Proof of Life (2000)

Director:

Taylor Hackford

Writers (WGA):

Tony Gilroy (written by)
William Prochnau (article) (inspiration)

Release Date:

8 December 2000 (USA)

Genre:

Action | Drama | Thriller

Plot:

Alice hires a professional negotiator to obtain the release of her engineer husband, who has been kidnapped by anti-government guerrillas in South America.

Plot Keywords:

Box Office Flop | Mercenary | Helicopter | Revolving Door | Guerilla

Awards:

5 nominations

Cast

Meg Ryan	...	Alice Bowman
Russell Crowe	...	Terry Thorne
David Morse	...	Peter Bowman
Pamela Reed	...	Janis Goodman
David Caruso	...	Dino
Anthony Heald	...	Ted Fellner
Stanley Anderson	...	Jerry
Gottfried John	...	Eric Kessler
Alun Armstrong	...	Wyatt
Michael Kitchen	...	Ian Havery
Margo Martindale	...	Ivy
Mario Ernesto Sánchez	...	Arturo Fernandez (as Mario Ernesto Sanchez)
Pietro Sibille	...	Juaco
Vicky Hernández	...	Maria (as Vicky Hernandez)
Norma Martínez	...	Norma (as Norma Martinez)

MPAA:

Rated R for violence, language and some drug material.

Runtime:

135 min

Country:

USA

Language:

English | Spanish | Russian | Italian | French

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:16 (video rating) | Malaysia:18PL | Iceland:14 | Argentina:Atp | Australia:M | Chile:TE | Denmark:15 | Finland:K-15 | France:U | Germany:12 (w) | Hong Kong:IIB | Netherlands:16 | New Zealand:M | Norway:15 | Portugal:M/12 | Singapore:PG | South Korea:12 | Spain:7 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Ecuador

Company:

Castle Rock Entertainment

Trivia:

One of the names of the hostages on the white board in the London Office is "Idziak" - the director of photography for this film is Slawomir Idziak.

Goofs:

Continuity: The Polaroid which terry examines with a magnifying glass shows Peter smiling slightly. The picture Alice & Janice look at has his mouth closed in a grimace (the plot makes an issue of why he isn't smiling in the photo).

Quotes:

Ted Fellner: We're out of miracles.

Movie Connections:

References Soldier of Fortune (1955)

Soundtrack:

Muñeca Linda

At it's heart it is a dramatic and enjoyable film - the padding is the problem

Peter and Alice Bowman are working on a dam in South America in the employment of a large oil company. When Peter is kidnapped the company bring in expert negotiator Terry Thorne. However when the oil company runs out of money due to no insurance, they take Terry off the case and he leaves for another job. However a pang of conscience brings him back to help Alice and he replaces the corrupt locals. As he tries to help get her husband back he also falls for Alice.

As a fan of David Caruso, I was annoyed that I missed this film at the cinema (I blinked and I missed it!) and by the time the video came out it had slipped my mind. Shown of tv last night was the perfect time for me to see it and, despite negative reviews, I actually quite enjoyed it. I think the problem is that the critics struggled to get past the handful of problems (more later) to find that the film was an effective, if talky, drama with a thriller edge. The premise is good and it allows tense scenes where Terry tough talks as well as scenes with Peter with his captors. It's not perfect in this regard as it is a bit talky but for me it was engaging - I got the impression from other comments that people had expected raging gun battles all the way through the film.

However what does damage the film is Alice Bowman. I can see the potential behind Terry and Alice's romance - it could have been another layer of drama. In reality it doesn't work a bit and only serves to take away from the main thrust of the film - their relationship never convinces and nothing of interest is actually done with it. Likewise the character of Alice doesn't really work either - I never believed she was emotionally going through the wringers to the degree the script suggested she would be. A big part of the blame for this must lie with Meg Ryan herself. She is miscast in the first place, but on top of that she is too pristine throughout the film - hair and makeup perfect no matter what and a stupid little hippie-girl personality that stops her being a real person. It is a bad performance and the film would have benefited from a shorter running time which lost the romance subplot and scaled back on Ryan's time.

However she is carried by a real star turn from Crowe. It may not be that clever a role but he does `tough' really well and he helps improve the tension of several scenes. Morse is a good actor and he does well here. The only downside of his performance is that he seemed fit and well outside of his makeup; I was looking for him to look thinner and mentally battered as the film progressed but he didn't - it's not his fault, I guess the film had no time to do this. Caruso gives the same tough performance he does in every thing he ever does so if you like that then you'll like him here - I do!

Overall this is an enjoyable film if you can get past it's major problems surrounding Alice and Terry's relationship. Script-wise this aspect was weak on paper, but a comparatively rubbish turn from the miscast Meg Ryan just makes it all the weaker. Thank god that the basic premise is tense and the male leads' tough talking is good fun.