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In the Beginning (2000) (TV)
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Overview
User Rating:
Director:
Writer (WGA):
John Goldsmith (written by)
Release Date:
12 November 2000 (USA)
more
Tagline:
From creation to the commandments, Man's greatest journey starts here.
Plot:
Biblical tales from the books of Genesis and Exodus, including the stories of Abraham's devotion and Joseph's betrayal. | add synopsis
Plot Keywords:
Awards:
1 nomination
more
NewsDesk:
(2 articles)
Cannes 2009: Adrift, Drag Me To Hell, In The Beginning
(From Alternative Film Guide. 22 May 2009, 7:03 PM, PDT)
Dallas Theater Center to Present In The Beginning Jan. 21 - Feb. 15
(From BroadwayWorld.com. 15 January 2009, 12:17 AM, PST)
(From Alternative Film Guide. 22 May 2009, 7:03 PM, PDT)
Dallas Theater Center to Present In The Beginning Jan. 21 - Feb. 15
(From BroadwayWorld.com. 15 January 2009, 12:17 AM, PST)
User Comments:
Very good. This is one of the better versions of the Old testament type films.
more (15 total)
Cast
(in credits order)
Directed by | |||
| Kevin Connor | |||
Writing credits(WGA) | ||
| John Goldsmith | (written by) | |
Produced by | |||
| Robert Halmi Jr. | .... | executive producer | |
| Paul Lowin | .... | producer | |
| David V. Picker | .... | executive producer | |
Original Music by | |||
| Ken Thorne | |||
Cinematography by | |||
| Elemér Ragályi | |||
Film Editing by | |||
| Bill Blunden | |||
| Barry Peters | |||
Casting by | |||
| Zsolt Csutak | |||
| Noel Davis | |||
| Sharon Jetton | |||
Production Design by | |||
| Keith Wilson | |||
Art Direction by | |||
| Alastair Kay | (supervising art director) | ||
| Alistair Kay | |||
Set Decoration by | |||
| István Tóth | |||
Costume Design by | |||
| Maria Hruby | |||
Makeup Department | |||
| Khalid Alami | .... | makeup artist | |
| Kajtar 'Bogyo' Janosne | .... | hair styles supervisor | |
| Andrea Juhasz | .... | makeup artist | |
| Souad Khattabi | .... | makeup artist | |
| Said Ahmar Lgroun | .... | hair stylist | |
| Brahim Naaim | .... | hair stylist | |
| Iren Szeitl | .... | hair stylist | |
| Klári Szinek | .... | hair stylist (as Klara Szinek) | |
| Michelle Taylor | .... | prosthetic designer | |
| Anna Tesner | .... | makeup artist | |
| Kati Tomola | .... | makeup supervisor | |
Production Management | |||
| Zakaria Alaoui | .... | production manager | |
| József Cirkó | .... | production manager | |
| Laura Julian | .... | production supervisor | |
| Peter Seres | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Michelangelo Csaba Bolla | .... | first assistant director | |
| Yann Mari Faget | .... | assistant director | |
| Toby Ford | .... | second assistant director | |
| Ahmed Hatimi | .... | third assistant director: Morocco | |
| Zinnedine Ibnouiabal | .... | second assistant director: Morocco | |
| Tamás Mink | .... | second assistant director | |
| Csilla Szigeti | .... | additional assistant director | |
Art Department | |||
| Youssef Abagourram | .... | assistant construction manager | |
| Abdellah Baadil | .... | art department assistant | |
| Sylvain Despretz | .... | storyboard artist | |
| Tommaso Dubla | .... | supervising painter | |
| Sally Fletcher | .... | scenic artist | |
| Mike Fowlie | .... | property master | |
| Abdenabi Izlaguen | .... | props | |
| Imre Kiss | .... | supervising carpenter | |
| Michael Law | .... | construction manager | |
| Balazs Lizan | .... | assistant set dresser | |
| András Maros | .... | set dresser | |
| Mihaly Marton | .... | stand-by props | |
| Hassan Ousfar | .... | stand-by props | |
| János P. Nagy | .... | leadman | |
