| Videos (see all 19) |
Chris Wedge
Carlos Saldanha (co-director)
Ron Mita (story) &
Jim McClain (story) ...
(more)
11 March 2005 (USA) more
You can shine no matter what you're made of. more
In a robot world, a young idealistic inventor travels to the big city to join his inspiration's company, only to find himself opposing its sinister new management. full summary | full synopsis
2 wins & 13 nominations more
Despicable Me Trailer #2: Supervillains Are Funny
(From FilmSchoolRejects. 4 November 2009, 4:28 PM, PST)
Ice Age: Dawn of the Dinosaurs - Blu-ray Review
(From Monsters and Critics. 3 November 2009, 2:36 AM, PST)
Tons Of Gags & A Good Message more (255 total)
| Paula Abdul | ... | Watch (voice) | |
| Halle Berry | ... | Cappy (voice) | |
| Lucille Bliss | ... | Pigeon Lady (voice) | |
| Terry Bradshaw | ... | Broken Arm Bot (voice) | |
| Jim Broadbent | ... | Madame Gasket (voice) | |
| Mel Brooks | ... | Bigweld (voice) | |
| Amanda Bynes | ... | Piper (voice) | |
| Drew Carey | ... | Crank (voice) | |
| Jennifer Coolidge | ... | Aunt Fanny (voice) | |
| Dylan Denton | ... | Youngest Rodney (voice) | |
| Will Denton | ... | Young Rodney (voice) | |
| Marshall Efron | ... | Lamppost / Toilet Bot / Bass Drum / Microphone (voice) | |
| Damien Fahey | ... | Stage Announcer (voice) | |
| Lowell Ganz | ... | Mr. Gasket (voice) | |
| Paul Giamatti | ... | Tim the Gate Guard (voice) | |
| Dan Hedaya | ... | Mr. Gunk (voice) | |
| Jackie Hoffman | ... | Water Cooler (voice) | |
| James Earl Jones | ... | Voice Box at Hardware Store (voice) | |
| Greg Kinnear | ... | Ratchet (voice) | |
| Jay Leno | ... | Fire Hydrant (voice) | |
| Natasha Lyonne | ... | Loretta Geargrinder (voice) | |
| Brian McFadden | ... | Trashcan Bot (voice) | |
| Ewan McGregor | ... | Rodney Copperbottom (voice) | |
| Tim Nordquist | ... | Tin Man (voice) | |
| Jansen Panettiere | ... | Younger Rodney (voice) | |
| Al Roker | ... | Mailbox (voice) | |
| Alan Rosenberg | ... | Jack Hammer (voice) | |
| Stephen Tobolowsky | ... | Bigmouth Executive / Forge (voice) | |
| Stanley Tucci | ... | Herb Copperbottom (voice) | |
| Chris Wedge | ... | Wonderbot / Phone Booth (voice) | |
| Dianne Wiest | ... | Mrs. Copperbottom (voice) | |
| Harland Williams | ... | Lug (voice) | |
| Robin Williams | ... | Fender (voice) | |
| Crawford Wilson | ... | Young Rodney (voice) | |
| Lara Cody | ... | Additional Voices (voice) | |
| Cooper Cowgill | ... | Additional Voices (voice) | |
| David Crommett | ... | Additional Voices (voice) | |
| Darin De Paul | ... | Additional Voices (voice) (as Darin DePaul) | |
| Dann Fink | ... | Additional Voices (voice) | |
| Timothy Gulan | ... | Additional Voices (voice) | |
| Alexander Haney | ... | Additional Voices (voice) | |
| Angela Haney | ... | Additional Voices (voice) | |
| Ray Iannicelli | ... | Additional Voices (voice) | |
| Sondra James | ... | Additional Voices (voice) | |
| Vanessa Lemonides | ... | Additional Voices (voice) | |
| Anthony J. Lewis Jr. | ... | Additional Voices (voice) | |
| Marcus Maurice | ... | Additional Voices (voice) | |
| Jennifer Perito | ... | Additional Voices (voice) | |
| Kristin Reeves | ... | Additional Voices (voice) | |
| David Rossmer | ... | Additional Voices (voice) | |
| Lyla Stone | ... | Additional Voices (voice) | |
| Bruce Winant | ... | Additional Voices (voice) |
Directed by | |||
| Chris Wedge | |||
| Carlos Saldanha | (co-director) | ||
Writing credits | ||
| Ron Mita | (story) & | |
| Jim McClain | (story) and | |
| David Lindsay-Abaire | (story) | |
| David Lindsay-Abaire | (screenplay) and | |
| Lowell Ganz | (screenplay) & | |
| Babaloo Mandel | (screenplay) | |
Produced by | |||
| Jerry Davis | .... | producer | |
| John C. Donkin | .... | producer | |
