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American Psycho
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American Psycho (2000) More at IMDbPro »

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American Psycho (2000) -- A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
American Psycho (2000) -- CineMagia.ro - Trailer (Flash)

Overview

User Rating:
7.4/10   89,104 votes
MOVIEmeter: ?
Down 2% in popularity this week. See why on IMDbPro.
Director:
Writers (WGA):
Bret Easton Ellis (novel)
Mary Harron (screenplay) ...
(more)
Contact:
View company contact information for American Psycho on IMDbPro.
Release Date:
14 April 2000 (USA) more
Genre:
Tagline:
No Introduction Necessary. more
Plot:
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies. full summary | full synopsis
Awards:
4 wins & 7 nominations more
NewsDesk:
(212 articles)
Review: The Girlfriend Experience
 (From HeyUGuys. 29 November 2009, 4:06 PM, PST)

The Stepfather (DVD Review)
 (From Fangoria. 16 November 2009, 10:14 PM, PST)

User Comments:
A great visual and psychological achievement. Christian Bale delivers a knock-out performance. **** (out of four) more (899 total)

Cast

  (in credits order) (verified as complete)

Christian Bale ... Patrick Bateman

Justin Theroux ... Timothy Bryce

Josh Lucas ... Craig McDermott

Bill Sage ... David Van Patten

Chloë Sevigny ... Jean

Reese Witherspoon ... Evelyn Williams

Samantha Mathis ... Courtney Rawlinson

Matt Ross ... Luis Carruthers

Jared Leto ... Paul Allen

Willem Dafoe ... Det. Donald Kimball
Cara Seymour ... Christie

Guinevere Turner ... Elizabeth

Stephen Bogaert ... Harold Carnes
Monika Meier ... Daisy

Reg E. Cathey ... Al, the Derelict
Blair Williams ... Waiter #1
Marie Dame ... Victoria
Kelley Harron ... Bargirl
Patricia Gage ... Mrs. Wolfe

Krista Sutton ... Sabrina

Landy Cannon ... Man at Pierce & Pierce
Park Bench ... Stash

Catherine Black ... Vanden
Margaret Ma ... Dry Cleaner Woman
Tufford Kennedy ... Hamilton
Mark Pawson ... Humphrey Rhineback
Jessica Lau ... Facialist
Lilette Wiens ... Maitre D'
Glen Marc Silot ... Waiter
Charlotte Hunter ... Libby
Kiki Buttignol ... Caron
Joyce R. Korbin ... Woman at ATM (as Joyce Korbin)
Reuben Thompson ... Waiter #2

Bryan Renfro ... Night Watchman

Ross Gibby ... Man Outside Store
Christina McKay ... Young Woman
Alan McCullough ... Man in Stall (as Allan McCullough)

Anthony Lemke ... Marcus Halberstram
Connie Chen ... Gwendolyn Ichiban
rest of cast listed alphabetically:

Leanne Poirier Greenfield ... Party Girl (uncredited)

Ronald Reagan ... Himself - Giving Speech on Iran-Contra Scandal (archive footage) (uncredited)

Somaya Reece ... Bar Girl (uncredited)
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Directed by
Mary Harron 
 
Writing credits
(WGA)
Bret Easton Ellis (novel)

Mary Harron (screenplay) &
Guinevere Turner (screenplay)

Produced by
Ernie Barbarash .... co-producer
Alessandro Camon .... co-producer
Joseph Drake .... executive producer
Christian Halsey Solomon .... producer
Chris Hanley .... producer
Victoria Hirst .... line producer
Gretchen McGowan .... line producer: title sequence
Michael Paseornek .... executive producer
Edward R. Pressman .... producer
Jeff Sackman .... executive producer
Clifford Streit .... co-producer
Rob Weiss .... co-producer
 
Original Music by
John Cale 
 
Cinematography by
Andrzej Sekula 
 
Film Editing by
Andrew Marcus 
 
Casting by
Kerry Barden 
Billy Hopkins 
Suzanne Smith 
 
Production Design by
Gideon Ponte 
 
Art Direction by
Andrew M. Stearn  (as Andrew Stearn)
 
