| Photos (see all 50 | slideshow) | Videos (see all 30) |
| Daniel Day-Lewis | ... | Daniel Plainview | |
| Martin Stringer | ... | Silver Assay Worker | |
| Matthew Braden Stringer | ... | Silver Assay Worker | |
| Jacob Stringer | ... | Silver Assay Worker | |
| Joseph Mussey | ... | Silver Assay Worker | |
| Barry Del Sherman | ... | H.B. Ailman | |
| Harrison Taylor | ... | Baby H.W. Plainview | |
| Stockton Taylor | ... | Baby H.W. Plainview | |
| Paul F. Tompkins | ... | Prescott | |
| Dillon Freasier | ... | Young H.W. Plainview | |
| Kevin Breznahan | ... | Signal Hill Man | |
| Jim Meskimen | ... | Signal Hill Married Man | |
| Erica Sullivan | ... | Signal Hill Woman | |
| Randall Carver | ... | Mr. Bankside | |
| Coco Leigh | ... | Mrs. Bankside | |
| Paul Dano | ... | Paul Sunday / Eli Sunday | |
| Ciarán Hinds | ... | Fletcher | |
| Sydney McCallister | ... | Young Mary Sunday | |
| David Willis | ... | Abel Sunday | |
| Christine Olejniczak | ... | Mother Sunday | |
| Kellie Hill | ... | Ruth Sunday | |
| James Downey | ... | Al Rose | |
| Dan Swallow | ... | Gene Blaize | |
| Robert Arber | ... | Charlie Wrightsman | |
| Bob Bell | ... | Geologist | |
| David Williams | ... | Ben Blaut | |
| Joy Rawls | ... | Eli Follower | |
| Louise Gregg | ... | Eli Follower | |
| Amber Roberts | ... | Eli Follower | |
| John W. Watts | ... | Oil Worker | |
| Robert Caroline | ... | Oil Worker | |
| Barry Bruce | ... | Oil Worker | |
| Irene G. Hunter | ... | Mrs. Hunter | |
| Hope Elizabeth Reeves | ... | Elizabeth | |
| John Chitwood | ... | Little Boston Doctor | |
| Kevin J. O'Connor | ... | Henry | |
| David Warshofsky | ... | H.M. Tilford | |
| Tom Doyle | ... | J.J. Carter | |
| Colton Woodward | ... | William Bandy | |
| John Burton | ... | L.P. Clair | |
| Hans Howes | ... | Mr. Bandy | |
| Robert Barge | ... | Bartender | |
| Ronald Krut | ... | Standard Oil Man | |
| Huey Rhudy | ... | Standard Oil Man | |
| Steven Barr | ... | Standard Oil Man | |
| Robert Hills | ... | H.W. Plainview's Interpreter | |
| Colleen Foy | ... | Adult Mary Sunday | |
| Russell Harvard | ... | Adult H.W. Plainview | |
| Bob Bock | ... | Priest (as Reverend Bob Bock) | |
| Vince Froio | ... | Plainview Servant | |
| Phil Shelly | ... | Plainview Servant | |
| rest of cast listed alphabetically: | |||
| Mary Elizabeth Barrett | ... | Fanny Clark | |
| Misha Bugaev | ... | Young man (uncredited) | |
| Brad Carr | ... | Signal Hill Man (uncredited) | |
| Rhonda Reeves | ... | Elizabeth's Mother (uncredited) | |
| Arne Starr | ... | Signal Hill Resident (uncredited) | |
Directed by | |||
| Paul Thomas Anderson | |||
Writing credits(WGA) | ||
| Paul Thomas Anderson | (screenplay) | |
| Upton Sinclair | (novel "Oil!") | |
Original Music by | |||
| Jonny Greenwood | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Dylan Tichenor | |||
Casting by | |||
| Cassandra Kulukundis | |||
Production Design by | |||
| Jack Fisk | |||
Art Direction by | |||
| David Crank | |||
Set Decoration by | |||
| Jim Erickson | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Kim Ayers | .... | makeup artist: Los Angeles (as Kimberly Ayers) | |
| John Blake | .... | makeup department head | |
| Catherine Conrad | .... | makeup artist | |
| Lupe Devine | .... | hair stylist | |
| Sharon Ray Ely | .... | hair stylist (as Sharon Ely) | |
| Linda D. Flowers | .... | hair department head (as Linda Flowers) | |
| Yesim 'Shimmy' Osman | .... | key hair stylist: Los Angeles | |
| David Larson | .... | hair stylist: Los Angeles (uncredited) | |
Production Management | |||