| Bob Gordon | .... | co-producer | |
| William Joyce | .... | producer | |
| Christopher Meledandri | .... | executive producer | |
| Lorne Orleans | .... | producer (IMAX version) | |
Original Music by | |||
| John Powell | |||
Film Editing by | |||
| John Carnochan | |||
Casting by | |||
| Christian Kaplan | |||
Production Design by | |||
| William Joyce | |||
Art Direction by | |||
| Steve Martino | |||
Art Department | |||
| Bob Camp | .... | storyboard artist | |
| Karen Disher | .... | storyboard artist | |
| Nash Dunnigan | .... | workbook artist | |
| William H. Frake III | .... | storyboard artist | |
| Chris Gilligan | .... | storyboard artist | |
| Mike Knapp | .... | designer | |
| H.B. 'Buck' Lewis | .... | visual development | |
| Tony Maki | .... | additional storyboard artist | |
| Melanie Martini | .... | production assistant: art department | |
| Steve Moore | .... | storyboard artist | |
| Moroni | .... | storyboard artist | |
| Daniel Lopez Munoz | .... | visual development artist | |
| Brandon Oldenburg | .... | conceptual designer | |
| Chris Renaud | .... | storyboard artist | |
| Dan Shefelman | .... | storyboard artist | |
| David Silverman | .... | storyboard artist | |
| Daisuke 'Dice' Tsutsumi | .... | lead color key artist | |
| Haji Uesato | .... | previs set designer | |
| Adam Van Wyk | .... | storyboard artist | |
Sound Department | |||
| Derek Casari | .... | adr engineer | |
| Marko A. Costanzo | .... | foley artist | |
| Colette Dahanne | .... | adr mixer | |
| Mark Filip | .... | apprentice sound editor | |
| Sean Garnhart | .... | sound designer | |
| Sean Garnhart | .... | sound re-recording mixer | |
| Sean Garnhart | .... | supervising sound editor | |
| Tim Gomillion | .... | sound recordist | |
| Doug Hemphill | .... | sound re-recording mixer (as D.M. Hemphill) | |
| Frank Kern | .... | foley editor | |
| Roy Latham | .... | dialogue mixer | |
| Marissa Littlefield | .... | dialogue editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Khama Matiti | .... | adr mixer: English version | |
| Khama Matiti | .... | sound: English version | |
| Jo Mion | .... | adr editor | |
| Chris Navarro | .... | adr recordist | |
| Bill Orrico | .... | first assistant sound editor (as Billy Orrico) | |
| Wim Post | .... | sound re-recording mixer: foreign language versions | |
| Nicholas Renbeck | .... | supervising adr editor | |
| Nicholas Renbeck | .... | supervising dialogue editor | |
| Dennis Rogers | .... | sound recordist | |
| Wyatt Sprague | .... | sound effects editor | |
| William Stein | .... | re-recording engineer (as Bill Stein) | |
| Paul Urmson | .... | sound effects designer | |
| Steven Visscher | .... | supervising foley editor | |
| David Warzynski | .... | foley assistant (as Dave Warzynski) | |
Visual Effects by | |||
| Alexander Adell | .... | technical director | |
| Oktay Ahiska | .... | digital artist | |
| Lynn Bacino | .... | lighting technical director | |
| Jodi Lynn Bade | .... | additional lighting | |
| Victor Banks | .... | digital paint artist | |
| Andrew Beddini | .... | sequence lighting lead | |
| Sebastian Bilbao | .... | effects & materials technical director | |
| Robert Bloom | .... | DMR artist: Imax | |
| Simon Brown | .... | effects technical director | |
| Wendell Bruno | .... | assistant DMR editor (IMAX version) | |
| Clay Budin | .... | effects technical director | |
| Ian M. Burkard | .... | assembly assistant | |
| Ian M. Burkard | .... | junior modeler | |
| Christopher M. Burrows | .... | lead technical director | |
| Ian D. Butterfield | .... | materials technical director | |
| Luis Cataldi | .... | character rigger | |
| Robert V. Cavaleri | .... | effects supervisor | |
| Sheldon Chow | .... | materials technical director | |
