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Torremolinos 73 (2003) -- Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

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Overview

User Rating:
6.7/10   1,481 votes
MOVIEmeter: ?
Up 6% in popularity this week. See why on IMDbPro.
Director:
Writer:
Pablo Berger (writer)
Contact:
View company contact information for Torremolinos 73 on IMDbPro.
Release Date:
30 April 2003 (Spain) more
Genre:
Plot:
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol. full summary | full synopsis
Awards:
15 wins & 9 nominations more
User Comments:
Good fun (for the broadminded) and full of period detail more (17 total)

Cast

  (in credits order)
Javier Cámara ... Alfredo
Candela Peña ... Carmen
Juan Diego ... Don Carlos
Fernando Tejero ... Juan Luis

Mads Mikkelsen ... Magnus
Malena Alterio ... Vanessa
Ramón Barea ... José Carlos Romerales
Tom Jacobsen ... Erik
Mari-Anne Jespersen ... Frida
Bjarne Henriksen ... Lauritz
Nuria González ... Señora de Romerales
Mariví Bilbao ... Señora de Anasagasti
Germán Montaner ... Sr. Anasagasti
Jaime Blanch ... Ginecólogo
Máximo Valverde ... Himself
Sixten Tobias Kai Nielsen ... Ole
Jons Pappila ... Aksel (as Jöns Pappila)

Thomas Bo Larsen ... Dennis
Baard Owe ... Doctor Johansen
Mariano Peña ... Camarero
Ana Wagener ... Dependienta
Carmen Segarra ... La Fina
Carmen Machi ... Clienta Peluquería
Carmen Belloch ... Sra. Bronte
Diego París ... Novio
Ruth Lewin ... Novia
Lucio Romero ... Padre del novio
Miguel Alcíbar ... Taxista
Juan Manuel Cotelo ... Vendedor
Cándida Tena ... Monja
Tina Sáinz ... Doña Isabel
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Directed by
Pablo Berger 
 
Writing credits
(in alphabetical order)
Pablo Berger  writer

Produced by
Pablo Berger .... associate producer
Tomás Cimadevilla .... producer
Bo Ehrhardt .... co-producer
Yuko Harami .... associate producer
José Herrero de Egaña .... co-producer
Mohamed Khashoggi .... producer
Lars Bredo Rahbek .... co-producer
 
Original Music by
Nacho Mastretta  (as Mastretta)
 
Cinematography by
Kiko de la Rica 
 
Casting by
Luis San Narciso 
 
Costume Design by
Estíbaliz Markiegi 
 
Makeup Department
Agustín Cabiedes .... hair stylist (as Agustín Caviedes)
Agustín Cabiedes .... makeup artist (as Agustín Caviedes)
 
Production Management
Álvaro Cortazar .... unit manager
Pablo Ramírez .... production manager
 
Second Unit Director or Assistant Director
Luis Cordero .... third assistant director
Txarly Llorente .... first assistant director (as Txarli Llorente)
Pablo Ruiz Alarcón .... second assistant director
Victor Taberner .... assistant director
 
Art Department
José Luis Terrón .... construction manager
 
Sound Department
Jens Bønding .... sound mixer
Álex F. Capilla .... assistant sound editor
Pelayo Gutiérrez .... sound editor
Bruno Langiano .... sound effects
Manuel Peinado .... boom operator
 
Visual Effects by
Javier Mosqueda .... pre-visualization colorist
Javier Mosqueda .... scanner operator
 
Stunts
Ignacio Carreño .... stunt coordinator
Alberto de la Fuente .... stunts
María Mar Morilla .... stunts
Emiliano Meilán Uribarri .... stunts
 
Camera and Electrical Department
Iñigo Bach .... key grip
José Ramón Delgado .... assistant camera
Gonzalo Domingo-Aldama .... video assist operator
Elías Fernández .... gaffer
Félix Guede .... electrician
Yuko Harami .... still photographer
Carlos Herranz .... assistant Steadicam operator
Raúl Manchado .... assistant camera
Ernesto Núñez .... electrician
Chiqui Palma .... Steadicam operator
Gorka Rotaetxe .... Steadicam operator
Miguel Ruiz .... assistant Steadicam operator
 
Casting Department
Ignacio Mateos .... casting assistant
 
Costume and Wardrobe Department
Elena Gómez .... costume assistant (as Elena Picaza)
Sofía Medem .... costume assistant
Rocío Redondo .... seamstress
 
Editorial Department
Chus Carrera .... assistant editor
Jesus de la Vega .... post-production coordinator
Miguel P. Gilaberte .... color timer
Javier Ugarte .... post-production
 
Music Department
Olga de Bartolomé .... music consultant
Juan Luis Grande .... conductor
 
Other crew
Pablo Atienza .... production assistant
Anders Bramsen .... pre-production assistant
Beatriz Delgado .... executive production assistant
Virginia García .... production coordinator
Lola Guerrero .... script supervisor
César Mendizábal .... production assistant
René Nielsen .... executive production assistant
Eva Pico .... accountant
 
Thanks
Roberto Álamo .... thanks
Juan Carlos Calderón .... thanks
Carmen Ruiz de Huidobro .... special thanks
Juan Gordon .... thanks
Enrique López Lavigne .... thanks
Vicente Mora .... thanks
Antonio Muñoz de Mesa .... thanks
David Serrano .... thanks
Paprika Steen .... thanks
Paz Sufrategui .... thanks
Santiago Tabernero .... thanks
Amaya Uranga .... thanks
Roberto Uranga .... thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Runtime:
91 min
Country:
Language:
Aspect Ratio:
1.85 : 1 more

Fun Stuff

Goofs:
Anachronisms: The type of Kodachrome cartridge we see cannot have existed at the time of action: only since the end of the 1990s did European Kodachrome cartridges have their serial number printed on the label with black ink, prior to that the serial number was dry-stamped on the label. more
Movie Connections:
Soundtrack:
Eva Marķa more

FAQ

This FAQ is empty. Add the first question.
12 out of 14 people found the following comment useful.
Good fun (for the broadminded) and full of period detail, 1 July 2005
9/10
Author: Max Crack from United Kingdom

This Spanish film has recently had a limited UK theatrical release and has garnered lots of good local reviews. But despite being listed by the London Evening Standard as a Top Pick, my companion and I saw it in an otherwise empty cinema! Would the projectionist have gone home had we not been there, we wondered. No matter, we enjoyed this charming film, seemingly made by and for film buffs, from start to finish. Its charm is quite subtle, and I suspect a lot of people might not "get it". We liked the spot on period detail; the great locations (ever visited out-of-the way parts of Spain or Italy?), and the specially faded film colours are an excellent touch. The careful choice of Spanish pop music of the time adds to the atmosphere. And interestingly, there are enough knowing movie references to keep Super 8 fans and art-house buffs happy throughout (two examples being of course the low-budget Bergman remake, and less obviously, the deserted fairground sequence is pure "Carnival Of Souls").

Sure, the plot line might be a little flawed, and the ending does flag a little, as mentioned in other IMDb user reviews, but I really feel people are being harsh. After all, the whole premise of the film is highly unlikely if you want to pick holes. Definitely recommended.

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