| Erica Frauman | .... | post-production supervisor | |
| Jamey Pryde | .... | post-production supervisor | |
| Will Weiske | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Eric Richard Lasko | .... | second assistant director (as Eric Lasko) | |
| Jenny Nolan | .... | second second assistant director | |
| Richard Oswald | .... | second assistant director | |
| Adam Somner | .... | first assistant director | |
| Ian Stone | .... | second assistant director: Los Angeles | |
| Jeff Habberstad | .... | second unit director (uncredited) | |
Art Department | |||
| Keith Alexander | .... | propmaker | |
| Steve Allen | .... | propmaker foreperson | |
| Richard 'Frog' Bain | .... | propmaker | |
| Craig Baron | .... | property assistant | |
| Brad Blei | .... | set dresser | |
| Glen Bohls | .... | laborer | |
| Mark 'Finn' Borg | .... | welder | |
| Lewis Bowen | .... | paint foreperson | |
| David Bringas | .... | propmaker supervisor | |
| Robert Brown | .... | propmaker | |
| Ryan Bust | .... | stand-by greens | |
| Marco A. Campos | .... | propmaker supervisor (as Marco Campos) | |
| Bridget Cardenas | .... | stand-by painter: Los Angeles | |
| Raul Carrera | .... | greens | |
| Michael Casey | .... | set dresser: Los Angeles (as Michael P. Casey) | |
| Dirk Clark | .... | propmaker | |
| Jack Colmenero | .... | set dresser | |
| Ronald Cox | .... | propmaker supervisor | |
| Laurence B. Davis | .... | propmaker | |
| Jeffrey DeBell | .... | greens foreperson (as Jeff DeBell) | |
| Ruth De Jong | .... | art department production assistant | |
| Patricia Dillon | .... | set dresser | |
| Derek Drewes | .... | propmaker (as Derek Drews) | |
| Jerry Farrell | .... | propmaker | |
| Tony Farrell | .... | propmaker | |
| Christopher Flournoy | .... | propmaker | |
| Neil Gahm | .... | propmaker supervisor | |
| Franco Georgianna | .... | propmaker | |
| Keith Giller | .... | set dresser: Los Angeles | |
| Sara Giustini | .... | art department production assistant | |
| Billy Guerro | .... | painter | |
| Archie Hankins | .... | carpenter | |
| Mark Hanks | .... | set dresser | |
| Claire Hassig | .... | scenic artist | |
| Kenneth Heimer | .... | propmaker | |
| Jourdan Henderson | .... | art department coordinator | |
| Eric Henshaw | .... | first greens | |
| Clint Higginbotham | .... | propmaker | |
| Allan Holder | .... | propmaker (as Allen Holder) | |
| Bill Holmquist | .... | construction coordinator | |
| Steven Curtis Husch | .... | assistant property master (as Steven C. Husch) | |
| Dean F. Janik | .... | paint foreperson | |
| Steven Kerlagon | .... | paint supervisor | |
| Jerry Kilber | .... | propmaker foreperson | |
| Garry Kirks | .... | propmaker | |
| Jim Krase | .... | propmaker | |
| Andree Lago | .... | scenic artist | |
| Peter J. Lakoff | .... | set dresser: Los Angeles (as Peter Lakoff) | |
| Amy Lamendola | .... | production assistant: Los Angeles | |
| David Lawrence | .... | paint laborer | |
| Eric Luling | .... | on-set dresser | |
| P.K. MacCarthy | .... | storyboard artist | |
| Douglas Machala | .... | leadperson: Los Angeles | |
| Michael C. Magno | .... | set dresser: Los Angeles | |
| Chandra Malone | .... | propmaker | |
| Patrick J. Martin | .... | propmaker supervisor | |
| Walt Mikolwski | .... | construction foreperson (as Walter Mikowlski) | |
| John W. Morgan | .... | scenic painter | |
| Matthew Murphy | .... | set dresser: Los Angeles (as Matt Murphy) | |
| Tyler Noel | .... | laborer | |
| Natalie Palasota | .... | set dresser: Los Angeles | |
| Anthony D. Parrillo | .... | set designer: Los Angeles (as Anthony D. Parillo) | |
