IMDb > Botan-dôrô (1968)

Botan-dôrô (1968) More at IMDbPro »


Overview

User Rating:
6.2/10   16 votes
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Director:

Satsuo Yamamoto

Writers:

Enchô San'yûtei (novel)
Yoshikata Yoda (writer)

Contact:

View company contact information for The Bride from Hades on IMDbPro.

Release Date:

15 June 1968 (Japan) more

Genre:

Horror more

Plot Keywords:

User Comments:

A curious and thoughtful ghost story more (1 total)


Cast

  (Credited cast)
Miyoko Akaza ... Otsuyu
Kojiro Hongo ... Hagiwara Shinzaburou
Hajime Koshikawa
Kô Nishimura ... Banzou
Mayumi Ogawa ... Omine
Michiko Otsuka ... Oyone
Takashi Shimura ... Fortune Teller
Atsumi Uda ... Kiku
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Additional Details

Also Known As:

A Ghost Story of Peonies and Stone Lanterns
A Tale of Peonies and Lanterns (International: English title)
Ghost Beauty
Kaidan botan-dôrô (Japan) (alternative title)
My Bride Is a Ghost
Peony Lantern
The Bride from Hades (USA)
The Bride from Hell
more

Runtime:

89 min

Country:

Japan

Language:

Japanese

Color:

Color (Fujicolor)

Aspect Ratio:

2.35 : 1 more

Sound Mix:

Mono (Westrex Recording System)

Company:

Daiei Studios more


Fun Stuff

Movie Connections:

Version of Kaidan botan-dôrô (1955) more


FAQ

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1 out of 1 people found the following comment useful.
A curious and thoughtful ghost story, 24 November 2007
8/10
Author: Anthony Dolphin (santasprees) from Japan

The seduction of death itself (in the form of an alluring ghost) is familiar enough territory in Japanese ghost stories (Ghost Story Of Yotsuya, Kuroneko, etc), the twist here being Communist director Yamamoto's playful depiction of the villagers' efforts to thwart the ghost's advances towards their middle class school teacher, Shinzaburou.

As with most Yamamoto films the emphasis is on the ensemble playing of the cast rather than any leads. That said, the roles of Banzou and his wife do seem rather overplayed, probably betraying their origin as kabuki grotesques.

Handsomely shot (Chishi Makiura) and scored (Sei Ikeno) to evoke a vivid sense of the dark, sticky nights of Obon. A curious and thoughtful horror film that somehow manages to give Bhuddism, capitalism and family a good kicking within the restrictions of the genre and the source material.

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