| Photos (see all 22 | slideshow) | Videos (see all 7) |
Chul-hyun Baek (writer)
Joon-ho Bong (writer)
(more)
27 July 2006 (South Korea) more
It is Lurking Behind You more
A monster emerges from Seoul's Han River and focuses its attention on attacking people. full summary | full synopsis
18 wins & 13 nominations more
The Host Director Bong Joon-ho Chats About His Upcoming Sci-Fi Project, Snow Piercer
(From Slash Film. 13 October 2009, 11:18 AM, PDT)
Stephanie Meyer’s The Host Latches on to Producers
(From Collider.com. 22 September 2009, 9:13 PM, PDT)
Excellent monster movie more (217 total)
| Kang-ho Song | ... | Park Gang-Du | |
| Hie-bong Byeon | ... | Park Hie-bong | |
| Hae-il Park | ... | Park Nam-il | |
| Du-na Bae | ... | Park Nam-Joo | |
| Ah-sung Ko | ... | Park Hyun-seo | |
| rest of cast listed alphabetically: | |||
| David Joseph Anselmo | ... | Donald | |
| Martin Lord Cayce | ... | U.S. Senator | |
| Cristen Cho | |||
| Philip Hersh | ... | Additional Voices (voice: English version) | |
| Paul Lazar | ... | US Doctor trying to operate Gang-Du | |
| Brian Lee | |||
| Kurt Leitner | ... | Additional Voices (voice: English version) | |
| Clinton Morgan | ... | Agent Yellow | |
| Dal-su Oh | ... | The Monster (voice) | |
| No-shik Park | |||
| Brian Rhee | ... | Young Korean Doctor (as Brian Lee) | |
| Scott Wilson | ... | US Doctor in Morgue | |
| Pil-Sung Yim | ... | Fat Guevara | |
Directed by | |||
| Joon-ho Bong | |||
Writing credits(in alphabetical order) | ||
| Chul-hyun Baek | writer | |
| Joon-ho Bong | writer | |
| Won-jun Ha | writer (as Jun-won Ha) | |
Produced by | |||
| Yong-bae Choi | .... | producer | |
| Junyoung Jang | .... | co-producer | |
| Neung-yeon Joh | .... | producer | |
| Lewis Kim | .... | co-producer | |
| Woo-Taek Kim | .... | executive producer | |
| Jeong Tae-Sung | .... | executive producer | |
Original Music by | |||
| Byung-woo Lee | |||
Cinematography by | |||
| Hyung-ku Kim | |||
Film Editing by | |||
| Sun-min Kim | |||
Casting by | |||
| John Jackson | |||
Production Design by | |||
| Seong-hie Ryu | |||
Sound Department | |||
| Coll Anderson | .... | sound designer | |
| Tae-young Choi | .... | sound | |
| Sean Garnhart | .... | sound designer | |
| Yasuaki Nakajima | .... | adr supervisor | |
| Rob Nokes | .... | additional sound effects | |
| Bill Orrico | .... | sound effects editor | |
Special Effects by | |||
| Julie Anderson | .... | project coordinator | |
| Toby Barron | .... | painter | |
| Toby Barron | .... | sculptor | |
| Brett Beacham | .... | foam latex fabricator | |
| Brett Beacham | .... | mold maker | |
| Janine Bray | .... | hair technician | |
| Teisha Brook | .... | project coordinator | |
| John Cox | .... | animatronics supervisor: John Cox's creature Workshop | |
| Liam Hardy | .... | painter | |
| Liam Hardy | .... | sculptor | |
| Josh Head | .... | foam latex fabricator | |
| Josh Head | .... | mold maker | |
| Tobias Jahke | .... | foam latex fabricator | |
| Tobias Jahke | .... | mold maker | |
| Heui-cheol Jang | .... | special creature effects | |
| Richard Mueck | .... | painter | |
| Richard Mueck | .... | sculptor | |
| Cheryl Newton | .... | hair technician | |
| Steven Parker | .... | painter | |
| Steven Parker | .... | sculptor | |
| James Paul | .... | animatronics | |
| James Paul | .... | on-set technician | |
| David Renn | .... | painter | |
| David Renn | .... | sculptor | |
| Steven Renn | .... | animatronics | |
| Mark Sloane | .... | animatronics | |
| Sonny Tilders | .... | animatronics | |
Visual Effects by | |||
| Christopher Abeyta | .... | production accountant | |
| Shadi Almassizadeh | .... | computer graphics supervisor | |
| Lindsay Anderson | .... | rotoscope artist | |
| Robert Barker | .... | systems engineer | |
| Kirstin Bradfield | .... | compositor | |
| Juan Bronson | .... | visual effects coordinator | |
| Daniela Calafatello | .... | modeler | |
| Francis L. Camacho | .... | matchmove artist (as Francis Camacho) | |
| Josh Cardenas | .... | digital artist (as Joshua Cardenas) | |
| Carrie Cassada | .... | visual effects editor | |
| Irfan Celik | .... | lead look development artist | |
| Wei Chin Chen | .... | matchmove artist | |
| Jeremy Cho | .... | lead 2D paint artist | |
