| Photos (see all 31 | slideshow) | Videos (see all 9 NEW) |
| Richard Gere | ... | Martin Vail | |
| Laura Linney | ... | Janet Venable | |
| John Mahoney | ... | Shaughnessy | |
| Alfre Woodard | ... | Shoat | |
| Frances McDormand | ... | Molly | |
| Edward Norton | ... | Aaron | |
| Terry O'Quinn | ... | Yancy | |
| Andre Braugher | ... | Goodman | |
| Steven Bauer | ... | Pinero | |
| Joe Spano | ... | Stenner | |
| Tony Plana | ... | Martinez | |
| Stanley Anderson | ... | Rushman | |
| Maura Tierney | ... | Naomi | |
| Jon Seda | ... | Alex | |
| Reg Rogers | ... | Connerman | |
| Kenneth Tigar | ... | Weil | |
| Brian Reddy | ... | Woodside | |
| Christopher Carroll | ... | M.C. | |
| Wendy Cutler | ... | Lou | |
| Ron O.J. Parson | ... | Turner | |
| Sigrid K. Zahner | ... | Vail's Secretary | |
| Diann Burns | ... | WLS Anchor | |
| Linda Yu | ... | WLS Anchor | |
| Andy Shaw | ... | WLS Location Reporter | |
| Mary Ann Childers | ... | WBBM Anchor | |
| Lester Holt | ... | WBBM Anchor (as Lester D. Holt) | |
| Sylvia Gomez | ... | WBBM Location Reporter | |
| Jon Duncanson | ... | WBBM Location Reporter | |
| David Eckert | ... | WGN Anchor | |
| Robert Jordan | ... | WGN Anchor | |
| Joanie Lum | ... | WGN Location Reporter | |
| Randy Salerno | ... | WGN Location Reporter | |
| Kyle Colerider-Krugh | ... | Postman | |
| Joseph Luis Caballero | ... | Joe | |
| Randall Slavin | ... | Young Boy | |
| Mike Bacarella | ... | Sergeant | |
| Turk Muller | ... | Precinct Jailer | |
| Joseph F. Kosala | ... | Cop (as Joe Kosala) | |
| Lenny Wilson | ... | Bartender | |
| Peter Schreiner | ... | Bailiff | |
| Joseph R. Ryan | ... | Old Man | |
| Azalea Davila | ... | Linda | |
| Wayne Wright | ... | Court Clerk | |
| Tony Fitzpatrick | ... | Duty Officer | |
| Clarence Williams Jr. | ... | Arresting Cop | |
| Rosalie V. Lewis | ... | Stenographer | |
| Dwight Brad Dyer | ... | Prison Guard | |
| Larry Cook | ... | Pilot | |
| Bob Kenney | ... | Pilot | |
| rest of cast listed alphabetically: | |||
| Mike Boss | ... | Cop (uncredited) | |
Directed by | |||
| Gregory Hoblit | |||
Writing credits(WGA) | ||
| William Diehl | (novel) | |
| Steve Shagan | (screenplay) and | |
| Ann Biderman | (screenplay) | |
Produced by | |||
| Patricia Graf | .... | associate producer | |
| Hawk Koch | .... | executive producer (as Howard W. Koch Jr.) | |
| Gary Lucchesi | .... | producer | |
| Robert McMinn | .... | co-producer | |
| Arnold Rudnick | .... | associate producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| David Rosenbloom | |||
Casting by | |||
| Deborah Aquila | |||
| Jane Shannon-Smith | (as Jane Shannon) | ||
Production Design by | |||
| Jeannine Claudia Oppewall | (as Jeannine Oppewall) | ||
Art Direction by | |||
| William Arnold | |||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Hallie D'Amore | .... | key makeup artist | |
| Sterfon Demings | .... | hair stylist | |
| Elle Elliott | .... | hair stylist | |
| Margaret E. Elliott | .... | makeup artist (as Margaret Elliott) | |
| Kathrine Gordon | .... | hair stylist | |
| Tom Lucas | .... | makeup artist: Mr. Gere | |
| Carol Meikle | .... | hair stylist: Mr. Gere | |
| Jeffrey Sacino | .... | key hair stylist (as Jeffrey M. Sacino) | |
| Art Anthony | .... | special makeup effects: Chicago (uncredited) | |
Production Management | |||
| Robert Grand | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Xochi Blymyer | .... | second second assistant director | |
| J. Stephen Buck | .... | first assistant director | |
| Gary B. Goldman | .... | second second assistant director: Chicago (as Gary Goldman) | |
| Randall Newsome | .... | second second assistant director: Chicago | |
| Lucille Ouyang | .... | second assistant director (as Lucille OuYang) | |
| Sharon Swab | .... | dga trainee | |
Art Department | |||
| Paul Allen | .... | set dresser: Chicago | |
| Randolph W. Andell | .... | assistant property master | |
| P. Scott Bailey | .... | set dresser (as Scott Bailey) | |
| Julie Brooke Beattie | .... | set dresser (as Julie Beattie) | |
| Louisa Bonnie | .... | set designer | |
| Mary A. Brady | .... | set dresser: Chicago (as Mary Brady) | |
| Javier Carrillo | .... | propmaker foreperson | |
| Daniel B. Clancy | .... | leadperson: Chicago | |
| Francis N. 'Lucky' Costello | .... | painter (as Frank 'Lucky' Costello) | |
