Judy J. Kushner (story)
A woman from a "cursed" family is released from a mental facility, and soon dismembered corpses start turning up. | add synopsis
An Awesome Low more (20 total)
| Samantha Fox | ... | Vicki Kent | |
| Diane Cummins | ... | Mary Kent | |
| Saul Meth | ... | Adam Kent | |
| Miriam Meth | ... | Blanche Kent | |
| William Szarka | ... | Billy Kent (as Bill Szarka) | |
| Chris Smith | ... | Sam Kent | |
| Dee Cummins | ... | Vicki Todd | |
| Larry Hunter | ... | Larry Todd (as Norman Main) | |
| Mary Lomay | ... | Ann Todd | |
| Rita Rogers | ... | Aunt Bea Todd | |
| Nina Stengel | ... | Nina | |
| Frankie Sabat | ... | Frankie | |
| Alexandria Cass | ... | Nancy (as Alexandria) | |
| Rob DeRosa | ... | Marty | |
| Heather Sabat | ... | Sandy | |
| John Szarka | ... | John | |
| rest of cast listed alphabetically: | |||
| William Longo Jr. | ... | Timmy | |
| Gino Colbert | ... | Cab Driver (uncredited) | |
| Levi Richards | ... | Broderick Kent (uncredited) | |
Directed by | |||
| Doris Wishman | |||
Writing credits | ||
| Judy J. Kushner | (story and screenplay) (as Judith J. Kushner) | |
Produced by | |||
| Larry Marinelli | .... | associate producer (as Lorenzo Marinelli) | |
| Doris Wishman | .... | producer | |
Original Music by | |||
| Danny Girlando | |||
Cinematography by | |||
| C. Davis Smith | |||
Film Editing by | |||
| Larry Marinelli | (as Lawrence Anthony) | ||
| Doris Wishman | (uncredited) | ||
Casting by | |||
| Doris Wishman | |||
Makeup Department | |||
| Miriam Meth | .... | makeup artist | |
Production Management | |||
| James Proser | .... | production manager (as Jim Proser) | |
Sound Department | |||
| Steve Deutsch | .... | boom operator | |
| Eli Haviv | .... | sound: post-synchonization | |
| Aaron Nathanson | .... | sound re-recording mixer | |
Special Effects by | |||
| Lester Lorrain | .... | special effects | |
Visual Effects by | |||
| John A. Bezich | .... | visual effects | |
Camera and Electrical Department | |||
| Robert Lindsay | .... | additional photographer | |
| Tony Spalla | .... | additional photographer (as Anthony J. Spala) | |
| Robert Zimmerman | .... | additional photographer (as Bob Zimmerman) | |
Other crew | |||
| Richard L. Kushner | .... | technical advisor | |
| Lynn Manwaring | .... | coordinator | |
69 min
1.85 : 1 more
To raise money for the production Doris Wishman made a short trailer for the movie and sold it using the trailer, even before the principle photography had begun on the movie. more
References The Ghastly Ones (1968) more
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| Three on a Meathook | Tower of Evil | Home Sweet Home | The Cook | Inland Empire |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
A Night To Dismember makes any Ed Wood movie look like a Michael Bay production. Even Doris Wishman, God bless her, knew this film was a stinky disaster. According to the commentary on the DVD I unfortunately bought, Wishman says half of her rushes where lost by the lab, so she had to compensate by adding a voice-over that 'explained' the 'story'. Uh-oh. Her cameraman on the film, C. Davis Smith, is also featured on the commentary and asks Wishman if the lab lost the best parts or the worst parts. After actually sitting through the entire 67 grueling minutes of this film, I can only pray they lost the best parts.
The worst/best part of this film is that the voice-over itself sounds like it was written by Gertrude Stein. It features a lot of run-on sentences and repetition. "It was the darkest night Vicki had ever seen. Why was it so dark? Vicki wondered in the darkness. Darkness was all around Vicki.. etc... etc..." and so on and so on for an hour. The commentary never stops. It makes you wish you rented Derek Jarman's Blue or better, The Beast Of Yucca Flats! The DVD commentary for this disc is priceless. Basically, it's Wishman and Smith arguing about who should be blamed for the outcome of the film. They finally decide to blame each other. Convenient, no? As I mentioned, this film is around 70 minutes long but it feels like the longest movie you've ever seen. It makes Tarkovsky's Andrey Rublyov seem like a John Woo film. If you make it to the end, you are a true Z-film freak and should be mailed a badge.
To be fair, this isn't Wishman's worst film; that remarkable honour would go to her next film, a remake of her earlier flick Satan Was A Lady (And they say Van Sant's Psycho was unnecessary)! If you want to see a good Wishman film watch "Nude On The Moon" or "Bad Girls Go To Hell" and leave this one alone, especially if you haven't seen a Wishman film before. It's not the one to start with, that's for sure.