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Pablo Berger (writer)
30 April 2003 (Spain) more
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol. full summary | full synopsis
15 wins & 9 nominations more
Softcore comedy? more (17 total)
| Javier Cámara | ... | Alfredo | |
| Candela Peña | ... | Carmen | |
| Juan Diego | ... | Don Carlos | |
| Fernando Tejero | ... | Juan Luis | |
| Mads Mikkelsen | ... | Magnus | |
| Malena Alterio | ... | Vanessa | |
| Ramón Barea | ... | José Carlos Romerales | |
| Tom Jacobsen | ... | Erik | |
| Mari-Anne Jespersen | ... | Frida | |
| Bjarne Henriksen | ... | Lauritz | |
| Nuria González | ... | Señora de Romerales | |
| Mariví Bilbao | ... | Señora de Anasagasti | |
| Germán Montaner | ... | Sr. Anasagasti | |
| Jaime Blanch | ... | Ginecólogo | |
| Máximo Valverde | ... | Himself | |
| Sixten Tobias Kai Nielsen | ... | Ole | |
| Jons Pappila | ... | Aksel (as Jöns Pappila) | |
| Thomas Bo Larsen | ... | Dennis | |
| Baard Owe | ... | Doctor Johansen | |
| Mariano Peña | ... | Camarero | |
| Ana Wagener | ... | Dependienta | |
| Carmen Segarra | ... | La Fina | |
| Carmen Machi | ... | Clienta Peluquería | |
| Carmen Belloch | ... | Sra. Bronte | |
| Diego París | ... | Novio | |
| Ruth Lewin | ... | Novia | |
| Lucio Romero | ... | Padre del novio | |
| Miguel Alcíbar | ... | Taxista | |
| Juan Manuel Cotelo | ... | Vendedor | |
| Cándida Tena | ... | Monja | |
| Tina Sáinz | ... | Doña Isabel |
Directed by | |||
| Pablo Berger | |||
Writing credits(in alphabetical order) | ||
| Pablo Berger | writer | |
Original Music by | |||
| Nacho Mastretta | (as Mastretta) | ||
Cinematography by | |||
| Kiko de la Rica | |||
Casting by | |||
| Luis San Narciso | |||
Costume Design by | |||
| Estíbaliz Markiegi | |||
Makeup Department | |||
| Agustín Cabiedes | .... | hair stylist (as Agustín Caviedes) | |
| Agustín Cabiedes | .... | makeup artist (as Agustín Caviedes) | |
Production Management | |||
| Álvaro Cortazar | .... | unit manager | |
| Pablo Ramírez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Luis Cordero | .... | third assistant director | |
| Txarly Llorente | .... | first assistant director (as Txarli Llorente) | |
| Pablo Ruiz Alarcón | .... | second assistant director | |
| Victor Taberner | .... | assistant director | |
Art Department | |||
| José Luis Terrón | .... | construction manager | |
Sound Department | |||
| Jens Bønding | .... | sound mixer | |
| Álex F. Capilla | .... | assistant sound editor | |
| Pelayo Gutiérrez | .... | sound editor | |
| Bruno Langiano | .... | sound effects | |
| Manuel Peinado | .... | boom operator | |
Visual Effects by | |||
| Javier Mosqueda | .... | pre-visualization colorist | |
| Javier Mosqueda | .... | scanner operator | |
Stunts | |||
| Ignacio Carreño | .... | stunt coordinator | |
| Alberto de la Fuente | .... | stunts | |
| María Mar Morilla | .... | stunts | |
| Emiliano Meilán Uribarri | .... | stunts | |
Camera and Electrical Department | |||
| Iñigo Bach | .... | key grip | |
| José Ramón Delgado | .... | assistant camera | |
| Gonzalo Domingo-Aldama | .... | video assist operator | |
| Elías Fernández | .... | gaffer | |
| Félix Guede | .... | electrician | |
| Yuko Harami | .... | still photographer | |
| Carlos Herranz | .... | assistant Steadicam operator | |
| Raúl Manchado | .... | assistant camera | |
| Ernesto Núñez | .... | electrician | |
| Chiqui Palma | .... | Steadicam operator | |
| Gorka Rotaetxe | .... | Steadicam operator | |
| Miguel Ruiz | .... | assistant Steadicam operator | |
Casting Department | |||
| Ignacio Mateos | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Elena Gómez | .... | costume assistant (as Elena Picaza) | |
| Sofía Medem | .... | costume assistant | |
| Rocío Redondo | .... | seamstress | |
Editorial Department | |||
| Chus Carrera | .... | assistant editor | |
| Jesus de la Vega | .... | post-production coordinator | |
| Miguel P. Gilaberte | .... | color timer | |
| Javier Ugarte | .... | post-production | |
Music Department | |||
| Olga de Bartolomé | .... | music consultant | |
| Juan Luis Grande | .... | conductor | |
Other crew | |||
| Pablo Atienza | .... | production assistant | |
| Anders Bramsen | .... | pre-production assistant | |
| Beatriz Delgado | .... | executive production assistant | |
| Virginia García | .... | production coordinator | |
| Lola Guerrero | .... | script supervisor | |
| César Mendizábal | .... | production assistant | |
| René Nielsen | .... | executive production assistant | |
| Eva Pico | .... | accountant | |
Thanks | |||
| Roberto Álamo | .... | thanks | |
| Juan Carlos Calderón | .... | thanks | |
| Carmen Ruiz de Huidobro | .... | special thanks | |
| Juan Gordon | .... | thanks | |
| Enrique López Lavigne | .... | thanks | |
| Vicente Mora | .... | thanks | |
| Antonio Muñoz de Mesa | .... | thanks | |
| David Serrano | .... | thanks | |
| Paprika Steen | .... | thanks | |
| Paz Sufrategui | .... | thanks | |
| Santiago Tabernero | .... | thanks | |
| Amaya Uranga | .... | thanks | |
| Roberto Uranga | .... | thanks | |
91 min
1.85 : 1 more
Brazil:16 | Taiwan:R-18 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | Germany:12 | Finland:K-15 | Argentina:16 | Denmark:11 | Ireland:16 | Israel:16 | Norway:15 | Spain:13 | Sweden:7 | UK:15 | USA:Unrated
Continuity: Alfredo uses a silent Super 8 camera and silent film stock to shoot the movies in his flat, but when we see him watching the results on a projector some days later, the movie has sync sound that was seemingly recorded at the time of the shoot. more
Referenced in 'Así se hizo' - Torremolinos 73 (2003) (TV) more
Eva Marķa more
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| IMDb Comedy section | IMDb Spain section | Add this title to MyMovies |
This is about Spain in the 70s, with the falangists still in power. A salesman of dictionaries about the civil war is about to be fired. But his boss gives him another opportunity: Start making porno films together with your wife for my company.
They start doing so, but there are conflicts of course. This movie can't decide if it is a comedy or a wannabe tragedy and it ends in neither. This could have been mostly funny if the creators had done more of the 70s feeling, but they don't. And in the end you laugh more at the persons you ought to feel sorry about.
Not a must.