| Jeremy Cho | .... | lead roto artist | |
| YouJin Choung | .... | compositor (as Youjin Cheung) | |
| Brendan Coffey | .... | information technology director | |
| Webster Colcord | .... | animation supervisor | |
| Kathleen Cosby | .... | digital artist | |
| Kevin Coyle | .... | rotoscope artist | |
| Stéphane Cros | .... | creature rigger | |
| Rif Dagher | .... | lead digital artist (as Rifaat Dagher) | |
| Bruce Dahl | .... | animator | |
| Joe C. D'Amato | .... | support | |
| Pallavi Devabhaktuni | .... | digital paint and rotoscope artist: The Orphanage | |
| Tim Dobbert | .... | matchmove supervisor | |
| Andi Dorfan | .... | rotoscope artist | |
| Rama Dunayevich | .... | publicist: The Orphanage | |
| Greg Dunn | .... | systems engineer | |
| Greg Durrett | .... | matchmove artist | |
| Trina Espinoza | .... | digital artist | |
| Katharine Evans | .... | rotoscope artist | |
| Simon Eves | .... | software development | |
| Nathan Fariss | .... | lead digital artist | |
| Jesse Fernley | .... | compositor | |
| Arin Finger | .... | visual effects producer | |
| Sharon Fitzgerald | .... | recruiter | |
| Kate Geaghan | .... | support | |
| David Gladstein | .... | software development | |
| Daniel Gloates | .... | senior staff: The Orphanage | |
| Juli Gumbiner | .... | manager of support and resource admin | |
| Mark Hamilton | .... | digital artist | |
| Tyler Ham | .... | matchmove artist | |
| Jonathan Harman | .... | senior technical director | |
| Marianne Heath | .... | rotoscope artist | |
| Paul Hettler | .... | senior visual effects producer | |
| Ki Jong Hong | .... | creature rigger | |
| Sunghwan Hong | .... | rotoscope artist | |
| Kevin Hoppe | .... | matchmover: The Orphanage | |
| Jessica Hsieh | .... | rotoscope artist | |
| Tony Hurd | .... | production operations manager | |
| Michael Hutchinson | .... | visual effects assistant editor | |
| Michael Janov | .... | lead digital artist | |
| Steve Jaworski | .... | lead compositor | |
| Karen Kelly | .... | visual effects coordinator | |
| Brook Kievit | .... | modeler | |
| Kelly Kim | .... | visual effects coordinator | |
| Seryong Kim | .... | visual effects consultant | |
| SeungJang 'Jack' Kim | .... | modeler | |
| Makoto Koyama | .... | animator | |
| Scott Kravitz | .... | animator | |
| Heath Kraynak | .... | rotoscope artist | |
| Michal Kriukow | .... | digital artist | |
| Brian Kulig | .... | CG sequence supervisor | |
| Brian Kulig | .... | pipeline software developer | |
| Jessica Lai | .... | matchmove artist | |
| David Huynh Lam | .... | resource technical assistant (as David Lam) | |
| Jeon-hyeong Lee | .... | visual effects | |
| Soyoun Lee | .... | rotoscope artist | |
| Michael Lester | .... | matchmove artist | |
| Jimmy Lillard | .... | visual effects assistant editor | |
| Kymber Lim | .... | visual effects consultant | |
| Todd Lindo | .... | manager of support and resource admin | |
| Daniel Loeb | .... | animator | |
| Ting Lo | .... | matchmoving artist (as Tiffany Lo) | |
| Jonathan Lyons | .... | animator | |
| Kevin Mains | .... | resource technical assistant | |
| Stuart T. Maschwitz | .... | senior staff: The Orphanage (as Stu Maschwitz) | |
| Kyle McCulloch | .... | compositor | |
| Dan McNamara | .... | senior staff: The Orphanage | |
| Neil Michka | .... | lead animator | |
| Matt Moses | .... | digital artist | |
| Ross Nakamura | .... | roto/paint artist: The Orphanage | |
| Natalie Nolan | .... | compositor | |
| Luke O'Byrne | .... | visual effects executive producer | |
| Michael Oregon | .... | support | |
| Alex Orzulak | .... | resource technical assistant | |
| JaeWook Park | .... | digital artist | |
| David Parsons | .... | animator | |
| Christopher Paul | .... | matchmove artist | |
| David Petry | .... | matchmove artist | |
| Alexander Pouchkarev | .... | modeler (as Sasha Pouchkarev) | |
| Alex Prichard | .... | lead compositor | |
| Ralph Procida | .... | digital artist | |
| Kevin Rafferty | .... | visual effects supervisor | |
| Nina Rappaport | .... | visual effects consultant | |
| Dav Rauch | .... | compositor | |
| Aaron Rhodes | .... | rotoscope supervisor | |
| Grover Richardson | .... | rotoscope artist | |
| Corey Rosen | .... | creature supervisor | |