| Pavel Pesta | .... | scenic artist | |
| Steve Pfauter | .... | set dresser: Los Angeles | |
| Stuart Rankine | .... | property master | |
| Jack Reeves | .... | stand-by painter | |
| Jeffrey A. Rice | .... | laborer | |
| Michael Riviere | .... | propmaker (as Mickey Riviere) | |
| David Rodriguez | .... | laborer | |
| Steve Roll | .... | propmaker foreperson (as Stephen Roll) | |
| Kyle Safarick | .... | propmaker | |
| Steve Sawhill | .... | leadperson | |
| Charles Seale | .... | propmaker | |
| Chad Simpson | .... | general paint foreperson (as Chad 'Chadwick' Simpson) | |
| Vaughn Rick Smith | .... | propmaker | |
| Michael Smothers | .... | laborer | |
| Robin Spoon | .... | paint coordinator | |
| Jason W. Spradling | .... | propmaker | |
| Carl J. Stensel | .... | set designer (as Carl Stensel) | |
| William Sterling | .... | propmaker | |
| Bobby Thomas | .... | additional assistant property master | |
| Kevin Tomasiello | .... | laborer | |
| John E. Townes | .... | paint laborer | |
| Alex Walker | .... | set dresser: Los Angeles | |
| Leon Wallace | .... | painter | |
| Robert K. Weinberger | .... | propmaker foreperson (as Robert Weinberger) | |
| Amy Wells | .... | assistant set decorator: Los Angeles | |
| Bradly V. Williams | .... | laborer | |
| Don Williams | .... | propmaker | |
| Raul V. Carrera | .... | greens foreman (uncredited) | |
| Michael Goss | .... | labor (uncredited) | |
Special Effects by | |||
| David Blitstein | .... | special effects set foreman | |
| Steve Cremin | .... | special effects coordinator | |
| Christian Eubank | .... | special effects technician (as Christian F. Eubank) | |
| Jay King | .... | special effects technician (as Jay B. King) | |
| William D. Lee | .... | special effects foreman (as William Lee) | |
| Lee McConnell | .... | special effects rigging foreman (as Lee Alan McConnell) | |
| Brandon K. McLaughlin | .... | special effects technician (as Brandon McLaughlin) | |
| Glenn Thomas | .... | special effects technician | |
| Dennis Yeager II | .... | special effects technician | |
| Douglas D. Ziegler | .... | special effects technician (as Douglas Ziegler) | |
Visual Effects by | |||
| Joy Carmeci | .... | visual effects producer: ILM (as Joy Carmecy) | |
| Mark Casey | .... | digital effects artist | |
| John G. Chalfant | .... | CG support | |
| Grady Cofer | .... | visual effects supervisor: ILM | |
| Amit Dhawal | .... | digital artist: Digital Backlot | |
| Christina Graff | .... | visual effects producer | |
| Paul Graff | .... | visual effects supervisor: Digital Backlot | |
| Susan Greenhow | .... | visual effects producer | |
| Sarah Grossmann | .... | compositor: Digital Backlot (as Sarah Grossman) | |
| Elizabeth Hirsch | .... | visual effects production manager: Digital Backlot | |
| Michael Honrada | .... | digital effects artist | |
| Llyr Tobias Johansen | .... | production assistant | |
| Sam Khorshid | .... | lead cgi artist: Digital Backlot (as Samir Khorshid) | |
| Erin D. O'Connor | .... | visual effects coordinator: ILM (as Erin O'Connor) | |
| Ari Sachter-Zeltzer | .... | 3D artist: Digital Backlot | |
| Gregory S. Scribner | .... | compositor: Digital Backlot | |
| Robert Stromberg | .... | visual effects designer | |
| Chad Taylor | .... | digital artist | |
| David Washburn | .... | digital artist: ILM | |
| Adam Watkins | .... | computer graphics supervisor: Digital Backlot | |
Stunts | |||
| Brian Avery | .... | stunt performer | |
| Jeff Habberstad | .... | stunt coordinator | |
| Ryan Happy | .... | stunt performer | |
| Keii Johnston | .... | stunt performer | |
