| Photos (see all 11 | slideshow) | Videos (see all 4) |
Ken Marino (writer)
No one can drift forever.
A coming-of-age story about four working-class friends growing up in Long Island, New York, as clam diggers. Their fathers were clam diggers as well as their grandfathers before them. | full synopsis
Hanging with Motherhood Writer-Director Katherine Dieckmann
(From Huffington Post. 21 October 2009, 6:59 AM, PDT)
Urban Motherhood
(From Tribeca Film. 19 October 2009, 6:30 AM, PDT)
Marble or wood? Diggers more (13 total)
| Paul Rudd | ... | Hunt | |
| Ken Marino | ... | Lozo | |
| Ron Eldard | ... | Jack | |
| Josh Hamilton | ... | Cons | |
| Maura Tierney | ... | Gina | |
| Sarah Paulson | ... | Julie | |
| Lauren Ambrose | ... | Zoey | |
| Beeson Carroll | ... | Hunt's Father | |
| Jack O'Connell | ... | Mr. Wilson | |
| Shannon Barry | ... | Lisa | |
| Andrew Cherry | ... | Anthony Lozo | |
| Alexander Pickett | ... | Frankie Lozo Jr. (as Alex Pickett) | |
| Jonny Pickett | ... | Jon Jon Lozo | |
| Caroline Wallis | ... | Donna Lozo | |
| Alison Folland | ... | Beth | |
| Mather Zickel | ... | Alan | |
| John Taylor | ... | A.P. | |
| Michael Potts | ... | South Shell Pot Buyer | |
| Tom Wiggin | ... | Nick the Bartender | |
| Dale Soules | ... | Silly Lilly Waitress | |
| Matthew Glave | ... | South Shell Guy #1 | |
| Cindy Smith | ... | South Shell Secretary | |
| Scott Sowers | ... | South Shell Guy #2 | |
| Chazz Menendez | ... | South Shell Guy #3 | |
| Marc Spencer | ... | Radio Announcer (voice) | |
| Margie Sutcuoglu | ... | TV Announcer | |
| Charlie Prott | ... | Call-In Clamdigger (voice) | |
| Nola | ... | Van Gogh | |
| rest of cast listed alphabetically: | |||
| Richard Council | ... | Guy in Truck (uncredited) | |
| Robert Feeley | ... | Clammer (uncredited) | |
| Marc Fogel | ... | Clammer (uncredited) | |
| Adam Watt | ... | Mooner (uncredited) | |
Directed by | |||
| Katherine Dieckmann | |||
Writing credits(in alphabetical order) | ||
| Ken Marino | writer | |
Produced by | |||
| Anne Chaisson | .... | producer | |
| Mark Cuban | .... | executive producer | |
| Jason Kliot | .... | producer | |
| Rosemary Lombard | .... | associate producer | |
| Ken Marino | .... | producer | |
| Satsuki Mitchell | .... | associate producer | |
| Alan Oxman | .... | associate producer | |
| Jonathan Stern | .... | co-producer | |
| Joana Vicente | .... | producer | |
| Todd Wagner | .... | executive producer | |
| David Wain | .... | executive producer | |
Original Music by | |||
| David Mansfield | |||
Cinematography by | |||
| Michael McDonough | (director of photography) | ||
Film Editing by | |||
| Sabine Hoffmann | (as Sabine Hoffman) | ||
| Malcolm Jamieson | |||
Casting by | |||
| Cindy Tolan | |||
Production Design by | |||
| Roshelle Berliner | |||
Art Direction by | |||
| Katya DeBear | |||
Set Decoration by | |||
| Chryss Hionis | |||
Costume Design by | |||
| Catherine George | |||
Makeup Department | |||
| Daisy Curbeon | .... | additional hair stylist | |
| Scott W. Farley | .... | key hair stylist (as Scott Farley) | |
| Christina Grant | .... | hair stylist assistant: second unit and additional shooting | |
| Maya Hardinge | .... | key makeup artist | |
| Theodora Katsoulogiannakis | .... | hair stylist: second unit and additional shooting | |
| Robert Kushner | .... | wig maker: Ira Senz Inc. | |
| Tania Ribalow | .... | additional hair stylist | |
| Tania Ribalow | .... | makeup artist: second unit and additional shooting | |
Production Management | |||
| Christopher Edwards | .... | post-production supervisor | |
| Rosemary Lombard | .... | unit production manager | |
| Gretchen McGowan | .... | executive in charge of production | |
| Olly Roskill | .... | unit manager (as Oliver Roskill) | |
Second Unit Director or Assistant Director | |||
| Daniela Barbosa | .... | second second assistant director | |
| Malcolm Jamieson | .... | second unit director | |
| Scott Larkin | .... | second second assistant director | |
| Jeffrey Lazar | .... | first assistant director | |
| Scott Lazar | .... | second assistant director | |
| Louise Lovegrove | .... | second assistant director | |
| Jim McKinney | .... | first assistant director | |