Set Decoration by
Jeanne Develle 
 
Costume Design by
Isis Mussenden 
 
Makeup Department
Margot Boccia .... key makeup artist: New York
Katherine Hill .... assistant makeup artist
Etheline Joseph .... assistant hair stylist
Lucy Orton .... key hair stylist
John Quaglia .... key hair stylist: New York (as John D. Quaglia)
Sandra Wheatle .... key makeup artist
 
Production Management
Lauren McLaughlin .... executive in charge of production
Peter Pastorelli .... production manager: New York unit
Keitha M. Redmond .... assistant production manager
Philip Stilman .... post-production supervisor
 
Second Unit Director or Assistant Director
Steve Apicella .... first assistant director: title sequence
Cassandra Cronenberg .... third assistant director
Jennifer Deathe .... second assistant director
Paul Hogan .... DGA trainee: New York
Andrew Marcus .... second unit director
Elizabeth Parker .... trainee assistant director (as Elizabeth 'Duff' Parker)
Peter Pastorelli .... assistant director: New York
Michael Pitt .... second second assistant director: New York
Andrew Shea .... first assistant director
Charles Zalben .... second assistant director: New York
 
Art Department
Britt Bancroft .... set decoration coordinator (as Britt Matheson)
Jamie Burke .... construction coordinator
Philip Canfield .... assistant property master: New York
Jean Deville .... property master: title sequence
Ric Fernandez .... head carpenter
Michael Followes .... property master
Nicholas Gazda .... third assistant art director
Arvinder Grewal .... first assistant art director
Bruce Lee Gross .... assistant property master: title sequence
Victoria Hamilton .... key scenic painter
Ian Hay .... set dresser
Jennifer Jacobsen .... set buyer
Mike Johnson .... on-set carpenter
Lara MacInnis .... art department apprentice
Kim Maticiw .... property buyer
David Rockburn .... lead set dresser
Derreck Roemer .... property assistant
Patrick Tarr .... set dresser
Dick Tice .... property master: New York (as Richard Tice)
Pierre M. Munha .... assistant property master (uncredited)
 
Sound Department
Fred Brennan .... supervising dialogue editor
Benjamin Cheah .... sound designer (as Ben Cheah)
Kathy Choi .... assistant special effects editor
Marko A. Costanzo .... additional foley: New York (as Marko Costanzo)
Keith Elliott .... sound re-recording mixer
Henry Embry .... sound mixer
Peter Kelly .... sound re-recording mixer
Garrett Kerr .... dialogue editor
Goro Koyama .... foley artist
George A. Lara .... foley engineer: New York
Geoff Lippman .... stereo sound consultant: Dolby
Andy Malcolm .... foley artist
Anna Malkin .... foley: pro-tools operator
Ron Malligers .... foley mixer
David McCallum .... sound effects editor
Mark McNeilly .... boom operator (as Mark 'Boomwallah' McNeilly)
Daniel Pellerin .... supervising sound re-recording mixer
Richard Segal .... boom trainee
Etoile Stewart .... assistant dialogue editor
Jane Tattersall .... supervising sound editor
Andrew Tay .... foley mixer
Paul Urmson .... sound designer
Rebecca Wright .... foley: pro-tools operator
Mark Zsifkovits .... sound re-recording operator
Andrew Zuch .... boom operator: New York
Bernie Zuch .... sound mixer: New York
Steven Zuch .... third sound: New York
James Marchione .... adr recordist (uncredited)
 
Special Effects by
Conrad V. Brink Jr. .... special effects: New York
Michael Kavanagh .... special effects coordinator
Derek Liscoumb .... special effects technician
John MacGillivray .... special effects technician
Tim Barraball .... special effects technician (uncredited)
 
Visual Effects by
Keith M. Hamilton .... digital compositor: Film Opticals (uncredited)
Julia K.S. Miles .... digital compositor: Film Opticals (uncredited)
 
Stunts
Brenda Adams .... stunts
Lloyd Adams .... stunts
Marco Bianco .... stunts
Matt Birman .... stunt coordinator
Matt Birman .... stunts
Frank Ferrara .... stunt coordinator: New York
C.J. Fidler .... stunts
Brian Kaulback .... stunts
Ken Quinn .... stunts
John Stoneham Jr. .... stunts
Tye Tyukodi .... stunts (as Anton Tyukodi)
 