| Mike Justus | .... | stunt performer | |
| Jay King | .... | stunt performer (as Jay B. King) | |
| Shawn Lane | .... | stunt performer | |
| Frank Lloyd | .... | stunt performer | |
| Jake Lombard | .... | stunt performer | |
| Mark Munoz | .... | stunt performer | |
| Denney Pierce | .... | stunt performer | |
| Myke Schwartz | .... | stunt coordinator | |
| Larry M. Shorts | .... | stunt performer (as Larry Shorts) | |
| Paul Sklar | .... | stunt performer | |
| Scott Sproule | .... | stunt performer | |
| Sean Graham | .... | stunts (uncredited) | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting | |
| Toni Cobb Brock | .... | location casting | |
| Barbara Harris | .... | adr voice casting | |
| Sally Allen | .... | location casting associate (uncredited) | |
| John Barba | .... | casting associate (uncredited) | |
| Annie Hedgpeth | .... | location casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Kimberly Adams-Galligan | .... | assistant costume designer (as Kimberly Adams) | |
| Eden Clark Coblenz | .... | costume supervisor (as Eden Coblenz) | |
| Elizabeth Galindo | .... | costume intern | |
| Brad Holtzman | .... | on-set costumer | |
| Kathy Kiatta | .... | key costumer (as Kathleen Kiatta) | |
| Elspeth Lauder Mickel | .... | seamstress (as Elspeth Lauder) | |
| Natasha Paczkowski | .... | costume manufacturing foreperson | |
| Andrew Slyder | .... | on-set costumer: Los Angeles | |
| Stephanie A. Steel | .... | on-set costumer | |
| Michelle Elaine Teague | .... | costumer (as Michelle Teague) | |
| Maria Tortu | .... | assistant costume designer: Los Angeles (as Maria K. Tortu) | |
| Catherine Wall | .... | cutter/fitter | |
| Yvonne Wilburn | .... | costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| John Campuzano | .... | digital opticals coordinator | |
| Paula Greatbatch | .... | first assistant editor: film (as Paula Suhy) | |
| Peter McNulty | .... | additional editor | |
| Heather Mullen | .... | dailies assistant editor | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Nelson-Fraser) | |
| Tatiana S. Riegel | .... | second editor | |
| Brendan Walsh | .... | second assistant editor | |
| Tristan Mathews | .... | post-production assistant (uncredited) | |
Music Department | |||
| Fiona Bonds | .... | musician: viola | |
| Martin Burgess | .... | musician: violin | |
| Linda Cohen | .... | music supervisor | |
| Caroline Dale | .... | musician: cello | |
| Michael Dussek | .... | musician: piano | |
| Clare Hayes | .... | musician: violin | |
| Lewis Jones | .... | assistant music engineer | |
| Paul Rabjohns | .... | music editor | |
| Simon Rhodes | .... | score recordist | |
| William Schofield | .... | musician: cello | |
| Graeme Stewart | .... | music engineer: additional score | |
| Graeme Stewart | .... | score mixer: additional score | |
| Graeme Stewart | .... | score recordist: additional score | |
| Rudolf Werthen | .... | conductor | |
| Robert Ziegler | .... | conductor | |
Thanks | |||
| Robert Altman | .... | dedicatee | |
| Gary Bolen | .... | thanks | |
| Mark Graziano | .... | special thanks | |
| Richard Grigsby | .... | thanks | |
| David Lanman | .... | thanks (as Mayor David Lanman of Marfa, TX) | |
| Betty MacGuire | .... | thanks | |
| Sam Rinehart | .... | thanks | |
| Troy Rinehart | .... | thanks | |
| Dale Rittenhouse | .... | thanks | |
| Tom Sherak | .... | thanks | |
| Roy Williams | .... | thanks | |
| Gil Wilson | .... | thanks | |
| Brendon Woodtaylor | .... | thanks | |
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| Giant | The Night of the Hunter | Novecento | Die Blechtrommel | Gone with the Wind |
