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Overview
User Rating:
Director:
Writers:
Maurice Gee (novel)
Brad McGann (screenplay)
Release Date:
7 October 2004 (New Zealand) more
Tagline:
Who you set out to be isn't always who you become.
Plot:
A disillusioned war journalist's return home is blighted when he becomes implicated in the mysterious disappearance of a teenage girl he has befriended. full summary | add synopsis
Awards:
19 wins & 3 nominations more
User Comments:
The premiere at the 51st Sydney Film Festival more (47 total)
Cast
(Cast overview, first billed only)| Matthew Macfadyen | ... | Paul Prior | |
| Miranda Otto | ... | Penny | |
| Emily Barclay | ... | Celia Steimer | |
| Colin Moy | ... | Andrew | |
| Jimmy Keen | ... | Jonathon | |
| Jodie Rimmer | ... | Jackie | |
| Toby Alexander | ... | Paul as a teenager | |
| Vicky Haughton | ... | Ms Seagar | |
| Nicholas Hayward | ... | Andrew as a teenager | |
| Liam Herbert | ... | Andrew as a child | |
| Vanessa Riddell | ... | Iris | |
| Asher Emanuel | ... | Paul as a child | |
| Matthew Chamberlain | ... | Jeff | |
| Peter Hishon | ... | Vet | |
| Mabel Wharekawa | ... | Winnie (as Mabel Burt) |
Additional Details
MPAA:
Rated R for sexual content, language, some violence and drug use.
Parents Guide:
Runtime:
127 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Singapore:M18 (International Version) | USA:R | Germany:12 | Portugal:M/16 | Sweden:15 (TV rating) | Australia:MA | Canada:PG | Ireland:16 | New Zealand:R16 | Singapore:M18 (cut) | Singapore:R21 | UK:15 (cut)
Filming Locations:
Fun Stuff
Trivia:
The wartime photographs used for the film were taken by South African photojournalist Greg Marinovich. The photograph of the child was taken by Romano Cagnoni. more
Soundtrack:
Chants d'Auvergne - Series 1: Bailero more
FAQ
This FAQ is empty. Add the first question.more (47 total)
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb New Zealand section | Add this title to MyMovies |


Last night I was privileged to see one of the most emotional, sensitive and highly enjoyable films I have seen in many years. "In My Father's Den" both premiered and opened the 51st Sydney Film Festival, which is no mean feat for a New Zealand feature film.
The film is of world class standard and I predict will easily join the ranks of other noted NZ feature films such as "Once were Warriors", "The Piano" and "Whalerider".
The storytelling is sophisticated, delicate and richly layered in such a way, that it easily deserves a second viewing. The performances from the entire cast are compelling, but none so as extraordinary as the lead performances by newcomer Emily Barclay (as Celia) and Mathew MacFadyen (as Paul Prior). The scenes between these two are simply mesmerizing. A pure joy to watch. This film achieves what few films can claim to, and that is, to create characters, which you totally believe are living flesh and blood.
I predict from this point forward, many an accomplished actor will be beating a path to Writer/Director Brad McGann's door.
Mathew MacFadyen plays a war zone photographer returning to his former his home town to attend his fathers funeral. Set in a small township in a remote area of the South Island of New Zealand. The film beautifully dramatizes the world weary Prior against the next generation who look to leave the town and experience the world for themselves. Paul's very presence creates a ripple effect across the close knit community. Some positive, some negative. Old family wounds are opened, youthful loves remembered, new relationships are forged and dark truths revealed.
The film plays it's cards slowly and steadily at first, gradually drawing you deeper into it's web. Before long you are captivated and unable to prevent yourself from becoming emotionally involved. The audience around me were drawn deeply into this beautiful film and many moved to tears. Attendees included Director Phil Noyce, Actors Geoffrey Rush, Hugo Weaving, other luminaries and several thousand of Sydney's film fraternity.
This is one of those films that successfully stays with you after you leave the cinema. I can wholeheartedly recommend it to you.