| Jonathan Rothbart | .... | visual effects supervising consultant: The Orphanage | |
| Salvador Ruiz | .... | animator: The Orphanage | |
| Jesse Russell | .... | compositor | |
| Marc Sadeghi | .... | executive visual effects producer | |
| Moshe Sayada | .... | compositor | |
| Joe Scarr | .... | digital artist | |
| Andrew Schneider | .... | lead animator | |
| Charles Schwartz | .... | matchmove artist (as Charlie Schwartz) | |
| Stan Seo | .... | modeler | |
| Nick Sinnott | .... | matchmove artist | |
| Carsten Sørensen | .... | senior staff: The Orphanage | |
| Michael Spaw | .... | CG sequence supervisor | |
| David Stern-Gottfried | .... | resource technical assistant | |
| Scott Stewart | .... | senior staff: The Orphanage | |
| Lisa Todd | .... | visual effects digital production manager | |
| Brian Tolle | .... | matchmove lead | |
| Jan Van Buyten | .... | animator | |
| Brent Villalobos | .... | software development | |
| Carl Walters | .... | editorial supervisor | |
| Renee Ward | .... | visual effects production assistant | |
| Ken Wesley | .... | digital artist | |
| Mary Beth Worzella | .... | visual effects digital production manager (as Mary Beth) | |
| Tiffany Wu | .... | matchmove/roto coordinator | |
| Jeremy Yabrow | .... | software development manager | |
| Andrea Yelle | .... | human resources | |
| Danyo Donghyun Yoon | .... | pre-visualization artist | |
Other crew | |||
| Daniel Carlisle | .... | puppeteer | |
| Wonjo Jeong | .... | production coordinator: New Zealand | |
| Phillip Millar | .... | puppeteer | |
| Richard Mueck | .... | puppeteer | |
| James Paul | .... | puppeteer | |
The Host (International: English title) (UK) (USA)
more
Rated R for creature violence and language.
119 min | Croatia:110 min (DVD)
1.85 : 1 more
South Korea:12 | Singapore:PG | Hong Kong:IIA | UK:15 | Ireland:15A | Malaysia:U | New Zealand:R13 | USA:R | Germany:16 | Australia:M | Sweden:11 | Finland:K-15 | Argentina:16 | Norway:15 | Netherlands:16 | Portugal:M/12 | Philippines:PG-13 | France:U (with warning) | Brazil:14 | Peru:14 | Mexico:B15 | Canada:14+
The computer graphics of the creature were done by Orphanage Inc. more
Revealing mistakes: When Kang-ho Song's character receives a tissue sample, there is no wound in the remaining scenes, even though he was screaming in pain. more
US Doctor in Morgue:
Mr. Kim,
[running a finger along the counter]
US Doctor in Morgue:
I hate dust more than anything.
Young Korean Doctor:
Oh, I will clean again.
US Doctor in Morgue:
You don't have to clean up now. Why don't you dump this first?
Young Korean Doctor:
That's formaline.
US Doctor in Morgue:
Formaldehyde, to be precise. To be even more precise, dirty formaldehyde. Every bottle is coated with layers of dust. Pour 'em into the sink.
Young Korean Doctor:
Excuse me?
US Doctor in Morgue:
Just empty every bottle to the very last drop.
Young Korean Doctor:
It's just - They are toxic chemicals, and the regulations state -
[...]
more
Featured in "Siskel & Ebert & the Movies: (2007-03-10)" (2007) more
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| News articles | IMDb Comedy section | IMDb South Korea section |
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This is a movie which will go straight into "best monster movies" lists; it is ground-breaking in the way humorous and horror content has been intertwined by a master film director. It was the closing film, shown last night (July 30) in the Auckland International Film Festival. There was a packed house of which about 60% were Korean people living in New Zealand. The audience was very attentive and the reception given to the movie was justly big applause. The animatronic effects have been done scrupulously well and viewers can look forward to being enthralled by the skills of those who "made the monster". We got the print which had come straight from Cannes and apparently the film opened just two days before we saw it in Auckland. There is no doubt that this movie will go on to do very big business wherever people appreciate great horror films. My inclination to rate it 10/10 was tempered only by a little doubt about the pacing of some sequences, but it is certainly worth 9/10. Look out for when it comes to a theater near you.