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Torremolinos 73 (2003) -- Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

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Overview

User Rating:
6.7/10   1,474 votes
MOVIEmeter: ?

Down 2% in popularity this week. See why on IMDbPro.

Director:

Pablo Berger

Writer:

Pablo Berger (writer)

Contact:

View company contact information for Torremolinos 73 on IMDbPro.

Release Date:

30 April 2003 (Spain) more

Genre:

Comedy | Drama more

Plot:

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol. full summary | full synopsis

Awards:

15 wins & 9 nominations more

User Comments:

Softcore comedy? more (17 total)


Cast

  (in credits order)
Javier Cámara ... Alfredo
Candela Peña ... Carmen
Juan Diego ... Don Carlos
Fernando Tejero ... Juan Luis

Mads Mikkelsen ... Magnus
Malena Alterio ... Vanessa
Ramón Barea ... José Carlos Romerales
Tom Jacobsen ... Erik
Mari-Anne Jespersen ... Frida
Bjarne Henriksen ... Lauritz
Nuria González ... Señora de Romerales
Mariví Bilbao ... Señora de Anasagasti
Germán Montaner ... Sr. Anasagasti
Jaime Blanch ... Ginecólogo
Máximo Valverde ... Himself
Sixten Tobias Kai Nielsen ... Ole
Jons Pappila ... Aksel (as Jöns Pappila)

Thomas Bo Larsen ... Dennis
Baard Owe ... Doctor Johansen
Mariano Peña ... Camarero
Ana Wagener ... Dependienta
Carmen Segarra ... La Fina
Carmen Machi ... Clienta Peluquería
Carmen Belloch ... Sra. Bronte
Diego París ... Novio
Ruth Lewin ... Novia
Lucio Romero ... Padre del novio
Miguel Alcíbar ... Taxista
Juan Manuel Cotelo ... Vendedor
Cándida Tena ... Monja
Tina Sáinz ... Doña Isabel
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Directed by
Pablo Berger 
 
Writing credits
(in alphabetical order)
Pablo Berger  writer

Produced by
Pablo Berger .... associate producer
Tomás Cimadevilla .... producer
Bo Ehrhardt .... co-producer
Yuko Harami .... associate producer
José Herrero de Egaña .... co-producer
Mohamed Khashoggi .... producer
Lars Bredo Rahbek .... co-producer
 
Original Music by
Nacho Mastretta  (as Mastretta)
 
Cinematography by
Kiko de la Rica 
 
Casting by
Luis San Narciso 
 
Costume Design by
Estíbaliz Markiegi 
 
Makeup Department
Agustín Cabiedes .... hair stylist (as Agustín Caviedes)
Agustín Cabiedes .... makeup artist (as Agustín Caviedes)
 
Production Management
Álvaro Cortazar .... unit manager
Pablo Ramírez .... production manager
 
Second Unit Director or Assistant Director
Luis Cordero .... third assistant director
Txarly Llorente .... first assistant director (as Txarli Llorente)
Pablo Ruiz Alarcón .... second assistant director
Victor Taberner .... assistant director
 
Art Department
José Luis Terrón .... construction manager
 
Sound Department
Jens Bønding .... sound mixer
Álex F. Capilla .... assistant sound editor
Pelayo Gutiérrez .... sound editor
Bruno Langiano .... sound effects
Manuel Peinado .... boom operator
 
Visual Effects by
Javier Mosqueda .... pre-visualization colorist
Javier Mosqueda .... scanner operator
 
Stunts
Ignacio Carreño .... stunt coordinator
Alberto de la Fuente .... stunts
María Mar Morilla .... stunts
Emiliano Meilán Uribarri .... stunts
 
Camera and Electrical Department
Iñigo Bach .... key grip
José Ramón Delgado .... assistant camera
Gonzalo Domingo-Aldama .... video assist operator
Elías Fernández .... gaffer
Félix Guede .... electrician
Yuko Harami .... still photographer
Carlos Herranz .... assistant Steadicam operator
Raúl Manchado .... assistant camera
Ernesto Núñez .... electrician
Chiqui Palma .... Steadicam operator
Gorka Rotaetxe .... Steadicam operator
Miguel Ruiz .... assistant Steadicam operator
 
Casting Department
Ignacio Mateos .... casting assistant
 
Costume and Wardrobe Department
Elena Gómez .... costume assistant (as Elena Picaza)
Sofía Medem .... costume assistant
Rocío Redondo .... seamstress
 
Editorial Department
Chus Carrera .... assistant editor
Jesus de la Vega .... post-production coordinator
Miguel P. Gilaberte .... color timer
Javier Ugarte .... post-production
 
Music Department
Olga de Bartolomé .... music consultant
Juan Luis Grande .... conductor
 
Other crew
Pablo Atienza .... production assistant
Anders Bramsen .... pre-production assistant
Beatriz Delgado .... executive production assistant
Virginia García .... production coordinator
Lola Guerrero .... script supervisor
César Mendizábal .... production assistant
René Nielsen .... executive production assistant
Eva Pico .... accountant
 
Thanks
Roberto Álamo .... thanks
Juan Carlos Calderón .... thanks
Carmen Ruiz de Huidobro .... special thanks
Juan Gordon .... thanks
Enrique López Lavigne .... thanks
Vicente Mora .... thanks
Antonio Muñoz de Mesa .... thanks
David Serrano .... thanks
Paprika Steen .... thanks
Paz Sufrategui .... thanks
Santiago Tabernero .... thanks
Amaya Uranga .... thanks
Roberto Uranga .... thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Runtime:

91 min

Country:

Spain | Denmark

Language:

Spanish | Danish

Aspect Ratio:

1.85 : 1 more


Fun Stuff

Goofs:

Continuity: Alfredo uses a silent Super 8 camera and silent film stock to shoot the movies in his flat, but when we see him watching the results on a projector some days later, the movie has sync sound that was seemingly recorded at the time of the shoot. more

Movie Connections:

Referenced in 'Así se hizo' - Torremolinos 73 (2003) (TV) more

Soundtrack:

Eva Marķa more


FAQ

This FAQ is empty. Add the first question.
11 out of 26 people found the following comment useful.
Softcore comedy?, 10 August 2004
4/10
Author: stensson from Stockholm, Sweden

This is about Spain in the 70s, with the falangists still in power. A salesman of dictionaries about the civil war is about to be fired. But his boss gives him another opportunity: Start making porno films together with your wife for my company.

They start doing so, but there are conflicts of course. This movie can't decide if it is a comedy or a wannabe tragedy and it ends in neither. This could have been mostly funny if the creators had done more of the 70s feeling, but they don't. And in the end you laugh more at the persons you ought to feel sorry about.

Not a must.

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