| Photos (see all 1 | slideshow) |
| Denis Podalydès | ... | Joseph Rouletabille | |
| Jean-Noël Brouté | ... | Sainclair | |
| Claude Rich | ... | Le juge De Marquet | |
| Scali Delpeyrat | ... | Le greffier | |
| Sabine Azéma | ... | Mathilde Stangerson | |
| Michael Lonsdale | ... | Stangerson | |
| Julos Beaucarne | ... | Le père Jacques | |
| Olivier Gourmet | ... | Robert Darzac | |
| Pierre Arditi | ... | Inspecteur Frédéric Larsan | |
| Isabelle Candelier | ... | Madame Bernier | |
| Dominique Parent | ... | Monsieur Bernier | |
| George Aguilar | ... | Petit-Pied, le garde-chasse | |
| Patrick Ligardes | ... | Le brigadier | |
| Sylvain Solustri | ... | William, homme en noir | |
| Vincent Vedo Velli | ... | Marcel, homme en noir | |
| Bruno Podalydès | ... | Le narrateur / Le médecin | |
| Marcel Loshouarn | ... | Journaliste 1 | |
| William Picot | ... | Journaliste 2 | |
| Numa Sadoul | ... | Journaliste 3 |
Directed by | |||
| Bruno Podalydès | |||
Writing credits(in alphabetical order) | ||
| Gaston Leroux | novel | |
| Bruno Podalydès | writer | |
Produced by | |||
| Martine Cassinelli | .... | executive producer | |
| Pascal Caucheteux | .... | producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Christophe Beaucarne | |||
Film Editing by | |||
| Hervé de Luze | |||
Production Design by | |||
| François Emmanuelli | |||
Set Decoration by | |||
| Marie Cheminal | |||
Costume Design by | |||
| Dorothée Guiraud | |||
Makeup Department | |||
| Sylvie Aid | .... | makeup artist | |
| Delphine Jaffart | .... | key makeup artist | |
| Richard Luzy | .... | key hair stylist | |
| Olivier Seyfrid | .... | hair stylist | |
Production Management | |||
| Albert Blasius | .... | assistant unit manager | |
| Guillaume Favreau | .... | production manager | |
| Laurencina Lam | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Hubert Barbin | .... | first assistant director | |
| Raphaëlle Piani | .... | second assistant director | |
Art Department | |||
| Laurent Dupire-Clément | .... | assistant art director (as Riton Dupire-Clément) | |
| Maxime Girault | .... | art department runner/trainee | |
Sound Department | |||
| Cyril Holtz | .... | sound re-recording mixer | |
| Gael Nicolas | .... | sound editor | |
| Laurent Poirier | .... | sound | |
| Michel Schillings | .... | sound recordist | |
| Pierre Tucat | .... | boom operator | |
| Philippe van Leer | .... | foley artist | |
| Pascal Villard | .... | sound editor | |
Stunts | |||
| Frédéric Vallet | .... | stunt coordinator | |
Editorial Department | |||
| Sarah Perrain | .... | apprentice editor | |
| Christophe Pinel | .... | assistant editor | |
Other crew | |||
| Patrick Boshart | .... | location scout | |
| Thierry Valletoux | .... | reportage | |
| Anne Wermelinger | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Belgium section | Add this title to MyMovies |
I saw this movie at a film festival. I had read the book, too. This movie has several qualities: the actors are very good, the setting is typical, and the script is very well done. The storyline is quite good, it's about a journalist trying to outsmart a detective by solving a seemly solutionless crime. The movie added a nice comic touch that the book just didn't have. The clumsy photographer is a good comic relief from the crime/drama part of the movie, and blends well into making the movie so well-balanced. Also, all characters are so unique, so different from each other, that this movie distinguishes itself from many movies where character development is not as important.
All movies have faults though. The plot of this movie is a little far-fetched, and that gets frustrating, because I like to try to guess the outcome of movies when I watch them. Also, some doubts remain at the end about some elements. This could be good, could be bad, depends on what you like to see. So the only person who truly understands everything is Rouletabille, the journalist, and until he tells us, it's virtually impossible to know. It's both suspenseful and irritating.
Overall, pretty good, yet no social involvement or hidden message. Just good old entertainment, for those of you who like crime movies. 8/10