| Menouer Samiri | .... | assistant art director | |
| Miklós Schmelcz | .... | construction manager | |
| Lajos E. Szabó | .... | stand-by painter | |
| János Szabolcs | .... | assistant art director | |
| Béla Tollay | .... | stand-by props | |
| Gyula Torbo | .... | painter | |
| Gabor Toth | .... | stand-by props | |
Sound Department | |||
| Bill Bell | .... | sound editor | |
| Tim Chilton | .... | foley artist | |
| Clive Copland | .... | sound mixer | |
| Bob Costanza | .... | sound editor | |
| Rick Crampton | .... | sound editor | |
| Mike Dickeson | .... | sound editor | |
| Mark Friedgen | .... | sound editor | |
| Tommy Goodwin | .... | foley mixer | |
| Matthew Gough | .... | assistant sound re-recording mixer | |
| Lalit Goyal | .... | assistant sound editor | |
| G. Michael Graham | .... | sound supervisor (as Michael Graham) | |
| Anton Holden | .... | sound editor | |
| Terry Isted | .... | adr recordist | |
| Adriane Marfiak | .... | sound editor | |
| Joseph Melody | .... | sound supervisor | |
| Paul Newson | .... | assistant sound editor | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| Mike Prestwood Smith | .... | sound | |
| Mac Ruth | .... | boom operator: Hungary | |
| Mark Steele | .... | sound editor | |
| Richard S. Steele | .... | sound editor | |
| Ted Swanscott | .... | adr mixer | |
| Pál Szûrös | .... | boom operator | |
| Tim Terusa | .... | sound editor | |
| Lou Thomas | .... | sound editor | |
| Attila Varga | .... | cable: Hungary | |
Special Effects by | |||
| Attila Erczkovi | .... | pyro technician | |
| Gabor Kiszelly | .... | special effects technician | |
| Ferenc Ormos | .... | special effects supervisor | |
| György Solymosi | .... | special effects technician | |
Visual Effects by | |||
| Lizzie Bentley | .... | matte painter | |
| Zoltán Benyó | .... | visual effects supervisor | |
| Colin Brown | .... | visual effects executive producer | |
| Keith Devlin | .... | 2D compositor | |
| Steve Garrad | .... | visual effects coordinator | |
| Chris George | .... | visual effects 3D animator | |
| Chris Gibbons | .... | 2D compositor | |
| Deanna Connor Gould | .... | visual effects production manager | |
| Dan Harrod | .... | 2D compositor | |
| Hayden Jones | .... | visual effects 3D animator | |
| Craig Kuehne | .... | 2D compositor | |
| Paul Lambert | .... | Inferno artist | |
| Gábor Marinov | .... | computer graphics artist | |
| Stuart McAra | .... | visual effects producer | |
| Clare Norman | .... | visual effects coordinator | |
| Antoinette Perez | .... | visual effects coordinator: Cinesite Europe | |
| Jonathan Privett | .... | visual effects supervisor | |
| Steve Street | .... | 3D animator: Cinesite | |
| Courtney Vanderslice | .... | head of production: Cinesite | |
| Mark H. Weingartner | .... | visual effects supervisor | |
| Phil Green | .... | data operator (uncredited) | |
| Theano Kazagli | .... | digital I/O: Cinesite (uncredited) | |
Stunts | |||
| Faycal Attougui | .... | stunts | |
| Sándor Boros | .... | stunts | |
| László Imre | .... | stunts | |
| Roland Kollárszky | .... | stunts | |
| József Kovalik | .... | stunts | |
| Levente Lezsák | .... | stunts | |
| Joel Proust | .... | stunt coordinator | |
| Béla Unger | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Said Andam | .... | second assistant camera: "c" camera | |
| Ahmed Arraissi | .... | grip | |
| Stefan Baur | .... | technician: camera equipment | |
| Abdelaziz Bizzi | .... | grip | |
| József Buczkó | .... | grip | |
| Csaba Csuti | .... | grip | |
| Gellért Drávucz | .... | second assistant camera: "b" camera | |
| Miklós Hajdu | .... | gaffer | |