| Sheldon Chow | .... | modeler | |
| Rhett Collier | .... | effects technical director | |
| Michael B. Comet | .... | character rigger | |
| Shaun Cusick | .... | lead modeler | |
| Mike Defeo | .... | modeling supervisor (as Michael Defeo) | |
| Diana Diriwaechter | .... | lighting technical director | |
| Michael Eringis | .... | materials supervisor | |
| David Esneault | .... | lighting supervisor | |
| Kirk Garfield | .... | effects technical director | |
| Mike Gargiulo | .... | computer animator | |
| Nick Gibbons | .... | technical animator | |
| Brian A. Hill | .... | materials technical director | |
| Benny Min Huang | .... | texture artist | |
| Isaac Irvin | .... | lighting/compositing | |
| Simon P. Jones | .... | lighter & compositor | |
| Ronny Kim | .... | animator | |
| Michael Kingsley | .... | render wrangler | |
| Mitch Kopelman | .... | additional lighting | |
| Mitch Kopelman | .... | technical director | |
| Patrick Kwok | .... | senior DMR artist (IMAX version) | |
| Alen Lai | .... | effects technical director | |
| Kiki Lippman | .... | lighting technical director | |
| Seth Lippman | .... | effects technical director | |
| Rosalinda Malibiran | .... | lighting technical director | |
| Stephen Mann | .... | character rigging | |
| Luke Martorelli | .... | master lighting artist | |
| Raphael Matto | .... | materials technical director | |
| Keith McCabe | .... | additional lighting | |
| David V. Mei | .... | digital paint artist | |
| David V. Mei | .... | modeler | |
| David V. Mei | .... | senior digital paint artist | |
| Jean Michel Mistrot | .... | technical director: shader | |
| Jenga Zamani Mwendo | .... | modeler | |
| Pete Paquette | .... | character animator | |
| John A. Patterson | .... | visual effects | |
| John Wade Payne | .... | lighting techical director | |
| Peter Pelisek | .... | DMR artist: Imax | |
| Gareth Porter | .... | technical director | |
| Arun Ram-Mohan | .... | additional lighting | |
| Jacob Richards | .... | lighting technical director | |
| Matt Roach | .... | additional lighting | |
| Edward Robbins | .... | modeler | |
| Aaron M. Ross | .... | lighting technical director | |
| Augusto Schillaci | .... | visual effects supervisor | |
| Jon Schroth | .... | lighting visual effects | |
| Matt Seckman | .... | digital compositor: end titles | |
| Daniel Ken Shimmyo | .... | modeler | |
| John Siczewicz | .... | senior digital artist | |
| Matthew D. Simmons | .... | animation technical lead | |
| Drew Solodzuk | .... | DMR editor (IMAX version) | |
| Tim Speltz | .... | effects lead | |
| Christa Starr | .... | surfacer | |
| Jeeyun Sung | .... | lighting technical director | |
| John David Thornton | .... | effects technical director | |
| Michael J. Travers | .... | CG supervisor | |
| Haji Uesato | .... | sequence lighting lead | |
| Bryan Useo | .... | scene assembly technical directors | |
| Zane Waldman | .... | senior DMR artist: The IMAX Experience | |
| Jamie Williams | .... | technical director | |
| James Willingham III | .... | render wrangler | |
| Athena Xenakis | .... | technical director | |
| Terry Ziegelman | .... | lighting artist | |
| Thomas Mathai | .... | data manager (uncredited) | |
Camera and Electrical Department | |||
| Jess Bressler | .... | lighting technician | |
| Svetla Gressak | .... | lighting technician | |
| Inkyong Irene Kim | .... | lighting technician | |
| Mark Piretti | .... | rigging supervisor | |
| Jon Schroth | .... | lighting technician | |
| Ahmed Shehata | .... | rigger | |
| Michael Sparber | .... | lighting technician | |
| Hongseo Park | .... | rigger (uncredited) | |
Casting Department | |||
| Bruce Winant | .... | casting: adr group | |
Editorial Department | |||
