IMDb > William Eggleston in the Real World (2005)

William Eggleston in the Real World (2005) More at IMDbPro »

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William Eggleston in the Real World (2005) -- William Eggleston unguarded in Michael Almereyda’s intimate portrait

Overview

User Rating:
6.6/10   92 votes
MOVIEmeter: ?
Down 6% in popularity this week. See why on IMDbPro.
Director:
Writer:
Contact:
View company contact information for William Eggleston in the Real World on IMDbPro.
Release Date:
18 November 2005 (UK) more
Awards:
1 nomination more
User Comments:
student film done horribly wrong more (4 total)

Cast

  (in credits order)
William J. Eggleston ... Himself
rest of cast listed alphabetically:
Michael Almereyda ... Himself - Narrator
Winston Eggleston ... Himself
Leigh Haizlip ... Herself

Directed by
Michael Almereyda 
 
Writing credits
(in alphabetical order)
Michael Almereyda  writer

Produced by
Michael Almereyda .... producer
Jesse Dylan .... producer
Anthony Katagas .... producer
Heather Parks .... associate producer
James Patterson .... associate producer
Donald Rosenfeld .... executive producer
Alexis Zoullas .... executive producer
 
Original Music by
Simon Fisher-Turner  (as Simon Fisher Turner)
 
Cinematography by
Michael Almereyda 
 
Film Editing by
Karen Choy 
Joshua Falcon 
Johannes Weuthen 
 
Production Management
Lloyd Forcellini .... post-production supervisor
 
Sound Department
Catherine Harper .... foley artist
Orada Jusatayanond .... sound editor
Anna Rieke .... sound
Clayton Weber .... assistant sound editor (as Clay Weber)
Clayton Weber .... foley artist (as Clay Weber)
Elmo Weber .... sound editor
Elmo Weber .... sound re-recording mixer
 
Camera and Electrical Department
Richard Rutkowski .... additional camera: New York
 
Editorial Department
Miye Bromberg .... assistant editor
Jimmy Drakoulias .... on-line editor
Walter Lefler .... colorist
 
Music Department
John Tripp .... music clearance
 
Other crew
William Christenberry .... photograph source
Langdon Clay .... photograph source
Maud Schuyler Clay .... photograph source (as Maude Schuyler Clay)
Rosa Eggleston .... photograph source
Wilmar Koenig .... photograph source
Kelly Sebastian .... production assistant
Rosalind Solomon .... photograph source
 
Thanks
Antonio Arroyo .... thanks
Barbara Bestor .... thanks
Will Blythe .... thanks
Sam Brumbaugh .... thanks
Rose Cho .... thanks
Sandra Christenberry .... thanks
Caldecot Chubb .... special thanks (as Cotty Chubb)
Langdon Clay .... thanks
Maud Schuyler Clay .... thanks (as Maude Schuyler Clay)
Jem Cohen .... thanks
Rosa Eggleston .... special thanks
Winston Eggleston .... special thanks
Lloyd Fonvielle .... thanks
Peter Galassi .... thanks
Janie Geiser .... thanks
Larry Gross .... thanks
Tom Growskowski .... thanks
Will Jennings .... thanks
Richard Kerr .... thanks
Susan Kismaric .... thanks
Lewis Klahr .... thanks
Manou Kulukundis .... thanks
Paula Malcomson .... thanks
Ralph McKay .... thanks
Weston Naef .... thanks
Barbara Orbison .... thanks
James Patterson .... special thanks
Kelly Sebastian .... thanks
Michael Stipe .... thanks
Barbara Sullivan .... thanks
Suzanne Tenner .... thanks
Aimée Toledano .... thanks
Susan Traylor .... thanks
Bruce Wagner .... thanks
Karin Wandner .... thanks
 

Production CompaniesDistributors

Additional Details

Runtime:
86 min | USA:87 min
Country:
Language:
Color:
Company:

Fun Stuff

Soundtrack:
Please Come to Boston more

FAQ

This FAQ is empty. Add the first question.
10 out of 29 people found the following comment useful.
student film done horribly wrong, 7 September 2005
1/10
Author: fake23-2 from New York City

out of focus. bad sound recording. bad sound mixing. bad framing. bad white balance. and that was the technical problems... pretentious narration mixed with interaction with subject. bad recording on narration. no storytelling. bad verite mixed with regurgitated biographical dribble. takes too long. no character exploration until last 15 min which was completely useless and then simply abandoned.

i would not recommend this film to anyone. i didn't leave early simply because i prayed that sitting through the first 80 minutes of this film would yield 6 minutes of something worthwhile. the answer unfortunately is no.

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