Camera and Electrical Department
Paul Boucher .... camera operator
Tom Bracone .... first assistant camera: New York
Jayson Clute .... first assistant camera
Don Cornett .... camera operator: title sequence
Mark Cowden .... best boy electric
Stephen Crosgrey .... generator operator
John Dolan .... key rigging grip: New York
Phil Dutton .... second assistant camera: New York
Jay Eckardt .... camera loader: New York
Gene Engels .... gaffer: New York
Chris Faulkner .... key grip
James W. Finnerty .... key grip: New York (as Jimmy W. Finnerty Jr.)
Rick Gallagher .... video playback operator
Stewart Grayburn .... dolly grip
Rob Haid .... best boy (as Robert 'Gump' Haid)
Kerry Hayes .... still photographer
Tom Houghton .... camera operator: New York
Marcel Janisse .... camera trainee
Shane Kitchener .... generator operator
Daniel Laborde .... grip (as Dan Laborde)
Frances 'Buddy' McBride .... rigging gaffer: New York (as Buddy McBride)
Steve Mrkobrada .... second assistant camera
Toshiaki Ozawa .... cinematographer: title sequence
Derek Porter .... electrician
Anthony Ramsey .... electrician (as Tony Ramsey)
Antonio Rossi .... first assistant camera: title sequence (as Tony Rossi)
Dave Samuel .... best boy electric: title sequence
Kurt Schwartz .... grip: title sequence
Franco Tata .... gaffer
Lindsay Todd .... daily grip
Vince J. Vennitti .... camera operator: title sequence (as Vince Vennitti)
Todd Voogt .... grip
David Watts .... electrician
David Daniel .... additional cinematographer (uncredited)
Toshiaki Ozawa .... additional photographer: title sequence (uncredited)
Joel Tishcoff .... rigging best boy: New York (uncredited)
William M. Weberg .... grip (uncredited)
 
Casting Department
Mark Bennett .... casting associate: USA
Megan Conacher .... extras casting
Deborah Maxwell Dion .... casting assistant: USA
Meredith Jacobson .... extras casting: New York (as Meredith Jacobson Marciano)
Sondra James .... adr voice casting
Jennifer McNamara .... casting associate: USA
Clare Walker .... casting: Canada
 
Costume and Wardrobe Department
Michael Adkins .... wardrobe supervisor: New York
Patrick Antosh .... on-set wardrobe supervisor
Alex Forester .... wardrobe assistant: Los Angeles
Kim Harkness .... wardrobe production assistant
Amina Mohamed .... wardrobe assistant
Gersha Phillips .... assistant costume designer: Toronto
Barbara Presar .... assistant costume designer: New York
Hartsell Taylor .... wardrobe supervisor: New York
 
Editorial Department
Matt Anas .... trainee assistant editor
Emily Gumpel .... second assistant editor: New York
Philip Harrison .... associate editor: New York
Chris Hinton .... color timer
Mitch Lackie .... assistant editor: Toronto
Catherine Rankin .... negative cutter
Kim Sparks .... post-production assistant
Deanna Strong .... post-production coordinator
 
Music Department
Barry Cole .... music supervisor
Christopher Covert .... music supervisor
Eve Egoyan .... musician: solo piano
James Flatto .... additional music editor
William Garrett .... music mixer: orchestra
Martin Goldray .... conductor
Mishann Lau .... additional music editor
Gillian Morris .... assistant music supervisor
Mj Mynarski .... technical music consultant
David Voigt .... music engineer
Jeff Wolpert .... music consultant
Jeff Wolpert .... music editor
Randall Woolf .... orchestrator
 
Transportation Department
Mike Adams .... driver
Robert Arsenault .... head driver
Tony Bifano .... transportation coordinator
Glen Creswell .... driver captain
Wayne Frampton .... talent driver
Richard Hooper .... driver
Shane Kitchener .... driver
Danny Menecola .... driver
John Mulligan .... transportation co-captain: New York
Steve Russell .... driver: honeywagon
Dusan Stepanovic .... driver
Peter Travis .... transportation captain: New York
Lisa Zozzolotto .... driver
Scott Clarke .... driver: Christian Bale (uncredited)
 
