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John Berendt (book)
John Lee Hancock (screenplay)
21 November 1997 (USA) more
Welcome to Savannah, Georgia. A City Of Hot Nights And Cold Blooded Murder.
A visiting city reporter's assignment suddenly revolves around the murder trial of a local millionaire, whom he befriends. full summary | add synopsis
1 win & 2 nominations more
Actress Kim Hunter Dies
(From WENN. 12 September 2002)
Actress Kim Hunter Dies
(From WENN. 11 September 2002)
Midnight through the gilded glass slowly more (186 total)
| John Cusack | ... | John Kelso | |
| Kevin Spacey | ... | Jim Williams | |
| Jack Thompson | ... | Sonny Seiler | |
| Irma P. Hall | ... | Minerva | |
| Jude Law | ... | Billy Hanson | |
| Alison Eastwood | ... | Mandy Nicholls | |
| Paul Hipp | ... | Joe Odom | |
| Lady Chablis | ... | Chablis Deveau (as The Lady Chablis) | |
| Dorothy Loudon | ... | Serena Dawes | |
| Anne Haney | ... | Margaret Williams | |
| Kim Hunter | ... | Betty Harty | |
| Geoffrey Lewis | ... | Luther Driggers | |
| Richard Herd | ... | Henry Skerridge | |
| Leon Rippy | ... | Detective Boone | |
| Bob Gunton | ... | Finley Largent | |
| Michael O'Hagan | ... | Geza Von Habsburg | |
| Gary Anthony Williams | ... | Bus Driver | |
| Tim Black | ... | Jeff Braswell | |
| Muriel Moore | ... | Mrs. Baxter | |
| Sonny Seiler | ... | Judge White | |
| Terry Rhoads | ... | Assistant D.A. | |
| Victor Brandt | ... | Bailiff | |
| Patricia Herd | ... | Juror #1 | |
| Nick Gillie | ... | Juror #20 | |
| Patrika Darbo | ... | Sara Warren | |
| J. Patrick McCormack | ... | Doctor | |
| Emma Kelly | ... | Herself | |
| Tyrone Lee Weaver | ... | Ellis | |
| Greg Goossen | ... | Prison Cell Lunatic (as Gregory Goossen) | |
| Shannon Eubanks | ... | Mrs. Hamilton | |
| Virginia Duncan | ... | Card Club Woman #1 | |
| Rhoda Griffis | ... | Card Club Woman #2 | |
| Judith Robinson | ... | Card Club Woman #3 | |
| Jo Ann Pflug | ... | Cynthia Vaughn (as Joann Pflug) | |
| James Moody | ... | Mr. Glover | |
| John Duncan | ... | Gentleman in Park | |
| Bess S. Thompson | ... | Pretty Girl | |
| Jin Hi Soucy | ... | Receptionist | |
| Michael Rosenbaum | ... | George Tucker | |
| Dan Biggers | ... | Harry Cram | |
| Georgia Allen | ... | Lucille Wright | |
| Collin Wilcox Paxton | ... | Woman at Party | |
| Charles Black | ... | Alpha | |
| Aleta Mitchell | ... | Alphabette | |
| Kevin Harry | ... | Phillip (as Michael 'Kevin' Harry) | |
| Dorothy Kingery | ... | Jim Williams' Sister | |
| Amanda Kingery | ... | Jim Williams' Niece Amanda | |
| Susan Kingery | ... | Jim Williams' Niece Susan | |
| Ted Manson | ... | Passer-by | |
| Margaret R. Davis | ... | Ruth | |
| Danny Nelson | ... | Senator | |
| Bree Luck | ... | Woman at Club | |
| Ann Cusack | ... | Delivery Woman | |
| Jerry Spence | ... | Hair Dresser | |
| rest of cast listed alphabetically: | |||
| Victor López | ... | Inmate (uncredited) | |
| Lawrence Mandley | ... | Inmate (uncredited) | |
| Ray Wineteer | ... | Photographer (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| John Berendt | (book) | |
| John Lee Hancock | (screenplay) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Michael Maurer | .... | associate producer | |
| Tom Rooker | .... | co-producer | |
| Arnold Stiefel | .... | producer | |
| Anita Zuckerman | .... | executive producer | |
Original Music by | |||
| Lennie Niehaus | |||
Cinematography by | |||
| Jack N. Green | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Makeup Department | |||
| Eryn Krueger Mekash | .... | makeup artist (as Eryn Krueger) | |
| Vivian McAteer | .... | hair stylist | |
| Tania McComas | .... | key makeup artist | |
| Carol A. O'Connell | .... | key hair stylist | |
| Linda Boykin-Williams | .... | makeup artist (uncredited) | |
| Julie Callihan | .... | makeup artist (uncredited) | |
Production Management | |||
| Michael Maurer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David M. Bernstein | .... | second second assistant director: Los Angeles (as David Bernstein) | |
| Robert Lorenz | .... | first assistant director | |
| Tom Rooker | .... | second assistant director (as T. Rooker) | |
| Dodi Lee Rubenstein | .... | second assistant director (as Dodi L. Rubenstein) | |
