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Directed by | |||
| Abdel Kechiche | (as Abdellatif Kechiche) | ||
Writing credits | ||
| Ghalya Laroix | (adaptation and dialogue) | |
Produced by | |||
| Franck Cabot-David | .... | associate producer | |
| Jacques Ouaniche | .... | producer | |
| Charles Taris | .... | associate producer | |
Cinematography by | |||
| Lubomir Bakchev | (director of photography) | ||
Film Editing by | |||
| Ghalya Laroix | |||
Casting by | |||
| Monya Galbi | |||
Production Design by | |||
| Michel Gionti | (as Michel-Ange Gionti) | ||
Costume Design by | |||
| Maria Beloso-Hall | |||
Production Management | |||
| Jacques-Emmanuel Astor | .... | unit manager (as Jacques Emmanuel Astor) | |
| Jean-François Gomis | .... | assistant unit manager | |
| Mireia Ibars | .... | post-production manager | |
| Emeric Le Jouan | .... | trainee unit manager | |
| Eric Nebot | .... | trainee unit manager | |
| Benoît Pilot | .... | production manager | |
| Kamel Saadi | .... | assistant unit manager | |
| Nasser Seddik | .... | assistant unit manager | |
| Benjamin Treussard | .... | supervising unit manager | |
Sound Department | |||
| Christophe Bourreau | .... | foley artist | |
| Sophie Bousquet-Foures | .... | sound editor (as Sophie Bousquet) | |
| Jérôme Chenevoy | .... | boom operator | |
| Emmanuel Croset | .... | sound mixer | |
| Jérôme Pierrot | .... | boom operator | |
| Nicolas Waschkowski | .... | sound | |
Camera and Electrical Department | |||
| Cecile Ancelin | .... | assistant camera | |
| Sofian El Fani | .... | camera operator (as Sofian Elfani) | |
| Loïc Malavard | .... | still photographer | |
| Frida Marzouk | .... | assistant camera | |
| Mathieu Normand | .... | assistant camera | |
Editorial Department | |||
| Antonella Bevenja | .... | negative cutter | |
| Christophe Bousquet | .... | color timer | |
| Violeta Fernandez | .... | assistant editor (as Violeta Fernàndez) | |
| Frida Marzouk | .... | assistant editor | |
Music Department | |||
| Antoine Banville | .... | music editor | |
| Raoul Cepelnik | .... | musician | |
| Hasni | .... | musician | |
| Dario Ivkovic | .... | musician | |
| Zahouania | .... | musician | |
| Branislav Zdravkovi | .... | musician | |
Other crew | |||
| Stephanie Altamirano | .... | production secretary (as Stéphanie Altamirano) | |
| Hadra Kemon | .... | administrator | |
| Ghalya Laroix | .... | script supervisor | |
Thanks | |||
| Yannick Bernard | .... | thanks | |
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| Le goût des autres | La journée de la jupe | Ma vraie vie à Rouen | Out 1, noli me tangere | La haine |
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This is a dream film, of which I am so entirely thrilled that it received so many awards over the mediocre but over hyped Rois et reine. The self effacement of the director in this film is impeccable, one has the eerie sense of watching a Fred Wiseman documentary. It is true that dialogue can run long and circuitously, but for those with my taste for extreme realism this can only be a downside if the acting is poor, and in l'esquive it is not. The acting is on the contrary frighteningly good, whatever self consciousness the members of this young cast might have before the camera is immediately absorbed in the documentary-like mise en scene, that is to say, it only furthers the sensibilities and aesthetic as a whole. L'esquive is a singular film that we can only hope will influence a generation of young French filmmakers who are tired of the well lit, over produced cinema this country is getting far too comfortable with.