| Photos (see all 37 | slideshow) | Videos (see all 11) |
| Robert Carlyle | ... | Gaz | |
| Mark Addy | ... | David aka Dave | |
| William Snape | ... | Nathan | |
| Steve Huison | ... | Lomper | |
| Tom Wilkinson | ... | Gerald | |
| Paul Barber | ... | Horse | |
| Hugo Speer | ... | Guy | |
| Lesley Sharp | ... | Jean | |
| Emily Woof | ... | Mandy | |
| Deirdre Costello | ... | Linda | |
| Paul Butterworth | ... | Barry | |
| Dave Hill | ... | Alan | |
| Bruce Jones | ... | Reg | |
| Andrew Livingston | ... | Terry (as Andrew Livingstone) | |
| Vinny Dhillon | ... | Sharon | |
| Kate Layden | ... | Bee | |
| Joanna Swain | ... | Sheryl | |
| Diane Lane | ... | Louise | |
| Kate Rutter | ... | Dole Clerk | |
| June Broughton | ... | Lomper's Mum | |
| Glenn Cunningham | ... | Police Inspector | |
| Chris Brailsford | ... | Duty Sergeant | |
| Steve Garti | ... | Policeman | |
| Malcolm Pitt | ... | Job Club Manager | |
| Dennis Blanch | ... | Director | |
| Daryl Fishwick | ... | Social Worker | |
| David Lonsdale | ... | Repossession Man | |
| Muriel Hunt | ... | Horse's Mum | |
| Fiona Watts | ... | Beryl | |
| Theresa Maduemezia | ... | Horse's Sister | |
| Fiona Nelson | ... | Horse's Sister | |
| The British Steel Stocksbridge Band | ... | Brass Band | |
| rest of cast listed alphabetically: | |||
| Enn Reitel | ... | Narrator (uncredited) | |
Directed by | |||
| Peter Cattaneo | |||
Writing credits | ||
| Simon Beaufoy | (written by) | |
Produced by | |||
| Paul Bucknor | .... | co-producer | |
| Polly Leys | .... | co-producer | |
| Uberto Pasolini | .... | producer | |
| Lesley Stewart | .... | associate producer | |
Original Music by | |||
| Anne Dudley | |||
Cinematography by | |||
| John de Borman | (director of photography) (as John De Borman) | ||
Film Editing by | |||
| David Freeman | |||
| Nick Moore | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Max Gottlieb | |||
Art Direction by | |||
| Chris Roope | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Lucy Bennett | .... | makeup trainee | |
| Christine Blundell | .... | hair designer (as Chris Blundell) | |
| Christine Blundell | .... | makeup designer (as Chris Blundell) | |
| Marese Langan | .... | assistant makeup artist | |
| Scott Beswick | .... | makeup artist: second unit (uncredited) | |
| Louise Burton | .... | assistant makeup artist: second unit (uncredited) | |
| Sian Richards | .... | hair stylist supervisor (uncredited) | |
| Sian Richards | .... | makeup supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| David Gilchrist | .... | first assistant director | |
| Claire Hughes | .... | second assistant director | |
| Ben Johnson | .... | third assistant director | |
| Harry Boyd | .... | third assistant director (uncredited) | |
| Natasha Ross | .... | second unit director (uncredited) | |
Art Department | |||
| Mark Adams | .... | painter | |
| Steven Buttock | .... | prop man (as Steve Buttock) | |
| Emma Dibb | .... | assistant art director | |
| Paul Fogarty | .... | carpenter | |
| Mike Houseman | .... | construction manager | |
| Gus Lupton | .... | stand-by props | |
| Leon McCarthy | .... | stand-by carpenter | |
| John Mills | .... | property master | |
| Duncan Wheeler | .... | production buyer (as Duncan W. Wheeler) | |
| Terry Woods | .... | property master | |
| Jess Alexander | .... | art department assistant: second unit (uncredited) | |
Sound Department | |||
| Michael Bottomley | .... | sound trainee | |
| Torin Brown | .... | re-recording assistant | |
| Felicity Cottrell | .... | foley artist | |
| Alistair Crocker | .... | sound recordist | |
| Chris Dibble | .... | sound recording engineer | |
| Eddie Dougall | .... | sound maintenance engineer | |
| Stewart Henderson | .... | adr editor | |
| Stewart Henderson | .... | dialogue editor | |
| Steve Price | .... | sound recording engineer | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Jack Stew | .... | foley artist | |
| Ted Swanscott | .... | adr re-recordist | |
| Ted Swanscott | .... | foley re-recordist | |
| Ian Wilson | .... | sound editor | |
| John Avery | .... | sound: second unit (uncredited) | |
| Keith Quirk | .... | sound: second unit (uncredited) | |
| Geoff Tookey | .... | sound: second unit (uncredited) | |
Special Effects by | |||
| Ian Rowley | .... | special effects | |
| Tim Baxter | .... | optical effects (uncredited) | |
Visual Effects by | |||
