The Bachelor (1999)

Director:

Gary Sinyor

Writers (WGA):

Roi Cooper Megrue (play)
Jean C. Havez (1925 screenplay "Seven Chances") ...

Release Date:

5 November 1999 (USA)

Genre:

Romance | Comedy

Tagline:

One thousand brides. One hundred million dollars. Jimmie Shannon is about to discover the true value of love.

Plot:

A committment-phobic man goes in search of a bride including his fed up girlfriend, to inherit his grandfather's $100 million inheritance.

Plot Keywords:

Grandfather | Inheritance | Love | Remake | Male Female Relationship

Cast

  (Cast overview, first billed only)

Chris O'Donnell	...	Jimmie Shannon
Renée Zellweger	...	Anne Arden
Artie Lange	...	Marco
Edward Asner	...	Sid Gluckman
Hal Holbrook	...	Roy O'Dell
James Cromwell	...	The Priest
Marley Shelton	...	Natalie Arden
Peter Ustinov	...	Grandad James Shannon
Katharine Towne	...	Monique
Rebekah Carlton	...	Stacey (as Rebecca Cross)
Stacy Edwards	...	Zoe
Mariah Carey	...	Ilana
Sarah Silverman	...	Carolyn
Jennifer Esposito	...	Daphne
Brooke Shields	...	Buckley Hale-Windsor

MPAA:

Rated PG-13 for language.

Runtime:

101 min

Country:

USA

Language:

English | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Australia:M (original rating) | Australia:PG (TV rating) | Canada:14A (Alberta) | Canada:G (Quebec) | Canada:PG (British Columbia/Manitoba/Nova Scotia/Ontario) | Malaysia:U | South Korea:12 | Argentina:Atp | Chile:TE | France:U | Germany:6 | Hong Kong:IIA | Iceland:L | Netherlands:AL | New Zealand:M | Peru:PT | Portugal:M/12 | Singapore:PG | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:12 | USA:PG-13 (certificate #36793) | Philippines:PG-13 | Finland:S

Filming Locations:

Cook Ranch, Galisteo, New Mexico, USA

Company:

George Street Pictures

Trivia:

Several of the brides chasing the bachelor at the end of this movie are male extras in drag.

Goofs:

Errors in geography: Scenes depicting the San Francisco Train station were clearly shot at Union Station in Los Angeles.

Quotes:

Priest: It's a wonderful thing, as time goes by, to be with someone who looks into your face, when you've gotten old, and still sees what you think you look like.

Movie Connections:

Referenced in "Howard Stern on Demand: Artie Roast Ticket Stunts" (2006)

Soundtrack:

Bontempi

Calling this movie misogynist is a hoot!

"The Bachelor" is a pretty good light romantic comedy. Brook Shields does indeed have the best scene in the whole flick. It's well described below, and is wonderfully funny. Rene Zellweger is both very good and very charming, as is Chris O'Donnell. It's not the sort of movie that will stay with you for much, but its pretty good fun while it's going on.

There's one thing I have to say though, and the main reason I'm bothering with a comment to this flick. Those that claim this movie is unrealistic and misogynist because of it's depiction of O'Donnell's former girlfriends and the huge number of women desperate for 100 million dollars, are infected with a serious case of delusional feminist PC propaganda. I can guarantee you that if an ad (turned into a front page article) with a picture guaranteeing sharing in a $100 million fortune for marrying a guy who looks like Chris O'Donnell the next day in a big American city (and clarifying that he was deadline desperate due to the date of his grandfather's death and the will provisions, so that many would feel they had a chance and he wasn't necessarily an impossible loser), there would indeed be hordes of women lining up to do it. Many wouldn't of course. But there'd be legions willing to take their chances. One of the main things limiting the numbers in fact would be self selection. The cliché that women (especially after their early 20's) tend to be attracted to money (or its prospect), fame and or success, while men tend to be attracted to beauty, has more than a little truth to it. Of course there also has to be personal chemistry in the ordinary course, but with $100 million on the table, a great many women would take their chances. So the crowd scenes are indeed plausible (if so many managing the wedding dresses on a few hours notice isn't).

What's most unrealistic is the PC "balancing" rejection this centi-millionaire gets from all but one of his former girl friends. That of course is what takes up the bulk of the movie. That is what is impossible to believe in the real world. In other words, "The Bachelor" actually leans over backwards to pretend that a far higher proportion of women wouldn't be swayed by the $100 million than is realistic. But just imagine how a more accurate balance would be criticized by the American media (not to mention academic) pundits of the moment. There are endless dismissive allusions to men being unduly or primarily interested in women's looks in today's American films -- and that that is terrible. (Why -- well, because women tend to have different priorities, and women must be right not only for themselves, but for men as well, of course.). That sort of commentary (with some basis in truth, if not in how it is characterized), often clearly intended as a put down of males, is perfectly fine under the reigning Hollywood ideology. Whereas highlighting women's special attraction (often enough) to men with power of various sorts -- money, fame, politics or sometimes physical power -- is dangerous ground indeed. Gee, I wonder why that is.