| Patrick Stewart | ... | Dad Savage | |
| Kevin McKidd | ... | H | |
| Helen McCrory | ... | Chris | |
| Joe McFadden | ... | Bob | |
| Marc Warren | ... | Vic | |
| Jake Wood | ... | Sav |
Directed by | |||
| Betsan Morris Evans | |||
Writing credits(in alphabetical order) | ||
| Steve Williams | writer | |
Produced by | |||
| Robert Jones | .... | producer | |
| Gwynneth Lloyd | .... | producer | |
| Paul Sarony | .... | line producer | |
Original Music by | |||
| Simon Boswell | |||
Cinematography by | |||
| Gavin Finney | |||
Film Editing by | |||
| Guy Bensley | |||
Casting by | |||
| Susie Parriss | |||
| Paddy Stern | |||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Karen Wakefield | |||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Rachael Fleming | |||
Makeup Department | |||
| Colin Ware | .... | prosthetic designer | |
Production Management | |||
| Hilary Benson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Beni Turkson | .... | second assistant director | |
| Stephen Woolfenden | .... | first assistant director | |
Art Department | |||
| Douglas Ingram | .... | storyboard artist | |
| Nick Thomas | .... | storeman | |
Sound Department | |||
| Paul Botham | .... | boom operator | |
| Robert Farr | .... | sound re-recording mixer | |
| Stephen Griffiths | .... | sound editor | |
Special Effects by | |||
| Garry Cooper | .... | special effects technician | |
Visual Effects by | |||
| Craig Chandler | .... | digital compositor | |
Stunts | |||
| Steve Caswell | .... | stunt double | |
Camera and Electrical Department | |||
| Danny Espey | .... | lighting balloon operator | |
| Robert Shacklady | .... | daily focus puller | |
| David Smith | .... | gaffer | |
| Mark Tillie | .... | still photographer | |
| Alf Tramontin | .... | Steadicam operator | |
Editorial Department | |||
| Michael Corden | .... | first assistant editor | |
| Steve Farman | .... | negative cutter | |
| Steve Mercer | .... | assistant editor | |
Music Department | |||
| Laurence Kaye | .... | music supervisor | |
Other crew | |||
| Jamie Lengyel | .... | location scout | |
| Marshall Leviten | .... | production runner | |
| Jon McCrory | .... | stand-in | |
| Susanna Wyatt | .... | production accountant | |
| Recent Posts (updated daily) | User |
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| Any chance this will be out on DVD? | Booshambles |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
I have never considered myself a serious critics of films. I like what I like, and I seldom reference films to one another. So Dad Savage was for me no like Pulp Fiction meets Res. Dogs only English. It was and will always be: And English film on it's own.
So what did I think of Dad Savage? I loved it. It keeps you guessing from beginning to end, and Patrick Stewart is simply the cherry on the top. He is wonderful in this film, and unlike some of his other roles, which are typically upright and moral, he plays a mean, nasty crook, who loves his son.
The film flows quickly and easily around the intricate plot that once revealed makes wonderful and dark sense. It's in my collection because it's trying to be different from the rest, and it's what I'd like to term - a surprise film. It's quirky, sharp and fast and at no point does it give us a moral lecture, nor does it attempt to cover up anything.
If you liked Complicity (Johnny Lee Miller) or Peter's Friends (Stephen Fry) then you're bound to love Dad Savage. All my thumbs up!