| Videos (see all 7) |
| Irrfan Khan | ... | Lafcadia - Warrior | |
| Puru Chibber | ... | Katiba, Warrior's son | |
| Aino Annuddin | ... | Biswas | |
| Manoj Mishra | ... | Warrior | |
| Nanhe Khan | ... | Warrior | |
| Chander Singh | ... | Warrior | |
| Hemant Maahaor | ... | Warrior | |
| Mandakini Goswami | ... | Rabia | |
| Sunita Sharma | ... | The girl | |
| Shaukat Baig | ... | Clerk | |
| Gori Shanker | ... | Tarang village headman | |
| Prabhuram | ... | Blacksmith | |
| Wagaram | ... | Blacksmith's son | |
| Ajai Rohilla | ... | Quarrey foreman | |
| Noor Mani | ... | Riaz - Thief | |
| Sitaram Panchal | ... | Dhaba stall owner | |
| Chander Prakash Vyas | ... | Dhaba stall man | |
| Sanjal | ... | Dhaba stall man | |
| Anupam Shyam | ... | Lord | |
| Amit Kumar | ... | Market trader | |
| Damayanti Marfatia | ... | Blind woman | |
| Trilok Singh | ... | Cart driver | |
| Pushpa Negi | ... | Restaurant owner | |
| Karuna Sarah Davis | ... | Restaurant girl | |
| Rakesh Mehra | ... | Rude customer | |
| Anuradha Advanti | ... | Lord's wife | |
| rest of cast listed alphabetically: | |||
| Ismail Bashey | ... | The Warrior (voice) | |
| Madhu | ... | Singer | |
Directed by | |||
| Asif Kapadia | |||
Writing credits(in alphabetical order) | ||
| Asif Kapadia | screenplay | |
| Tim Miller | screenplay | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Roman Osin | |||
Film Editing by | |||
| Ewa J. Lind | (as Ewa Lind) | ||
Casting by | |||
| Tigmanshu Dhulia | |||
Production Design by | |||
| Adrian Smith | |||
Art Direction by | |||
| Henry Harris | (supervising art director) | ||
Set Decoration by | |||
| Agnes Goveas | |||
Costume Design by | |||
| Louise Stjernsward | |||
Makeup Department | |||
| Mariam Ajit Kumar | .... | assistant hair stylist | |
| Lesley Lamont-Fisher | .... | makeup designer | |
| Derek Lloyd | .... | hair stylist | |
| Derek Lloyd | .... | makeup artist | |
| Chhotu Sheikh | .... | assistant makeup artist (as Chottu Sheikh) | |
Art Department | |||
| Roy Aguiar | .... | art director: India | |
| Sunil Chabra | .... | property master (as Sunil Chabbra) | |
| Rammilan Chaubey | .... | stand-by props | |
| Ashok Kolap | .... | carpenter | |
| Manish Kolte | .... | props buyer | |
| Babu Lal Mina | .... | dressing props (as Babulal Meena) | |
| Shambu Nath | .... | stand-by props (as Shambhu Nath) | |
| Kumar Rajendra | .... | stand-by props | |
| Kadoba Shinde | .... | carpenter | |
| Dhiran Singha | .... | storekeeper | |
| Isolde Sommerfeldt | .... | stand-by art director | |
| Bharat Surve | .... | stand-by carpenter | |
| Rajender Sutar | .... | construction assistant | |
| Amar Vidhate | .... | construction manager | |
| Sameer Vidhate | .... | carpenter | |
| Pradeep K. Vishwakarma | .... | carpenter (as Pradeep Vishwakarma) | |
| Virenda Yudav | .... | carpenter | |
Sound Department | |||
| Tim Barker | .... | foley editor | |
| Paul Carr | .... | dubbing mixer | |
| Stan Fiferman | .... | foley artist | |
| Prashant Jaiswal | .... | adr mixer | |
| Johannes Konecny | .... | dialogue editor | |
| Melissa Lake | .... | foley artist | |
| Colin Ritchie | .... | adr editor | |
| Jatin Sarma | .... | boom operator | |
| Andy Shelley | .... | sound designer | |
| Andy Shelley | .... | sound recordist | |
| Andy Shelley | .... | supervising sound editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Mark Kenna | .... | consultant: dolby film sound (uncredited) | |
Special Effects by | |||
| Allan Amin | .... | special effects coordinator (as Ghani Amin) | |
| Ainouddin Sheikh | .... | special effects assistant (as Sheikh Annudin) | |
| Harun Wagmare | .... | special effects assistant | |
Stunts | |||
| Allan Amin | .... | stunt coordinator (as Ghani Amin) | |
| Firoz Khan | .... | stuntman | |
| Usman Shamshim | .... | stunt horse wrangler (as Usman Shmsh) | |
| Ainouddin Sheikh | .... | stunts assistant (as Sheikh Annudin) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Abdul Hafeez | .... | assistant crowd collector | |
| Amita Sehgal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Liaqat Ali | .... | tailor | |
| Sabir Ali | .... | wardrobe assistant | |
| Daya Bhai | .... | cutter | |
| Marendra Mohan Mathur | .... | dressman | |