| Todd Baillere | .... | post-production consultant | |
| Kent Beyda | .... | additional editor | |
| Gary Burritt | .... | negative cutter | |
| Natasha Leonnet | .... | digital color timer | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Brian Morgan | .... | assistant editor | |
| Tim Nordquist | .... | associate editor | |
| James Palumbo | .... | first assistant editor | |
| Jim Passon | .... | color timer | |
| Eric Putz | .... | telecine colorist | |
| Lorene Simpson | .... | digital intermediate producer | |
| Randy Trager | .... | assistant editor | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Frank Bennett | .... | orchestrator | |
| Blue Man Group | .... | sound: percussion, orchestration | |
| Thomas A. Carlson | .... | music editor (as Tom Carlson) | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestral contractor | |
| George Doering | .... | musician: guitar | |
| Bruce Dukov | .... | concert master | |
| Robert Fernandez | .... | scoring mixer | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | orchestrator (as Walter Fowler) | |
| Sean Garnhart | .... | one musical source cue | |
| Mark Graham | .... | music copyist | |
| Brad Haehnel | .... | additional music mixer | |
| Dorothy Joo | .... | music coordinator | |
| Randy Kerber | .... | orchestrator | |
| Jon Kull | .... | orchestrator | |
| Tim Lauber | .... | score recordist | |
| Edie Lehmann | .... | vocal contractor (as Edie Lehmann Boddicker) | |
| T.J. Lindgren | .... | additional music arranger | |
| T.J. Lindgren | .... | additional music programmer | |
| Jason Lloyd | .... | scoring stage manager | |
| Larry Mah | .... | digital score recordist | |
| Becky Mancuso-Winding | .... | music supervisor | |
| Mark McKenzie | .... | orchestrator | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Shawn Murphy | .... | scoring mixer | |
| Paul Pesco | .... | musician: guitar | |
| Peter Rotter | .... | music contractor | |
| Steven L. Smith | .... | music preparation | |
| Tom Steel | .... | scoring stage manager | |
| Bill Talbott | .... | scoring technician | |
| John Ashton Thomas | .... | additional music arranger | |
| John Ashton Thomas | .... | additional music programmer | |
| John Ashton Thomas | .... | orchestrator | |
| Joshua Winget | .... | music editor (as Josh Winget) | |
| Elliott Goldkind | .... | assistant music editor (uncredited) | |
Other crew | |||
| Jinyi Baird | .... | production assistant | |
| Jitendra Borse | .... | software developer | |
| Adam Burr | .... | software developer | |
| Danielle Cambridge | .... | lead technical director (as Danielle Cambridge West) | |
| Robert Cardone | .... | 3-D layout supervisor | |
| David Channing | .... | scoring editor | |
| Alex John Cuthbert | .... | lead desktop systems administrator | |
| Stanley A. Dellimore | .... | senior technical imaging artist (IMAX DMR version) | |
| Jacques Dell | .... | senior technical imaging artist (IMAX DMR version) | |
| Aaron Dimunno | .... | scene assembly technical director | |
| Scott Farrell | .... | production assistant | |
| Xeth Feinberg | .... | additional story artist | |
| Jimmy Hayward | .... | director: additional scenes | |
| Jimmy Hayward | .... | story consultant | |
| Hugh Hitchens | .... | production scheduling | |
| Brett Hoffman | .... | script coordinator | |
| Brett Hoffman | .... | story coordinator | |
| Christopher Kappler | .... | human resources | |
| Perry M. Kimura | .... | digital scanning and recording: EFILM | |
| Patrick Kwok | .... | senior DMR artist (IMAX version) | |
| Doug Letterman | .... | software engineer | |
| Alexander Levenson | .... | lead modeler | |
| Justin Mandel | .... | intern | |
| Melanie Martini | .... | production assistant | |
| Salvatore Melluso | .... | modeling department | |
