Amazon.com video review: Clever twists and a bona fide surprise ending make this an above-average courtroom thriller, tapping into the post-O.J. scrutiny of our legal system in the case of a hotshot Chicago defense attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation, and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice. Making an impressive screen debut that has since led to a stellar career, Norton gives a performance that rides on a razor's edge of schizophrenic pathology--his role is an actor's showcase, and without crossing over the line of credibility, Norton milks it for all it's worth. Gere is equally effective in a role that capitalizes on his shifty screen persona, and Laura Linney and Frances McDormand give memorable performances in their intelligently written supporting roles. --Jeff Shannon
Amazon.com video review: Newcomer Edward Norton became an instant movie star in 1996 with three amazing performances in Primal Fear, The People vs. Larry Flynt, and Everyone Says I Love You. Make that four amazing performances, because in Primal Fear he plays a young man named Aaron Stampler whose personality seems to be divided in two: one tough and cynical, the other shy and fearful. Richard Gere plays Martin Vail, the slick Chicago attorney who defends Aaron on charges of brutally murdering an archbishop who may have sexually molested Aaron and other boys in his parish. The courtroom suspense is nail-biting as the jaded hotshot Vail comes to care about the case and the defendant. This is one of the better legal dramas of recent years, with plenty of juicy twists and turns. Frances McDormand (who was soon to win an Oscar for Fargo) plays a psychiatrist. --Jim Emerson