| Rosemarie Unite | .... | second second assistant director: Savannah (as Rose Unite) | |
Art Department | |||
| John H. Anderson | .... | set decorator: Savannah (as John Anderson) | |
| Ron Ashmore | .... | stand-by painter | |
| Cate Bangs | .... | lead set designer | |
| Steve Belin | .... | art department researcher | |
| Jann K. Engel | .... | lead set designer (as Jann Engel) | |
| Frank M. Fleming | .... | leadperson: Savannah | |
| Richard C. Goddard | .... | set decorator: Los Angeles (as Richard Goddard) | |
| Chuck Herrmann | .... | assistant property master | |
| Sylvia Shaw Judson | .... | artist: Bird Girl statue | |
| Peter J. Kelly | .... | lead set designer (as Peter Kelly) | |
| Al Mouradian | .... | greensman | |
| James J. Murakami | .... | art director: Savannah | |
| Charles Nixon III | .... | leadperson (as Charles Nixon) | |
| Joseph G. Pacelli Jr. | .... | lead set designer | |
| Sandra Renfroe | .... | leadperson: Los Angeles | |
| John J. Rutchland Jr. | .... | construction coordinator (as John Rutchland) | |
| Michael Sexton | .... | property master | |
| Blue Sullivan | .... | art department researcher | |
| Stacy Weddington | .... | buyer | |
| Sean Bernard | .... | painter (uncredited) | |
| Kenneth Bryant | .... | set dresser (uncredited) | |
| Joe Connolly | .... | assistant property master (uncredited) | |
| Patrick Fuhrman | .... | set dresser (uncredited) | |
| Lillian Heyward | .... | signwriter (uncredited) | |
| Damon Hight | .... | propmaker (uncredited) | |
| Eric Luling | .... | on-set dresser (uncredited) | |
| Laura M. O'Brien | .... | construction buyer (uncredited) | |
| James Passanante | .... | paint foreman: Savannah (uncredited) | |
| Larry Sauls | .... | set dresser (uncredited) | |
| Scott D. Warner | .... | propmaker (uncredited) | |
Special Effects by | |||
| Ken Ebert | .... | special effects | |
| John Frazier | .... | special effects consultant | |
| Jim Jolly | .... | special effects (as Jim Jolley) | |
| Tim Moran | .... | special effects | |
| Joe Pancake | .... | special effects coordinator | |
| Frances Pennington | .... | special effects (as Francis Pennington) | |
| Steve Riley | .... | special effects coordinator: Savannah | |
Stunts | |||
| George Orrison | .... | stunts | |
Casting Department | |||
| Shay Griffin | .... | additional casting | |
| Olivia Harris | .... | casting associate | |
| Claudia Ramsumair | .... | casting assistant | |
| Dennis Adams | .... | extras casting assistant (uncredited) | |
| Kevin Goldson | .... | extras casting (uncredited) | |
| Kim Petrosky | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Cindy Evans | .... | set costumer | |
| Sybil Gray | .... | key costumer | |
| Deborah Hopper | .... | costume supervisor | |
| Kate Sawyer | .... | costumer (as Kathleen Sawyer) | |
| Peggy A. Schnitzer | .... | set costumer (as Peggy Schnitzer) | |
Editorial Department | |||
| Michael Cipriano | .... | assistant film editor | |
| Mo Henry | .... | negative cutter | |
| Bob Putynkowski | .... | color timer | |
| Gary Roach | .... | assistant film editor | |
| Don Roth | .... | assistant film editor | |
| Brandon K. Hogan | .... | post-production (uncredited) | |
Music Department | |||
| Charlie Haden | .... | musician: bass | |
| Donald Harris | .... | music editor (as Don Harris) | |
| Ernie Watts | .... | musician: tenor sax | |
| Robert Fernandez | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Pete Bianco | .... | transportation captain | |
| Keith Dillin | .... | transportation coordinator | |
| John Lybrand | .... | picture vehicles | |
| Gina August | .... | driver (uncredited) | |
| Robert Ballentine | .... | transportation (uncredited) | |
| Ronald F. Debranski II | .... | driver (uncredited) | |
| Tom Sweeney | .... | transportation office administrator (uncredited) | |
| Hank Van Apeldoorn | .... | transportation: Savannah (uncredited) | |
Other crew | |||
| J. Thomas Bailey | .... | set assistant | |
| Marco Barla | .... | unit publicist | |
| David Becton | .... | insect wrangler | |
| Laura Bryant | .... | assistant location manager | |
| Marc Anthony Coar | .... | set assistant (as Marc Antony Coar) | |
| Matthew Cope | .... | set assistant | |
