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Simon Beaufoy (written by)
13 August 1997 (USA) more
Six men. With nothing to lose. Who dare to go.... more
Six unemployed steel workers form a male striptease act. The women cheer them on to go for "the full monty" - total nudity. full summary | add synopsis
Won Oscar. Another 33 wins & 26 nominations more
TV ratings - 7 November: The X Factor still steps ahead of Strictly Come Dancing
(From The Guardian - TV News. 9 November 2009, 7:07 AM, PST)
Mathematicians find formula for a hit sequel
(From The Guardian - Film News. 8 November 2009, 3:17 AM, PST)
A Dark Comedy that comes out shining very bright more (162 total)
| Robert Carlyle | ... | Gaz | |
| Mark Addy | ... | David aka Dave | |
| William Snape | ... | Nathan | |
| Steve Huison | ... | Lomper | |
| Tom Wilkinson | ... | Gerald | |
| Paul Barber | ... | Horse | |
| Hugo Speer | ... | Guy | |
| Lesley Sharp | ... | Jean | |
| Emily Woof | ... | Mandy | |
| Deirdre Costello | ... | Linda | |
| Paul Butterworth | ... | Barry | |
| Dave Hill | ... | Alan | |
| Bruce Jones | ... | Reg | |
| Andrew Livingston | ... | Terry (as Andrew Livingstone) | |
| Vinny Dhillon | ... | Sharon | |
| Kate Layden | ... | Bee | |
| Joanna Swain | ... | Sheryl | |
| Diane Lane | ... | Louise | |
| Kate Rutter | ... | Dole Clerk | |
| June Broughton | ... | Lomper's Mum | |
| Glenn Cunningham | ... | Police Inspector | |
| Chris Brailsford | ... | Duty Sergeant | |
| Steve Garti | ... | Policeman | |
| Malcolm Pitt | ... | Job Club Manager | |
| Dennis Blanch | ... | Director | |
| Daryl Fishwick | ... | Social Worker | |
| David Lonsdale | ... | Repossession Man | |
| Muriel Hunt | ... | Horse's Mum | |
| Fiona Watts | ... | Beryl | |
| Theresa Maduemezia | ... | Horse's Sister | |
| Fiona Nelson | ... | Horse's Sister | |
| The British Steel Stocksbridge Band | ... | Brass Band | |
| rest of cast listed alphabetically: | |||
| Enn Reitel | ... | Narrator (uncredited) | |
Directed by | |||
| Peter Cattaneo | |||
Writing credits | ||
| Simon Beaufoy | (written by) | |
Produced by | |||
| Paul Bucknor | .... | co-producer | |
| Polly Leys | .... | co-producer | |
| Uberto Pasolini | .... | producer | |
| Lesley Stewart | .... | associate producer | |
Original Music by | |||
| Anne Dudley | |||
Cinematography by | |||
| John de Borman | (director of photography) (as John De Borman) | ||
Film Editing by | |||
| David Freeman | |||
| Nick Moore | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Max Gottlieb | |||
Art Direction by | |||
| Chris Roope | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Lucy Bennett | .... | makeup trainee | |
| Christine Blundell | .... | hair designer (as Chris Blundell) | |
| Christine Blundell | .... | makeup designer (as Chris Blundell) | |
| Marese Langan | .... | assistant makeup artist | |
| Scott Beswick | .... | makeup artist: second unit (uncredited) | |
| Louise Burton | .... | assistant makeup artist: second unit (uncredited) | |
| Sian Richards | .... | hair stylist supervisor (uncredited) | |
| Sian Richards | .... | makeup supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| David Gilchrist | .... | first assistant director | |
| Claire Hughes | .... | second assistant director | |
| Ben Johnson | .... | third assistant director | |
| Harry Boyd | .... | third assistant director (uncredited) | |
| Natasha Ross | .... | second unit director (uncredited) | |
Art Department | |||
| Mark Adams | .... | painter | |
| Steven Buttock | .... | prop man (as Steve Buttock) | |
| Emma Dibb | .... | assistant art director | |
| Paul Fogarty | .... | carpenter | |
| Mike Houseman | .... | construction manager | |
| Gus Lupton | .... | stand-by props | |
| Leon McCarthy | .... | stand-by carpenter | |
| John Mills | .... | property master | |
| Duncan Wheeler | .... | production buyer (as Duncan W. Wheeler) | |
| Terry Woods | .... | property master | |
| Jess Alexander | .... | art department assistant: second unit (uncredited) | |
Sound Department | |||
| Michael Bottomley | .... | sound trainee | |
| Torin Brown | .... | re-recording assistant | |
| Felicity Cottrell | .... | foley artist | |
| Alistair Crocker | .... | sound recordist | |
| Chris Dibble | .... | sound recording engineer | |
| Eddie Dougall | .... | sound maintenance engineer | |
| Stewart Henderson | .... | adr editor | |
| Stewart Henderson | .... | dialogue editor | |
| Steve Price | .... | sound recording engineer | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Jack Stew | .... | foley artist | |
| Ted Swanscott | .... | adr re-recordist | |
| Ted Swanscott | .... | foley re-recordist | |
| Ian Wilson | .... | sound editor | |
| John Avery | .... | sound: second unit (uncredited) | |
| Keith Quirk | .... | sound: second unit (uncredited) | |
| Geoff Tookey | .... | sound: second unit (uncredited) | |
Special Effects by | |||
| Ian Rowley | .... | special effects | |
| Tim Baxter | .... | optical effects (uncredited) | |
Visual Effects by | |||
| Rob Gordon | .... | digital online editor | |
Stunts | |||
| Terry Forestal | .... | stunt arranger (as Terry Forrestal) | |
Camera and Electrical Department | |||
| Peter Bateson | .... | camera trainee | |
| Jim Bradshaw | .... | electrician (as Jimmy Bradshaw) | |
| Simon Bray | .... | Steadicam operator | |
| Pete Cavaciuti | .... | Steadicam operator (as Peter Cavaciuti) | |
| Ross Chapman | .... | electrician | |
| Vinny Cowper | .... | electrician | |