Other crew
Heather Anderson .... assistant: Mary Harron
Ethan Baum .... hand double: title sequence
John 'Frenchie' Berger .... gun handler (as Frenchie Berger)
Peter Blakeman .... food stylist
Michael Blecher .... location manager
Hilary Bowers .... assistant: Mr. Pressman
Dan Brillman .... production assistant: title sequence
Jane Conway .... pig wrangler
James Crouch .... key production accountant
David Daniels .... production executive: New York
Aurea Dempsey .... production secretary
Ken Dhaliwal .... production legal
Nadine Dislioglu .... office production assistant
Ron Donne .... food stylist
Damien DuPuis .... office production assistant
Rick Ellis .... food stylist: title sequence
Mark Feinsod .... office production assistant: New York
Jordan Gertner .... production executive: Muse
Catherine Gore .... script supervisor: title sequence
Omri Green .... hand double: title sequence
Shell Hecht .... production coordinator: New York
Geofrey Hildrew .... office production assistant: New York
Deirdre Hughes .... office production assistant
Jeff Jackson .... production legal
Nancy Jackson .... production coordinator
Eddie Joe .... parking coordinator: New York
Mary A. Kelly .... script supervisor: New York (as Mary Kelly)
Karen Kimball .... assistant: Mr. Pressman
Joan Kirby .... accountant: Lions Gate
Pat Lanctot .... consultant: avid
Sophia Lin .... production assistant: title sequence
Karen Mathieson .... location production assistant
Laurie May .... business and legal affairs: Lions Gate
Joan McGuinness .... completion bond
Frank McKenna .... craft service: New York
Michael McKenna .... craft service: New York
Ru Niles .... second accounts assistant
Susan Nycz .... truck assistant
Erin O'Rourke .... creative executive: Pressman
Timothy Wayne Peternel .... production executive: Muse
Suzanne Porter .... assistant location manager
Morgan H. Rector .... production financing (as Morgan Rector)
Dusty Reeves .... research and clearance coordinator
Katherine Rosin .... hand double: title sequence
Katherine Rosin .... production coordinator: Lions Gate Films, New York
John Ross .... completion bond
Jonathan Roumie .... assistant location manager: New York
Kristi Savino .... assistant: Mr. Pressman
Andrew Saxe .... location manager
Zach Schiff-Abrams .... creative executive: Pressman
Dave Scott .... hand double: title sequence
Lisa A. Shapiro .... business and legal affairs: Pressman (as Lisa Shapiro)
Carissa Shaw .... assistant to producers
Claude Shaw .... assistant: Mr. Solomon
Jon Shiffman .... production financing
Dawn Marie Sorokolit .... script supervisor (as Dawn Sorokolit)
David Steinberg .... production legal
Jay Stein .... payroll coordinator: New York
Jim Sternberg .... completion bond
Aloma Taylor .... accounting assistant
Kirk Thompson .... insurance
Adrienne Tyson .... daily assistant
Carrie Walkup .... creative executive: Lions Gate
Reid Warman .... production secretary: New York
Johanna Weinstein .... food coordinator
Gregory G. Woertz .... production executive: Pressman (as Gregory Woertz)
Levi Woodward .... production assistant: title sequence
Sarah Wright .... assistant: Mr. Pressman
Emily Zalenski .... marketing executive: Pressman
Koethi Zan .... business and legal affairs: Pressman
Harrison Cheung .... publicist (uncredited)
Mark L. Feinsod .... office production assistant (uncredited)
Michael Hamer .... double: Patrick Bateman (uncredited)
Clark McCutchen .... production executive (uncredited)
Robert M. Melnik .... senior vice president of business affairs: Lions Gate Films (uncredited)
Gina Meyers .... production assistant (uncredited)
James O'Donnell .... office production assistant (uncredited)
Sean Oliver .... adr loop group (uncredited)
Peter Pamela Rose .... adr loop group (uncredited)
Simon St. Laurent .... opticals: Film Opticals (uncredited)
Don Thacker .... production assistant (uncredited)
Bill Timoney .... adr loop group (uncredited)
Nick Veziris .... gun wrangler (uncredited)
 