| Hassan Hajhouj | .... | grip | |
| László Maylander | .... | grip | |
| Ferenc Németh | .... | second assistant camera: "a" camera | |
| Tamas Nyerges | .... | Steadicam operator: second unit | |
| Tamas Nyerges | .... | director of photography: second unit | |
| Tamás Oláh | .... | first assistant camera: "b" camera | |
| Tamás Oláh | .... | focus puller: second unit | |
| Marci Ragályi | .... | assistant camera | |
| Balint Seres | .... | clapper loader: second unit | |
| Balint Seres | .... | second assistant camera: "c" camera | |
| György Simon | .... | best boy (as Gyorgy Simon) | |
| Lajos Simon | .... | best boy grip | |
| Imre Sisa | .... | key grip | |
| József Trombitás | .... | grip | |
| Oliver Upton | .... | still photographer | |
| András Váradi | .... | first assistant camera: "a" camera | |
Casting Department | |||
| Tamás Kertész | .... | extras casting | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | crowd wardrobe supervisor | |
| Zsuzsa Balai | .... | wardrobe supervisor | |
| Dave Croucher | .... | costumes | |
| David Croucher | .... | wardrobe | |
| Krisztina Fekete | .... | wardrobe | |
| József Lender | .... | dresser | |
| Tiny Nicholls | .... | costume consultant | |
| Abdelfattah Qzaibar | .... | costume assistant | |
| Gabor Szabo | .... | wardrobe | |
| Krisztina Vavrinecz | .... | wardrobe | |
Editorial Department | |||
| Cas Casey | .... | on-line editor | |
Music Department | |||
| Peter Fuchs | .... | music recording engineer | |
| Bill Kidd | .... | orchestrator | |
| Mario Klemens | .... | conductor | |
| Miriam Ludbrook | .... | assistant music editor | |
Transportation Department | |||
| Ali Bakkioui | .... | unit transportation captain | |
| Najma El Mahjoub | .... | assistant transportation manager | |
Production CompaniesDistributors
- Alpha Filmes (2006) (Brazil) (DVD)
- America Video Film (2007) (Argentina) (all media)
- America Video (2007) (Argentina) (all media)
- Argentina Video Home (2007) (Argentina) (DVD)
- Divisa Home Video (2009) (Spain) (DVD)
- Magnavision (????) (Philippines) (video)
- National Broadcasting Company (NBC) (2000) (USA) (TV) (original airing)
- Trinity Broadcasting Network (TBN) (2005) (USA) (TV)
Additional Details
Parents Guide:
Runtime:
USA:189 min | Argentina:189 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Movie Connections:
Follows Mary, Mother of Jesus (1999) (TV)
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FAQ
This FAQ is empty. Add the first question.more (15 total)
Message Boards
Discuss this movie with other users on IMDb message board for In the Beginning (2000) (TV)Recommendations
If you enjoyed this title, our database also recommends:
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| Abraham | The Story of Jacob and Joseph | Joseph | The Bible: In the Beginning... | Merlin |
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I see a lot of biblical type movies and I must say this is one of the better ones. It takes a humanist view of the stories. The fact that an apple is not used in the Adam and Eve scene should not detract from understanding the story itself. If anyone wants to understand the Old testament stories such as Jacob and Esau and know nothing about it then I would strongly suggest that this version is the better of what is currently available as far as commercial movies are concerned.
The acting is first rate. I do agree that the effects are cheesy but the story, plots an acting convey the messages within the bible well.
I would recommend this movie to anyone who wants to know about the popular stories of the Old Testament and have no prior knowledge of them.