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Overview
User Rating:
Director:
Writers:
Robert Altman (idea) and
Bob Balaban (idea) ...
more
Release Date:
4 January 2002 (USA) more
Tagline:
Tea At Four. Dinner At Eight. Murder At Midnight.
Plot:
Multiple storylined drama set in 1932, showing the lives of upstairs guest and downstairs servants at a party in a country house in England. full summary | add synopsis
Awards:
Won Oscar. Another 27 wins & 49 nominations more
NewsDesk:
(121 articles)
“Creation” Movie Poster and Trailer
(From Filmofilia. 3 November 2009, 10:37 AM, PST)
Checkmate: An Advance Review of PBS' "Endgame" on "Masterpiece Contemporary"
(From Televisionary. 23 October 2009, 8:37 AM, PDT)
User Comments:
AWESOME ALTMAN!!! more (597 total)
Cast
(Cast overview, first billed only)Additional Details
Also Known As:
Gosford Park (Italy)
more
MPAA:
Rated R for some language and brief sexuality.
Parents Guide:
Runtime:
137 min
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
DTS | Dolby Digital | SDDS
Certification:
Iceland:L | South Korea:15 | USA:R (certificate #38606) | USA:TV-MA (TV rating) | Argentina:16 | Brazil:14 | Canada:14A | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIA | Netherlands:AL | Norway:11 | Peru:14 | Portugal:M/12 | Singapore:NC-16 | Spain:7 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:14 (canton of the Grisons) | UK:15 | Australia:M
Filming Locations:
Fun Stuff
Trivia:
There really was a Charlie Chan in London (1934) film made in 1934 and it was indeed a mystery set in an English manor house. While it did feature Alan Mowbray and Ray Milland, it was produced by John Stone, not Morris Weissman (a fictional character). more
Goofs:
Audio/visual unsynchronized: During the pheasant shoot, clucking can be heard. Pheasants do not sound like chickens, they make their own distinctive noise. more
Quotes:
Raymond Stockbridge: Do stop snivelling - anyone would think you were Italian. more
Movie Connections:
Featured in "The Culture Show: British Film Special (#6.8)" (2007) more
Soundtrack:
Glamorous Night more
FAQ
Who is who?Seating arrangements at the different dinner scenes
more
more (597 total)
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This film opened the London Film festival and I was lucky enough to see get tickets. Robert Altman was there and so were most of the cast.
I've seen over half of the Altman cannon of work and this has to rank up with his best. Set in the 1920's, a group of people get together for a shooting weekend at the estate of Lord and Lady Mcardle. There are two sets of characters, the Toffs upstairs and the servants downstairs. With his customary multi-streaming overlapping narrative, cross cutting dialogue and interwoven storylines, Altman sets up dynamics within and between the two classes. There are up to 32 speaking parts and each of them is invested with a clear identity. Just from a few lines, a gesture, raising of an eyebrow, we have an idea of a character's feelings and motivations.
At times the narrative moves at such a fast pace, but we never lose track of whats going on. Scenes such as the Toffs in the Drawing room having tea - many conversations happening, dynamics being set up - and another where the servants are rushing around downstairs, as the camera weeves its way through the corridors, are exhilirating cinema!! Altman has a tight grip on the proceedings and this only wavers slightly towards the end.
There is a fantastic scene, where Ivor Novello - a guest, is invited to sing for the other guests and all the servants listen covertly from whatever vanatge point they can find. Novello oustays his welcome, amongst the gentry, but the servants cant get enough.
What Altman has done here, helped enormously by the wonderfully humourous script by Julian Fellows, is invested these period characters with a modern sensibility. These are not the boring, stuffed dummy museum pieces of your typical period picture, these people are real. Rich or poor, their fallibilities, desires, disaffections and frustrations are evidently clear.
This movie is so good, I wanted to get up and cheer at certain points. Altman is well served by the 'creme de la creme' of British Actors. All are excellent; Maggie Smith, Emily Watson, Helen Mirren, Kristin Scott-Thomas and Jeremy Northam to name a few. This film may not be everyones cup of tea and i am someone who can go watch anything from Scream 3 to the latest hot film from Asia, but those that invest the time on this film, will be much rewarded. Altman deserves the Oscar that has eluded him for far too long.