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Candy (2006)
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Overview
User Rating:
Director:
Writers:
Release Date:
25 May 2006 (Australia)
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Tagline:
More is never enough. more
Plot:
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair. full summary | full synopsis
Awards:
4 wins
&
16 nominations
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NewsDesk:
(37 articles)
DVD Playhouse--December 2009
(From The Hollywood Interview. 19 December 2009, 3:11 PM, PST)
Oscar-talk: Best Actress contenders! Is it too early for Saoirse Ronan to win an Oscar?
(From The Movie Fanatic. 12 November 2009, 5:52 PM, PST)
(From The Hollywood Interview. 19 December 2009, 3:11 PM, PST)
Oscar-talk: Best Actress contenders! Is it too early for Saoirse Ronan to win an Oscar?
(From The Movie Fanatic. 12 November 2009, 5:52 PM, PST)
User Reviews:
Great film amid tired drug-genre
more (68 total)
Cast
(Cast overview, first billed only)| Abbie Cornish | ... | Candy | |
| Heath Ledger | ... | Dan | |
| Geoffrey Rush | ... | Casper | |
| Tom Budge | ... | Schumann | |
| Roberto Meza-Mont | ... | Jorge (as Roberto Meza Mont) | |
| Tony Martin | ... | Jim Wyatt | |
| Noni Hazlehurst | ... | Elaine Wyatt | |
| Holly Austin | ... | Sunglasses Shop Assistant | |
| Craig Moraghan | ... | Washing Machine Dealer | |
| John Lee | ... | Hock Shop Man | |
| Noel Herriman | ... | Celebrant | |
| Tim McKenzie | ... | Uncle Rod | |
| Tara Morice | ... | Aunt Katherine | |
| Maddi Newling | ... | Janey | |
| Patricia Lemon | ... | Wedding Guest |
Additional Details
MPAA:
Rated R for pervasive depiction of drug addiction, disturbing images, language, sexual content and nudity.
Parents Guide:
Runtime:
Australia:116 min | UK:108 min | USA:108 min | Hong Kong:108 min | UK:108 min (uncut)
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Australia:MA (re-rating) |
New Zealand:R18 |
USA:R |
Hong Kong:IIB |
UK:15 |
Italy:VM14 |
Netherlands:16 |
Portugal:M/16 |
Singapore:M18 |
Finland:K-15 |
Germany:16 |
Japan:R-15 |
South Korea:18 |
Ireland:18 |
Norway:15 (TV rating) |
Australia:R
Company:
Fun Stuff
Goofs:
Continuity: Just before Candy throws the ashtray at Dan, an open pack of matches on the table top disappears and reappears between shots.
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Quotes:
Soundtrack:
Song to the Siren
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FAQ
Can you explain the ending?Can you explain what Candy meant when she said "I've been clenching my fists all my life"?
What is the full poem that candy writes on the walls?
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more (68 total)
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'Candy' will probably garner several AFI awards later this year. Ledger is Dan, a troubled and likable juvenile-come-poet who is in love with Cornish's Candy, a sometimes-practicing artist who falls head first in love with Dan and heroin. Ledger's understated performance gives Dan a boyish vulnerability that would otherwise leave him less sympathetic. And his ability to use his face and especially his eyes to communicate Dan's uncanny reluctance is both staggering and understandable. There are many moments where silence is used to express emotions in this film and Armfield deserves to be commended for his restraint and trust in his actors and the narrative. The script by co-writer and author Davies is decidedly different from the novel but nonetheless strong and taut. It's rarely melodramatic and has been manipulated more for it's performers and their execution on screen rather than resigning itself as merely an adaptation of a great novel. The result here provides superb cinematic balance. Cornish too is brilliant, often abrasive as the troubled artist. Rush is also amazing and understated as Casper, Dan's older homosexual friend. Hazelhurst reprises her role in 'Little Fish' but to less effect. She is great, but those who have seen 'Little Fish' will find her casting a little too convenient. Martin too is good with the little he is dealt. The only thing that stops 'Candy' from being superb is the material. It is too familiar and the characters are too stereotypical. Had this film been made before countless others in the 'drug-film' genre this would have been more refreshing (although the denouement is a much welcomed change). But sadly it isn't. This in turn is nobody's fault. It's just been exploited too many times. The only thing that isn't stereotypical is Dan who is the backbone of the narrative. Ledger has made it his own and could have mimicked any drug-stricken angsty protagonist the 'genre' has spat out. Instead he has made him a hero.