally "emote". Jones, on the other hand, gives a compassionate turn in a film that's about the struggles of desperate men in a land without law and order. He's gone through so much that it comes out completely in his voice and eyes, sorrowful but holding back, and he reaches a level of connection with the character that makes the Fugitive look like simpleton TV. Kelly McDonald, who plays Lleland's wife, is also excellent when called upon, especially in a crucial scene later in the film.
It's gut-wrenching, bleak, violent, super-tense (I clenched many a knuckle during some scenes), surprisingly funny in a darkly comic manner not seen by the Coens in many years, and artistically fashioned to a beat that is meditative (watch the opening moments with Jones's voice-over), simple, and doomed. It's beautiful and terribly tragic, for McCarthy fans it finally strikes at what is truest to his material- even if you haven't read the book itself the Road will give an indication of the mood and atmosphere at hand- and at the moment I can't think of any other film that would be the best pick of the year- maybe one of the best films I've ever seen.