| Tony Diffley | .... | electrician | |
| Tom Hilton | .... | still photographer | |
| Baz Irvine | .... | focus puller | |
| Kirsten Mcmahon | .... | clapper loader (as Kirsten McMahon) | |
| Geoff Read | .... | best boy | |
| Ted Read | .... | gaffer | |
| Peter Scorah | .... | second grip | |
| Peter Sinclair | .... | photographer: second unit | |
| Robin Stone | .... | grip (as Robin A. Stone) | |
| Alan Stoyles | .... | rigger | |
| David Worley | .... | camera operator | |
| Stuart Brereton | .... | second assistant camera: second unit (uncredited) | |
| Danny Cohen | .... | photography: second unit (uncredited) | |
| Sam Osborne | .... | camera operator: second unit (uncredited) | |
| Chris Roach | .... | photography: second unit (uncredited) | |
Casting Department | |||
| Jocelyn Cammack | .... | extras casting | |
| Carole Crane | .... | extras casting | |
Costume and Wardrobe Department | |||
| Tessa Phillips | .... | assistant costume designer | |
| Nikita Rae | .... | wardrobe assistant | |
| Dennis Brack | .... | costumes: second unit (uncredited) | |
Editorial Department | |||
| Jatinderpal Chohan | .... | second assistant editor | |
| Giles Gardner | .... | second assistant editor | |
| Rob Gordon | .... | digital on-line editor | |
| Celia Haining | .... | second assistant editor | |
| Bob Rodger | .... | color timer | |
| Gabrielle Smith | .... | first assistant editor | |
| Ben Yeates | .... | second assistant editor | |
Music Department | |||
| Niall Acott | .... | assistant recording engineer | |
| Hugh Burns | .... | musician: acoustic guitar | |
| Anne Dudley | .... | conductor | |
| Anne Dudley | .... | orchestrator | |
| Karen Elliott | .... | orchestral recording supervisor: Air Edel Associates Limited | |
| Liz Gallacher | .... | music consultant | |
| Isobel Griffiths | .... | musicians contractor | |
| Julian Jackson | .... | musician: harmonica | |
| Erik Jordan | .... | assistant recording engineer | |
| Graham Lawrence | .... | music editor | |
| Anne Dudley | .... | music producer: "You Can Leave Your Hat On" (uncredited) | |
Transportation Department | |||
| John Dempsey | .... | driver: dining bus | |
| Jeff Edwards | .... | wardrobe vehicle driver | |
| Ronald Green | .... | driver: winnebago (as Ron Green) | |
| Colin Stephenson | .... | driver: road train and make-up | |
| Gordon Vickers | .... | driver: winnebago | |
Eggs, Beans and Chippendales (UK) (working title)
No Man's Land (UK) (working title)
more
Rated R for language and some nudity.
91 min
Color (Metrocolor)
1.85 : 1 more
Iceland:L | USA:R (certificate #35028) | France:U | USA:TV-MA (TV rating) | Norway:7 | Denmark:A | Brazil:12 | New Zealand:M | Argentina:13 | Australia:M | Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:PA (Manitoba) | Chile:14 | Finland:S | Germany:12 (bw) | Mexico:B | Netherlands:AL | Peru:14 | Portugal:M/12 | Singapore:PG | Spain:13 | Sweden:Btl | UK:15
ASDA Supermarket, Orgreave Way, Sheffield, South Yorkshire, England, UK more
In November 1998, Prince Charles re-enacted the unemployment office scene on national television with some young members of the Prince's Trust. more
Boom mic visible: Reflection of boom mic visible in the car window as Dave throws Lomper back into the car. more
Gary 'Gaz' Schofield: Folks don't laugh so loud when you've a grand in your back pocket. more
Referenced in "Homicide: Life on the Street: Shaggy Dog, City Goat (#6.11)" (1998) more
The Zodiac more
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When I first saw this movie, I absolutely loved it. With each successive viewing, I noticed the characters' emotions as they coped with the dirty hand that has been dealt to them and making the most of it. I also saw the immense bond between the men as they already shared the low-class existence and a rather bleak future but seeing nothing but an opportunity to be rich. And they were all willing to endure the humiliation in front of hundreds of people to achieve it.
Like M*A*S*H, the Full Monty shows people placed in a harrowing existence with seemingly no end in sight. Yet the laughs are sprinkled throughout nicely, and even though each man has their own personal fears to overcome, they find strength in each other, which makes the experience all the more fruitful.
The actors were absolutely top notch, particularly Robert Carlyle. I was already impressed with his performance from Trainspotting to know that he is very capable of carrying the central figure of the movie. Peter Cattaneo's direction was inspired, and he knew the right angles to use (check out the scene when the lads were auditioning new members, particularly Guy) for perfect comedic effect.
I admit that some of the sub-plots needed more fleshing out, particularly between Gaz and Nathan as well as Gerald and his wife. And as many times as I've seen the movie, I don't know much about Guy other than his love for Singing in the Rain and his obvious natural endowment that took the breath away from his mates!
The music was terrific as well. I dare anyone to deny that they had to consciously stop tapping their feet when hearing "Hot Stuff" after watching this movie.
I have been to Sheffield recently, so the movie holds even more personal meaning for me. And for all those complaining about the accents being difficult to understand, watch it again. It's in English not Chinese! The accents are part of the charm. I rate this movie a solid 8.5 out of 10 and worth seeing many times over.