| Erin Corzine | .... | assistant: Ms. Zuckerman | |
| Doug Dearth | .... | assistant: Mr. Cusack | |
| Laurence Ducceschi | .... | set assistant | |
| Greg East | .... | first aid | |
| John Findley III | .... | assistant location manager | |
| Megan Fogarty | .... | animal trainer | |
| John Guss | .... | set assistant | |
| Cate Hardman | .... | script supervisor | |
| Bob Hartman | .... | production accountant (as Robert Hartman) | |
| Craig Hosking | .... | helicopter pilot | |
| Don Kincade | .... | set assistant | |
| Antoinette Levine | .... | location manager | |
| Jason D. McGatlin | .... | production coordinator (as Jason McGatlin) | |
| April Melcher | .... | animal trainer | |
| Dennis Miyamoto | .... | assistant accountant | |
| Tim Monich | .... | dialect coach | |
| Danny Morris | .... | craft service: Los Angeles | |
| Sam Nesbitt | .... | location staff assistant | |
| Ian Parker | .... | set assistant | |
| Derry J. Pearce | .... | assistant accountant (as Derry Pearce) | |
| Jeffrey Phelps | .... | set assistant | |
| Michael Scott Reid | .... | set assistant | |
| Melissa Rooker | .... | assistant: Mr. Eastwood | |
| Mika Saito | .... | assistant production coordinator | |
| Talley Singer | .... | set assistant (as Taylor Singer) | |
| Jerrell Skinner | .... | set assistant | |
| Heidi Smith | .... | assistant accountant | |
| Blanche Sypher | .... | craft service: Savannah | |
| Kristin Webb | .... | set assistant | |
| Mike Welch | .... | assistant: Mr. Spacey | |
| Andrew White | .... | production secretary | |
| Doris Wood | .... | dance choreographer | |
| Robert Yacobian | .... | assistant accountant | |
| Doug Burch | .... | adr voice (uncredited) | |
| Lisa Harrison | .... | production assistant (uncredited) | |
| Jerry Hunt | .... | stand-in (uncredited) | |
| Tony Kerum | .... | caterer (uncredited) | |
| Grey Moore | .... | video (uncredited) | |
| Brian Ransom | .... | production assistant (uncredited) | |
Thanks | |||
| Alice Hayes | .... | acknowledgment: The BIRD GIRL Statue was made available for use in the film by the artist's daughter (as Mrs. Alice Hayes) | |
Rated R for language and brief violence.
155 min
Color (Technicolor)
1.85 : 1 more
DTS | Dolby Digital | SDDS
Iceland:12 | Singapore:PG (original rating) (cut) | Argentina:13 | Canada:14A | Chile:14 | Finland:K-12 (original rating) | Finland:K-15 (TV rating) | France:U | Germany:12 (bw) | Mexico:C | Portugal:M/12 | Singapore:NC-16 (re-rating) | Spain:13 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R
Churchill's - 9 West Drayton Street, Savannah, Georgia, USA more
Edward Norton was offered the role of John Kelso and turned it down. more
Errors in geography: As Minerva looks up from her Forsyth Park bench to see the plane coming in for a landing, it is headed straight toward downtown Savannah and the harbor. The airport there is actually located north of the city. more
[first lines]
Minerva:
Quit eye balling me, Flavius. I knew you when you was a two bit hustler on Bull Street.
more
Referenced in Damn Good Dog (2004) (V) more
I'm An Old Cowhand more
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`Midnight in the Garden of Good and Evil' hands one a magnifying glass, a mirror, and a chair by a sun soaked window while we read a published diary. After finishing the second trip into that Savannah party I realized why John Berendt's story brought me back. John Kelso knew more about those amenities that surrounded him in the form of Faberge eggs, polite party kisses and mysterious covered up landscapes. Some have said that the film length was a negative not to be overcome. On the contrary it seemed almost a necessity like those long lazy warmth soaked southern nights listening to the slowness of Spanish moss the two and a half hours seemed relaxing and intriguing. Some things take time to soak in, like a stab in slow motion, the deception of Jim Williams set fades in and out in pools of gossiping chatter and thirstless drinkers. With a cast of smooth talking, cigarette toting originals, from ravenously stunning Chablis to ex-barrister piano banging Joe to prophetic Minerva there are eccentricities for anyone to appreciate and adore. I have chosen to do so and will again I am sure.