| Jon Danniells | .... | lead man | |
| Dave DeGaetano | .... | construction coordinator | |
| Edward England | .... | construction coordinator: Chicago | |
| Andy Flores | .... | paint foreperson | |
| Joanna Gilliam | .... | set dresser | |
| Robert M. Hagman | .... | propmaker foreperson (as Bob Hagman) | |
| Aaron C. Holden Jr. | .... | assistant property master: Chicago | |
| Jack Johnson | .... | production illustrator | |
| Robert Kelter | .... | paint foreperson: Chicago (as Robert J. Kelter) | |
| Erin Kemp | .... | set designer | |
| Keith A. Kropf | .... | location foreman (as Keith Kropf) | |
| Robin Laughlin | .... | paint foreperson (as Bob Laughlin) | |
| Kacy Magedman | .... | art department coordinator | |
| Quentin Matthys | .... | set dresser: Chicago | |
| Steven B. Melton | .... | property master | |
| Tom Osman | .... | art department coordinator: Chicago | |
| Tyler Osman | .... | propmaker foreperson: Chicago | |
| Tyler Patton | .... | set dresser | |
| Walter J. Piers | .... | set dresser: Chicago (as Walter Piers) | |
| Mark Poll | .... | set designer | |
| Joel Prihoda | .... | labor foreperson: Chicago | |
| Steven Rigamat | .... | propmaker foreperson (as Steven W. Rigamat) | |
| Paul Stanwyck | .... | head scenic painter | |
| William Tessaro | .... | location foreman (as Bill Tessaro) | |
| Suzan Wexler | .... | assistant art director | |
| Tim Wilp | .... | head painter: Chicago (as Timothy W. Wilp) | |
| Ken Abraham | .... | set dresser (uncredited) | |
| Anthony Joseph Fatigato | .... | painter (uncredited) | |
| Sean Hood | .... | swing gang (uncredited) | |
| Troy Osman | .... | construction foreman (uncredited) | |
Special Effects by | |||
| Don Riozz McNichols | .... | special effects: Chicago (as Donald Rio McNichols) | |
| Matthew W. Mungle | .... | special effects makeup (as Matthew Mungle) | |
| Tom Ryba | .... | special effects coordinator: Chicago (as Thomas P. Ryba) | |
Visual Effects by | |||
| Rob Burton | .... | visual effects supervisor: DQI | |
| Mark Galvin | .... | visual effects executive producer: DQI | |
| Mike Gunning | .... | visual effects producer: DQI | |
| Michael S. Harbour | .... | 3D church modeling: Dream Quest Images | |
| Michael S. Harbour | .... | 3D church rendering: Dream Quest Images (as Michael Harbour) | |
| Rory Hinnen | .... | data management | |
| Jen Howard | .... | digital artist: Dream Quest Images | |
| Rick Lopez | .... | output technician: DQI | |
| Rick Lopez | .... | scanning: DQI | |
| John Murrah | .... | technical supervisor: Dream Quest Images | |
Stunts | |||
| Lanier Edwards | .... | stunts | |
| Rick Le Fevour | .... | stunts | |
| Ray Lykins | .... | stunts | |
| Ernie F. Orsatti | .... | stunt coordinator (as Ernie Orsatti) | |
| Noon Orsatti | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Scott Blackwood | .... | stunt double (uncredited) | |
| Tom Lowell | .... | stunts (uncredited) | |
| Carl Paoli | .... | stunt double: Richard Gere (uncredited) | |
| Linda Perlin | .... | stunts (uncredited) | |
Casting Department | |||
| Tony Hobbs | .... | extras casting: Central/Cennex Casting | |
| Tracy Kaplan | .... | casting: Chicago | |
| DeVera Marcus | .... | voice casting (as Dee Marcus) | |
| Karen Miller | .... | casting associate | |
| Karen Peake | .... | extras casting: Chicago | |
| Alex Wald | .... | casting assistant (as Alex Rosenberg) | |
| Mary Tricia Wood | .... | casting assistant (as Tricia Wood) | |
| Patti Carns Kalles | .... | casting: Seattle (uncredited) | |
| Jason James | .... | casting: Seattle (uncredited) | |
| Regina Prokop | .... | extras casting coordinator (uncredited) | |
Costume and Wardrobe Department | |||
| Elaine Davis | .... | costumer | |
| Lori DeLapp | .... | costumer (as Lori McClellen) | |
| Kimberly Guenther | .... | costume supervisor | |
| Gary J. Saldutti | .... | costumer | |
| Adrienne Wait | .... | costumer | |
| Heather Pollock | .... | set costumer (uncredited) | |
Editorial Department | |||
| Jana Lynn Gold | .... | assistant film editor | |
| Phil Hetos | .... | color timer | |
| Douglas Kunin | .... | assistant film editor | |
| Farrel Levy | .... | additional editor (as Farrel Jane Levy) | |
| Skip MacDonald | .... | assistant film editor (as Skip Macdonald) | |
