The Wings of the Dove (1997)

Director:

Iain Softley

Writers:

Henry James (novel)
Hossein Amini (screenplay)

Release Date:

7 November 1997 (USA)

Genre:

Drama | Romance

Tagline:

A couple with everything but money. An heiress with everything but love. A temptation no one could resist.

Plot:

An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.

Plot Keywords:

Scheme | Animal In Title | Aristocrat | Dying Young | Lyrical

Awards:

Nominated for 4 Oscars. Another 16 wins & 17 nominations

Cast

Helena Bonham Carter	...	Kate Croy
Linus Roache	...	Merton Densher
Alison Elliott	...	Millie Theale
Charlotte Rampling	...	Aunt Maude
Elizabeth McGovern	...	Susan 'Susie' Stringham
Michael Gambon	...	Lionel Croy, Kate's Father
Alex Jennings	...	Lord Mark
Ben Miles	...	First Journalist
Philip Wright	...	Second Journalist
Alexander John	...	Butler
Shirley Chantrell	...	Opium Den Lady
Diana Kent	...	Merton's Party Companion
Georgio Serafini	...	Eugenio
Rachele Crisafulli	...	Concierge

MPAA:

Rated R for sexuality.

Runtime:

102 min

Country:

USA | UK

Language:

English

Color:

Color (Rankcolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | Singapore:R(A) | Canada:14A (Ontario) | Singapore:M18 (re-rating) | Belgium:KT | Finland:K-12 | France:U | Germany:6 | Japan:R | Mexico:B | Portugal:M/12 | South Korea:18 | Spain:13 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R (certificate #35341)

Filming Locations:

Brompton Cemetery, Fulham Road, West Brompton, London, England, UK

Company:

Miramax Films

Goofs:

Errors in geography: The tile pattern on the Underground stations the train passes through at the beginning of the film are identical in pattern and color for each station. Each station on the Piccadilly line had it's own tile pattern and color scheme so that the illiterate could still recognize their station without needing to read the station name.

Quotes:

Aunt Maud: Try to look as if you've worn it all your life. It's yours.

Movie Connections:

Featured in Mystery Science Theater 3000: Academy of Robots' Choice Awards Special (1998) (TV)

In Love with the Memory

There are two tests in my mind for a classic film.

First, it must plant some images permanently in your life. Very few films do that. Two films that are cogent to discussing this one are Helena Bonham Carter's Ophelia in Zefferelli's `Hamlet.' She and Glenn Close acted circles around the guys -- her expression in the midst of the play within the play is lasting over years in my memory. The whole film revolves around that moment.

Also lasting are several images from the ostensibly unambitious `Oscar and Lucinda.' But I also carry many lasting film images that are junk, courtesy of Lucas and Spielberg. That brings us to the second condition: for a film to be classic, evocation of the images, the remembrance, needs to be multidimensional, to elevate rather than dumb down.

Measured by those rules, this film is remarkable. For a few years, I have carried the image of the next to last scene where Carter makes love and in the act discovers the truth about her love. This is so wonderful, so tragic, so true that it has stuck with me, together with the secondary images, the memories of Venice and Millie that Merton is in love with. I hope to follow this woman's career for decades. I wonder where it will go?