Crew believed to be complete


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Additional Details

MPAA:
Rated R for strong violence, sexuality, drug use and language.
Runtime:
101 min
Country:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:

Fun Stuff

Trivia:
To block the three-way sex scene with two prostitutes, Mary Harron and Christian Bale watched x-rated tapes. In her commentary, Herron says Bale made stick-figure drawings of the positions he thought would work best. more
Goofs:
Crew or equipment visible: In multiple scenes at Bateman's apartment, the crew and camera operators are visible in the reflection of his bedroom TV. more
Quotes:
David Van Patten: [re: business card] Good coloring.
Patrick Bateman: That's 'Bone'.
more
Movie Connections:
Referenced in American Psycho: From Book to Screen (2005) (V) more
Soundtrack:
Im Nin'al more

FAQ

What are the emails sent between Patrick Bateman and his therapist?
If the murders are real, why...?
Did it really happen, or was it all a dream?
more
233 out of 316 people found the following comment useful.
A great visual and psychological achievement. Christian Bale delivers a knock-out performance. **** (out of four), 7 October 2001
10/10

AMERICAN PSYCHO / (2000) **** (out of four)

Patrick Bateman: I think my mask of sanity is about to slip. ---"American Psycho"

The average filmmaker would turn "American Psycho" into an exploitative slasher flick, but Mary Harron and Guinevere Turner have adapted the controversial novel by Bret Easton Ellis into something unique and intriguing, a brilliant, thought-provoking social commentary thriller.

Readers criticized the decade old novel because of its graphic violence, but that doesn't cause Turner and Harron to give into the controversial material. I have never read the book, but after watching "American Psycho," I intend to. It's a scathing, rare film that probes our imagination and beliefs while experimenting with true psychological terror. It often makes startling switches between scenes of dark comedy and sequences that portray unsettling, graphic images. Director Mary Harron says in the film's press notes that she wanted all but one of the violent sequences to be disturbing. The amount of blood and violence here is certainly extreme, but considering the nature of the beast, not overly abundant. The film calculates every single act of violence, therefore, the victims are seldom random characters, but people we care about, which is why the scenes are so timely and effective.

The best description of the film's main character, Patrick Bateman (Christian Bale) comes from Christopher Lehmann-Houpt of The New York Times. "Patrick Bateman lives in a morally flat world in which clothes have more value than skin, objects are worth more than bones, and the human soul is something to be sought with knives and hatchets and drills."

Both leading actors in "American Psycho" have previously portrayed Jesus Christ, Willem Dafoe in "The Last Temptation of Christ," and Christian Bale in "Mary, Mother of Jesus." Talk about versatility. It's probably not a coincidence that Christian Bale was the initial actor of preference for Mary Harron. If an actor can display such a fascinating performance as Jesus Christ, he's more than capable of playing a psychotic serial killer because he already knows the other side of the moral spectrum.

Through the strong central character, "American Psycho" suggests several themes about the 1980's, including society's obsession with outer perfection, conformity, the rising threshold of material fetishism, and the strong desire of stimulation by drugs, sex, money, and power. Patrick Bateman isn't given a back story, however, and the movie doesn't offer his personal history. Bateman has no inside emotions. He reacts by inner impulse alone. He seeks gratification through the sex and drugs, but also by engaging in the homicidal behavior.

"You could describe ‘American Psycho' as a film about perfect surfaces and what might be lurking beneath," says Mary Harron. "Inside, Bateman might want it all to stop, but for him it's a compulsion. He's like the serial killer in M, who says: ‘You have a choice, but I can't help what I am.'"

"American Psycho" initially earned an NC-17 rating, not because of the violence but because of the graphic sexual content. The director's cut is available on videocassette and DVD, which shows the film's three-way sex scene in more disturbing, yet innovative, detail. That's a good thing, if you're not a sensitive viewer, because this film is all about details. The production design, the cinematography, the visual effects, the engaging soundtrack, the quirks each actor masterfully incorporates with their character, and every other aspect of the film is flush in detail.

This is a movie that requires more than one viewing, to experience the surreal visual arena, and to justify what we think actually happened. Perplexingly, the film's conclusion puts the events into question. Did Bateman really kill these people, or did he just really want to? The answers don't come easy, but this is a movie that begs us to look closer…

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