Palindromes (2004)

Director:

Todd Solondz

Writer:

Todd Solondz (written by)

Release Date:

21 January 2005 (Sweden)

Genre:

Drama | Adventure | Comedy

Plot:

Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.

Plot Keywords:

Innocence | Suburb | Neighbor | New Jersey | Kansas

Awards:

2 nominations

Cast

Matthew Faber	...	Mark Wiener
Angela Pietropinto	...	Mrs. Wiener
Bill Buell	...	Mr. Wiener
Emani Sledge	...	'Dawn' Aviva
Ellen Barkin	...	Joyce Victor
Valerie Shusterov	...	'Judah' Aviva
Richard Masur	...	Steve Victor
Hillary B. Smith	...	Robin Wallace
Danton Stone	...	Bruce Wallace
Robert Agri	...	First Judah
Hannah Freiman	...	'Henry' Aviva
Stephen Singer	...	Dr. Fleischer
Rachel Corr	...	'Henrietta' Aviva
Stephen Adly Guirgis	...	Joe / Earl / Bob
Will Denton	...	'Huckleberry' Aviva

Runtime:

100 min

Country:

USA

Language:

English | Hebrew

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Netherlands:12 | Finland:K-15 | New Zealand:R18 | Germany:12 | Singapore:M18 | Canada:14A (Ontario) | Iceland:16 | Hungary:16 | Italy:VM14 (video rating) | Argentina:13 | Hong Kong:III | Ireland:16 | Japan:R-15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:Not Rated | Australia:R

Filming Locations:

Indianapolis, Indiana, USA

Company:

Extra Large Pictures

Trivia:

Director spent his entire life's saving on making the movie because no studios would back it.

Goofs:

Errors in geography: The film takes place in New Jersey, yet in one of the hitch-hiking scenes we see a road sign for US Route 3, which in reality is located in New Hampshire. To make matters worse, in the background of the same scenes we see directional signs for "Ellenville" and "Route 199", which reveals the actual filming location of Kingston, NY.

Quotes:

Skippy: My name is skippy just like the peanut butter!

Movie Connections:

References "Jackass" (2000)

Soundtrack:

Nobody Jesus But You

A Fascinating Visual Experiment on Hot Button Issues

"Palindromes" is a fascinating visual thought experiment.

Very parallel to Alexander Payne's "Citizen Ruth" in covering some of the same territory about abortion, writer/director Todd Solontz mostly eschews that film's satire and easy jabs for a protean look at an issue that has a more complicated emotional landscape than advocates on either side usually concede.

He does this by literally taking us inside the mind of a young malleable adolescent who intentionally gets pregnant and is surprised at the reactions of those around her. Sometimes we see her as she sees herself, as if we are reading her diary, with her body-hating hopes for a change in hair, skin, age or family, and sometimes we see her as others see her.

Every one wants to control "Aviva" and their hypocritical selfishness is laid bare, regardless of their various good intentions. Her mother sees her still as a baby (a welcome back to the screen for Ellen Barkin who manages to add maternal warmth to hostile dialog) to the discomfiting sexualization (Britney-ization?) of just barely teens that is just barely a step above pedophilia, to how she is seen by pro-life advocates (whose Sunshine Band for "special children" seems almost as exploitative as JonBenet Ramsey's performances) and on in a picaresque dream scape that crosses a nightmare that is a bit extreme, especially for fans of "Welcome to the Dollhouse."

Solontz pulls this off by having every image of "Aviva" (according to the director's production notes) "portrayed by two women, four girls (13-14 years old), one 12-year-old boy, and one 6-year old girl" of widely variant size, shape, color and just about every other possible outward characteristic, even though one haranguer points out that no one can ever really change.

Solontz in a hand-out at the theater defined his use of the title as meaning "a condition of stasis and/or immutability; that part of one's personality or character that resists change, stays the same," but I'm not sure that successfully comes through in this provocative film, especially with some of the acerbic dialog and disturbing actions.

Nathan Larson's music is appropriately eerie, with spooky vocalizations by Nina Persson.

Releasing the film without a rating will probably keep it from being seen by young teens which is too bad as it is a frank and fresh look at the pressures on girls from friends, family and society.