| Rupa Sahay | .... | wardrobe assistant | |
| Salim Shiekh | .... | dressman (as Salim Shaikh) | |
Editorial Department | |||
| Guy Ducker | .... | assistant editor | |
| Deborah Kavanagh | .... | film conform trainee | |
| Kate Mackenzie | .... | film conforming assistant | |
Music Department | |||
| Simon Allen | .... | musician: percussion | |
| Andrew Boland | .... | music recordist | |
| Catriona Brice | .... | orchestral management | |
| Sarah Ioannides | .... | assistant to Mr Marianelli | |
| Dario Marianelli | .... | conductor | |
| Dario Marianelli | .... | orchestrator | |
| Steve Price | .... | music mixer | |
| Baluji Shivastav | .... | musician: dilruba | |
| Nigel Zacharias | .... | music recordist | |
Transportation Department | |||
| Bageshwar Pandey | .... | generator driver | |
Thanks | |||
| Anuradha Advanti | .... | thanks | |
| John Joe Bardsley | .... | thanks | |
| Sebastien Beffa | .... | thanks (as Sébastian Beffa) | |
| Noelle Deschamps | .... | thanks | |
| Anne Gerles | .... | thanks | |
| Fabienne Godet | .... | thanks | |
| Janine Gold | .... | thanks | |
| Tony Grisoni | .... | thanks | |
| Nina Gupta | .... | thanks | |
| Kaizad Gustad | .... | thanks | |
| Iravati Harshe | .... | thanks (as Irawati Harche) | |
| Victoria Harwood | .... | thanks | |
| Alistair Hopkins | .... | thanks | |
| Mary Jacob | .... | thanks | |
| Priscilla John | .... | thanks | |
| Katita | .... | thanks | |
| Markam Ajit Kumar | .... | thanks | |
| Sumit Kumar | .... | thanks | |
| Victoria Lorkin-Lange | .... | thanks | |
| Andrea O'Connor | .... | thanks | |
| Simon Perry | .... | special thanks | |
| Gyanchand Rikki | .... | thanks | |
| Amanda Schiff | .... | thanks | |
| Emma Shepherd | .... | thanks | |
| Sue Bruce Smith | .... | thanks | |
| Anil Tejani | .... | thanks | |
| Anil Walia | .... | thanks | |
| Sunil Walia | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
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"Thumbs Up/Down" makes little sense in general, but when it comes to Asif Kapadia's "The Warrior," it's virtually repugnant to say just yes or no to such work of rare and consuming integrity.
This brilliant new British director made his debut at 29, when the 2005 Miramax US release of "The Warrior" appeared in its initial form in 2001. It is shot entirely - and spectacularly, with the painterly prowess of a Zhang Yimou - in India of long ago. It is a work onto itself, without regard to convention or audience comfort.
Kapadia does not bother to introduce his subject or to invite viewers into the world he depicts, he thrusts them into it with the first frame, and he doesn't stop... until about an hour into the film, there is a brief episode not involving gripping, threatening, breathtaking conflict.
As does the director, the great new star in the title role, Irfan Khan, is also making his debut, but he has a face, a presence that you feel you have always known. He plays the top warrior, the enforcer and executioner for a inhumanly cruel warlord, a man slaughtering men, women and children of the villages that don't pay their taxes in full. When he suddenly stops killing and seeks a different life, the hunter becomes the hunted.
From this point on, when Hollywood would follow one of two or three possible scenarios, Kapadia continues to enthrall the viewer, the story unfolding in its own unique, riveting way, never becoming slack, lazy, predictable. Intensity continues unabated, suffused with meaning and complexity.
From India's Rajasthani Desert to the Himalayan region of Himachal Pradesh, there are spectacular backdrops, but Roman Osin's camera is consistently on the faces - ancient, stoic faces (most of the cast never acted before), showing the barest signs of emotion - magnified in context and in the close-ups.
At the most horrendous moment of "The Warrior," the face on which we'd expect the reaction is suddenly hidden by the camera shifting up so that we see only a riot of colorful turbans. We both want to see that disappearing face, and are grateful that we don't have to witness it.
"The Warrior" takes control, arousing and maintaining intense feelings that you'll rarely experience in a theater. Which way the thumbs that wave high for the usual infantile drivel? Let's just break 'em.