| Wendi Jill Raderman | .... | assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Terence Blanchard | .... | musician: horn solos | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| James Newton Howard | .... | orchestrator | |
| Artie Kane | .... | conductor | |
| Jo Ann Kane | .... | music preparation | |
| Tom Kramer | .... | preview music editor | |
| Michael Mason | .... | music scoring coordinator | |
| Shawn Murphy | .... | score mixer | |
| Shawn Murphy | .... | score recordist | |
| David Olson | .... | assistant music editor | |
| J. Peter Robinson | .... | composer: incidental source music | |
| Jim Weidman | .... | music editor | |
| Michael Mason | .... | score co-producer (uncredited) | |
Transportation Department | |||
| Steve Brodsky | .... | transportation coordinator (as Steven Brodsky) | |
| Michael P. Deal | .... | transportation captain: Chicago | |
| Craig Fehrman | .... | transportation captain | |
| James F. Hogan | .... | transportation captain: Chicago (as James A. Hogan) | |
| Thaddeus E. Larkowski | .... | transportation coordinator: Chicago | |
| Gaston Veilleux | .... | transportation captain | |
| Robert Wallace | .... | driver (uncredited) | |
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| Presumed Innocent | Basic Instinct | Fracture | Mystic River | Midnight Court |
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When an altar boy, Aaron Stampler, is accused of murdering a priest, the media-friendly, arrogant lawyer Martin Vail takes the case (and the headlines). However he discovers that the boy is not all he seems and that there may have been a third person in the room when the priest was murdered. However his plea is fixed and he must work the case to turn things back to his advantage.
Years ago, the UK did a day where the Government subsidised cinemas to offer all tickets for £1. On that day I had nothing I wanted to see but I thought (like thousands other) that a saving of £3 (at the time) was too good to miss, so I went to see this film despite my caution when it comes to courtroom thrillers. The plot here is so very full of holes that it is a wonder that the whole film doesn't fall into itself, however it just about manages to succeed by being quite clever and significantly different from the usual courtroom stuff (although it does still have the same faults as the rest of the genre).
The film is a lot darker than many courtroom thrillers; first of all, Vail is not a sympathetic character - he is arrogant and conceited, and the film never really offers him redemption at any point. Likewise the climax of the film is not the usual genre twist - or rather, it is, but not in the usual way. The film's main weakness however is that it is at least 20 minutes too long. The revelations about Roy happen but then are forgotten for about 10 minutes and then raised again before being put aside again. I really can't even understand why the film feels so padded at points in the middle when really that was when the Roy thing kicks in and the film should have stepped up a gear in a flash. That it doesn't is a problem, but not an insurmountable one, as it does slowly get faster towards a downbeat conclusion that is enjoyably different from the usual Perry Mason style twist (although it is a twist).
I'm by no means a Richard Gere fan, but he does a very good job here. He never wants to be a good guy here and he plays it well. However the film is driven by a great performance from Norton, marking himself out as one to watch in coming years. His dual roles are great and the film would have failed if he hadn't been able to carry it off. The support cast is surprisingly deep with people who were either well-known at the time or became famous later. When a cast includes Mahoney, McDormand, Woodard, Linney, Seda, and Braugher then it is worth a look - although some of them have very small roles there are no weak links. However it is a credit to Norton that he stands shoulder to shoulder with all of them and is the one that sticks in the mind long after it finishes.
Overall this is an enjoyable courtroom thriller that only struggles in the middle with an inability to really just let rip. It's ironic, but I enjoyed it because it was less showy and so on when compared to others of the genre, but it could have benefited from knowing when to let go sooner. However the cast is top notch and the unlikely plot is held together by a low key Gere and a fantastic central performance(s) from Norton.