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A movie that hits you like a fever, There Will Be Blood is not the type of story that gets told very often. A multi-layered portrait of all that comes with a desire for power, There Will Be Blood will leave audiences feeling exhausted and with a bitter taste in their mouths.
Directed by Paul Thomas Anderson, the film is presented in an assured and confident manner. Anderson is the most naturally gifted filmmaker of his generation, a fact that is evident here. Packed with breathtaking shots and scenes of boiling intensity, the movie makes no apologies about its tendency towards the grandeur inherent in telling an epic story that spans decades. Perhaps the first thing that will strike viewers will be the unavoidable use of imagery that comes naturally when setting a story in the old west. However, Anderson's latest effort also packs enough depth and complexity to let you know that it never relies solely on this foundation. Although ripe with symbolism, There Will Be Blood does not settle for merely the pretense of poignancy by imagery. Instead it gives us complex characters that prove to be the soul of the story.
The film is anchored by the powerful presence of Daniel Day-Lewis as Daniel Plainview, a silver miner turned oilman. Day-Lewis' performance is a thing of beauty. Equal parts larger-than-life and nuanced, his Daniel Plainview perfectly embodies the spirit of a salesman while putting across the multiple layers required for the portrayal of a man with an all-too-human desire for power. Critics of Daniel Day-Lewis performance will say that his portrayal is far too theatrical, a criticism also given to his portrayal of Bill the Butcher in Gangs of New York. The reality is that Day-Lewis does not carry this to everyone of his performances. However, he knows when a character is supposed to be showman. Plainview is a salesman and without his swagger he would be nowhere as a businessman. What is truly outstanding is that, unlike lesser actors, Day-Lewis is able to bring out the more human aspects of Plainview that make him a fascinating character to watch.
Joining Day-Lewis is Paul Dano as Eli Sunday. Dano balances out his character appropriately, giving Sunday the calm and silent demeanor that stands in sharp contrast to his passion for religion. While Dano does not deliver the performance of his career in this film, he does show hints of tremendous talent in his portrayal of an evangelical preacher that stands in opposition of Plainview's search for power. The rest of the cast simply takes a supporting role amidst this struggle.
Providing the score for this conflict is Johnny Greenwood's haunting score. Greenwood manages to accentuate the barren desert setting with a score that is both minimalist and entrancing. Although it never rises to the showboating highs of Howard Shore, the music enhances the dark, pessimistic, and emotionally taxing tone of the film while never taking center stage away from the performances.
There Will Be Blood is an achievement in cinematography, acting, writing and film-making unlike anything released in 2007. It is a film that puts its focus on wholly unlikable characters and dares to take you in deeper despite this fact. Like Raging Bull, it is a character study of a man who you would not normally want to know and who you will be unable to forget about after it is all said and done. You may not want to revisit this film anytime soon, but it will be for all the right reasons. It is a powerful and emotionally draining experience.