| Rob Gordon | .... | digital online editor | |
Stunts | |||
| Terry Forestal | .... | stunt arranger (as Terry Forrestal) | |
Camera and Electrical Department | |||
| Peter Bateson | .... | camera trainee | |
| Jim Bradshaw | .... | electrician (as Jimmy Bradshaw) | |
| Simon Bray | .... | Steadicam operator | |
| Pete Cavaciuti | .... | Steadicam operator (as Peter Cavaciuti) | |
| Ross Chapman | .... | electrician | |
| Vinny Cowper | .... | electrician | |
| Tony Diffley | .... | electrician | |
| Tom Hilton | .... | still photographer | |
| Baz Irvine | .... | focus puller | |
| Kirsten Mcmahon | .... | clapper loader (as Kirsten McMahon) | |
| Geoff Read | .... | best boy | |
| Ted Read | .... | gaffer | |
| Peter Scorah | .... | second grip | |
| Peter Sinclair | .... | photographer: second unit | |
| Robin Stone | .... | grip (as Robin A. Stone) | |
| Alan Stoyles | .... | rigger | |
| David Worley | .... | camera operator | |
| Stuart Brereton | .... | second assistant camera: second unit (uncredited) | |
| Danny Cohen | .... | photography: second unit (uncredited) | |
| Sam Osborne | .... | camera operator: second unit (uncredited) | |
| Chris Roach | .... | photography: second unit (uncredited) | |
Casting Department | |||
| Jocelyn Cammack | .... | extras casting | |
| Carole Crane | .... | extras casting | |
Costume and Wardrobe Department | |||
| Tessa Phillips | .... | assistant costume designer | |
| Nikita Rae | .... | wardrobe assistant | |
| Dennis Brack | .... | costumes: second unit (uncredited) | |
Editorial Department | |||
| Jatinderpal Chohan | .... | second assistant editor | |
| Giles Gardner | .... | second assistant editor | |
| Rob Gordon | .... | digital on-line editor | |
| Celia Haining | .... | second assistant editor | |
| Bob Rodger | .... | color timer | |
| Gabrielle Smith | .... | first assistant editor | |
| Ben Yeates | .... | second assistant editor | |
Music Department | |||
| Niall Acott | .... | assistant recording engineer | |
| Hugh Burns | .... | musician: acoustic guitar | |
| Anne Dudley | .... | conductor | |
| Anne Dudley | .... | orchestrator | |
| Karen Elliott | .... | orchestral recording supervisor: Air Edel Associates Limited | |
| Liz Gallacher | .... | music consultant | |
| Isobel Griffiths | .... | musicians contractor | |
| Julian Jackson | .... | musician: harmonica | |
| Erik Jordan | .... | assistant recording engineer | |
| Graham Lawrence | .... | music editor | |
| Anne Dudley | .... | music producer: "You Can Leave Your Hat On" (uncredited) | |
Transportation Department | |||
| John Dempsey | .... | driver: dining bus | |
| Jeff Edwards | .... | wardrobe vehicle driver | |
| Ronald Green | .... | driver: winnebago (as Ron Green) | |
| Colin Stephenson | .... | driver: road train and make-up | |
| Gordon Vickers | .... | driver: winnebago | |
|
|
|
|
|
| Billy Elliot | My Own Private Idaho | Notes on a Scandal | Mysterious Skin | Factotum |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
The Full Monty offers a seductive, playful piece of comic gumption: Six unemployed steel workers become amateur male strippers, baring themselves as an antidote to the dole. The title is British slang for "buck naked," but the film isn't about nudity, or lust, exactly. It takes as its subject the free-falling sense of desperation provoked by unemployment. As these flaccid bodies strive to exude "sexiness," director Peter Cattaneo turns their struggle into a blue-collared survival reflex, which yields a thin yet agreeable amount of emotional weight.
Robert Carlyle plays a bitter but devoted divorced father trying to meet his support payments so his son will trust him, and Mark Addy just wants to provide for his nurturing wife, who worries about the secret G-string buried in her flabby husband's underwear drawer.
Suffering ritual-humiliation for the sake of loved ones, these men pawn their dignity for economic survival. Cattaneo allows the script to hint at the social and fiscal conditions endured by the working-class under Thatcher, but mostly he avoids politicizing the material. Instead, he aims for rowdy, laugh-out-loud passages about awkward pseudo-debauchery. Perhaps The Full Monty settles for rather broad, coarse humor, but it has intensely pleasing charms and Cattaneo gives it an unexpected deadpan consistency. He exposes the comedy of shame, and then the comedy of shamelessness.
ERIC BELTMANN