| Sean M. Murphy | .... | story production assistant | |
| Brian Oakes | .... | production assistant | |
| Paul Ohrt | .... | production accountant | |
| Sheri Patterson | .... | assistant production manager: lighting and paint | |
| Kevin Porterfield | .... | programmer: software tools | |
| Arun Ram-Mohan | .... | technical assistant | |
| Mike Reiss | .... | consultant | |
| Matt Roach | .... | technical assistant | |
| Kevin Thomason | .... | additional character rigging | |
| Joselly A. Torres | .... | production assistant | |
| Maurice Van Swaaij | .... | manager software | |
| Jon Vitti | .... | consultant | |
| Dan Weeks | .... | software developer | |
| Dan Weeks | .... | system programmer | |
| Weera Tom Wichitsripornkul | .... | technical director | |
| Bruce Winant | .... | adr loop group | |
| Rafael Zentil | .... | additional story artist | |
Thanks | |||
| Kent Beyda | .... | thanks | |
| George Lucas | .... | special thanks | |
Robots: The IMAX Experience (USA) (IMAX version)
more
Rated PG for some brief language and suggestive humor.
91 min
1.85 : 1 more
DTS | Dolby Digital | SDDS | Sonics-DDP (IMAX version)
Mexico:A | Denmark:A | South Korea:All | Sweden:Btl | Canada:G | Taiwan:GP | Malaysia:U | Iceland:L | USA:PG (certificate #41487) | France:U | New Zealand:G | Argentina:Atp | Australia:G | Brazil:Livre | Chile:TE | Czech Republic:U | Finland:K-7 | Germany:o.Al. | Ireland:PG | Netherlands:AL | Norway:A | Peru:PT | Philippines:G | Singapore:PG | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:U | Hong Kong:I
Originally, Rodney's co-passenger in the cross-town express sequence was an old lady knitting calmly. For some long shots, the old lady is simply colored red rather than replaced with Fender. more
Continuity: When Herb Copperbottom goes on stage near the end of the movie, he is wearing a white metal apron. After he starts playing the horn, the apron disappears. more
Voice Box at Hardware Store: The Force is strong in this one. more
References Spaceballs (1987) more
EYE OF THE TIGER more
| Recent Posts (updated daily) | User |
|---|---|
| Innapropiate Gesture? | Zach93 |
| Why take this out of the story? | starrjam_93 |
| Whats is the big deal?! | bldbathory |
| rodney and piper | littleoddball |
| Blue Man Group?? | smh1026 |
| Robots vs WALL-E | neb824 |
|
|
|
|
|
| A Bug's Life | Jimmy Neutron: Boy Genius | The Lizzie McGuire Movie | Happy Feet | Star Wars: Episode VI - Return of the Jedi |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
| Add this title to MyMovies |
Animated movies are usually pretty good but nothing that great to me. However, this one is a "keeper." It gets high marks for all the jokes in here, lots of which are adult-style but not sleazy or filled with sexual innuendos, although there are a few of those, enough to make this PG, not G. However, the vast amount of clever lines is the main attraction here.
Actually, the jokes come so hard and fast, it's hard to keep up with all of them. The visuals aren't gorgeous, as many modern-day animated films have become, but they are interesting. Not only is there a ton of gags to hear, but there are to see, too. You almost have to stop it frame-by-frame to see all the funny stuff penciled in the artwork.
The story couldn't be simpler but it manages you keep your attention and doesn't overstay it's welcome, although I think animated films are more effective it they don't go over 80 minutes. This one is closer to 90.
There is a good message in here, too. Maybe I'm mistaken but what I heard was the idea that just because people might be old, decaying and not as productive for society, it doesn't mean you have to discard them. Life has value and is precious from conception to dying of old age. Amen to that!