| Bethann Schebece | .... | second second assistant director (as Beth Schebece) | |
| Tonko Soljan | .... | additional second second assistant director | |
| Jonathan Stern | .... | first assistant director | |
| Jonathan Stern | .... | first assistant director | |
Art Department | |||
| Chrissie Atkinson | .... | art assistant: second unit and additional shooting | |
| Leni Calas | .... | property master | |
| Kaem Coughlin | .... | charge scenic artist | |
| Robert Covelman | .... | set dresser | |
| Rachelle Crocker | .... | set decorator intern | |
| Mandie DeMeskey | .... | assistant property master | |
| Yolan Fisher | .... | property master: second unit and additional shooting | |
| William Gertler | .... | construction grip: second unit and additional shooting | |
| Adam Goodnoff-Cernese | .... | assistant property master | |
| Abbey Katz | .... | graphic artist | |
| Jeff Maksym | .... | art direction production assistant | |
| Bruce McNally | .... | scenic artist | |
| Nicholas J. Mongelli Jr. | .... | key construction grip (as Nick Mongelli Jr.) | |
| Alex Quarles | .... | leadman | |
| Nicole Scoppa | .... | set dresser | |
| Richard Tenewitz | .... | construction coordinator | |
| Heather Wellik | .... | set decorator production assistant | |
| Elena Zviavuina | .... | scenic artist | |
Sound Department | |||
| Chad Birmingham | .... | foley editor | |
| Bob Chefalas | .... | sound re-recording mixer | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Stuart Deutsch | .... | boom operator | |
| Tim Elder | .... | sound utility | |
| Bret Johnson | .... | sound re-recording assistant | |
| George A. Lara | .... | foley mixer | |
| Beauxregard Neylen | .... | adr recordist (as Beaux Neylen) | |
| James Nichols | .... | consultant: Dolby sound | |
| Jeff Pullman | .... | sound mixer | |
| Alex Raspa | .... | adr mixer | |
| Nicholas Renbeck | .... | sound re-recording mixer (as Nicholas Rembeck) | |
| Nicholas Renbeck | .... | supervising sound editor (as Nicholas Rembeck) | |
| Jac Rubenstein | .... | dialogue editor | |
| Serge Stanley | .... | sound effects editor | |
Stunts | |||
| Stephen Mann | .... | marine coordinator | |
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Meredith Jacobson | .... | extras casting | |
| Jennifer Peralta-Ajemian | .... | casting intern (as Jennifer Ajemian) | |
| Amelia Rasche | .... | casting assistant | |
| Laura Verbeke | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Sonja Cizmazia | .... | costume assistant | |
| Rachel Greene | .... | costume supervisor (as Rachel Leah Greene) | |
| Zulma Mejia | .... | costume production assistant | |
| Soubhik Saha | .... | costume assistant | |
| Nancy Tran | .... | costume production assistant | |
Editorial Department | |||
| Don Ciana | .... | lab color timer | |
| Christy Denes | .... | additional editorial assistant | |
| Lance Edmands | .... | additional editorial assistant | |
| Kyle Martin | .... | assistant editor | |
| Jesse Morrow | .... | on-line conformer | |
| Marygrace Nicolas | .... | digital intermediate project manager | |
| Katie Stern | .... | additional editorial assistant | |
| Tim Stipan | .... | digital intermediate colorist | |
| Virginia A. Williams | .... | post-production coordinator | |
| Christian Zak | .... | digital intermediate producer | |
Music Department | |||
| Brian Dozoretz | .... | score mixer | |
| Jim Dunbar | .... | music supervisor | |
| Jamie Lowry | .... | music editor | |
| Randall Poster | .... | music supervisor | |
Transportation Department | |||
| Paul Elliacin | .... | driver | |
| Steven Menasian | .... | transportation captain (as Steve Menasian) | |
Thanks | |||
| John Baldi | .... | special thanks | |
| Nicole Bayless | .... | special thanks | |
| Danny Benair | .... | special thanks | |
| Brady L. Benton | .... | special thanks | |
| Linda Chelgren | .... | special thanks | |
| Stephanie Diaz-Matos | .... | special thanks | |
| Chris Geer | .... | special thanks | |
| Lyle Hysen | .... | special thanks | |
| Jeff Rosen | .... | special thanks | |
| Alec Setten | .... | special thanks | |
| Peter Wright | .... | special thanks | |
Rated R for language, drug use and some sexual content.
96 min | Canada:87 min (Toronto International Film Festival)
References The Stepford Wives (1975) more
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| The Last Picture Show | Die Blechtrommel | Ceux qui m'aiment prendront le train | Short Cuts | 1969 |
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I often wondered, after seeing "Reno 911" and the other TV/movies done by the Michael Ian Black part of MTV's "The State," what had happened to Ken Marino? Sure he was in a couple bit parts with "Reno," but never a regular with any of the future endeavors by his old comedy troupe. Thanks to HDNet Films, Marino has been brought into the film world with his writing debut Diggers. This film is a drama to its core, yet also one of the funniest movies I have seen in a while. It's good to see that my old MTV comedians are all seeing some sort of success today.
Diggers is a tale of a small clamming community on Long Island. Like most working class towns, the people all know each other from school days and just growing up in close proximity with parents of similar occupation. A huge conglomerate has come to town, restricted the best clam areas, and taken away much of the towns financial opportunities. Some have defected and sold out to earn money for their families, however, the die-hard diggers at the forefront of this tale refuse to give in. They go out there and work for what little they can to scrap by and support their loved ones. Our main conduit into the story is Hunt, played perfectly by the always great Paul Rudd. He is a dreamer, taking photos wherever he goes, but still does his clam digging, meeting up with his father later in the day after sleeping in first. This day changes everything, though, as Hunt's father dies on the water. Everyone comes together for the funeral and you start to see a change for this group of friends and how they will continue their lives.
Rudd has the right mix of sarcasm and protective mindset for those he loves along with bottled up emotions just waiting to be let out. Diggers is at its core a story of how he finally looks at his life and decides to do what he wants; first though, he needs to accept himself and deal with the tragedy that has followed his life to this point. His mother always wanted to take him to the city when he got older, but she never got the chance. Maybe through the course of events in this film, he can finally get the courage to see what is out there for him.
Rudd is not the only shining spot in the movie. This is a great cast of "those guy" actors. Maura Tierney is effective as Hunt's sister, coping with the loss of her father and a burgeoning relationship with an odd choice for a suitor; Lauren Ambrose is fun as the city girl on vacation, "silent flirting" with Rudd until he ruins the façade; Ron Eldard shows his comedic worth as he always does in small roles; and Sarah Paulson plays the mother of five with love and compassion, but also an edge to counteract the verbal tirades of her husband. That husband steals every scene, and is played by our writer, Ken Marino. The scene that introduces his character in the bathroom is priceless. You have to give him credit for writing the role for himself so effectivelythe hypocritical speech, swearing in front of his kids yet jumping at them when they swear is hilarious, and the verbal wars with his wife, always ending in a smile, are fantastic. Anytime a father can yell at his kids to go outside and play as punishment, and have it work, I'm totally with that role waiting anxiously for what he may do next like sending them outside in the rain to finish their breakfast.
Overall Diggers is a wonderful little gem to enjoy. The laughs are big, but they surround a story that is really about friendship and family and the love necessary to work through it all. If nothing else, Marino infused his script with plenty of heart and you are with these crazy people from the start, experiencing how one tragedy can open their eyes and change their courses for the future. I can't wait now to see his follow-up The Ten.