Competent, but wholly unremarkable, 27 March 2008
Author:
ccscd212 from Helsinki, Finland
The basic idea is workable: a priest/teacher caught between two warring
side: his brother is a "white", while his whole township is "red". Kari
Heiskanen is quite good as the Christ-like priest, though it often
seems as if he stays in one (sullen) mode throughout the whole film.
The townspeople (and the reds and the whites) are portrayed with little
depth. There's a madman, a drunk, etc-- each not much more than a plot
device. Heiskanen's priest's brother is hardly a more rounded
character: quite ruthless with one redeeming moment. The film's
surprise comes as a young red doesn't act like you would expect him to,
to him the priest stands for exactly what's wrong with the system,
despite his humane qualities.
Technically, the film is adequate with an authentic enough feel. Still,
very little in the picture is remarkable. Some interesting ideas, sure,
but they aren't developed in a way that would hoist the film above the
countless similar movies about war in the world.
1 out of 2 people found the following comment useful :- A short masterpiece!, 23 March 2005
Author:
xaggurat from Vantaa, Finland
A very strong, powerful, wild and emotional movie about such times
during the Finnish Civil War of 1918. How could I say it... this is how
those times should be portrayed in cinema. Kari Heiskanen does great
work as Patrick Sillman. Tom Wentzel looks like Svejk lost, tired and
wounded.
Too bad that short runtime doesn't appeal to great audiences - short
movies are usually better cut thus can make a stronger message.
One of the best movies I've seen. Olli Saarela has not made so strong
movies after this one, although Rukajärven Tie (Ambush) was pretty
good.
If you somehow still get a chance to see this pearl, please do. It's
certainly worth it.
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Competent, but wholly unremarkable, 27 March 2008

Author: ccscd212 from Helsinki, Finland
The basic idea is workable: a priest/teacher caught between two warring side: his brother is a "white", while his whole township is "red". Kari Heiskanen is quite good as the Christ-like priest, though it often seems as if he stays in one (sullen) mode throughout the whole film. The townspeople (and the reds and the whites) are portrayed with little depth. There's a madman, a drunk, etc-- each not much more than a plot device. Heiskanen's priest's brother is hardly a more rounded character: quite ruthless with one redeeming moment. The film's surprise comes as a young red doesn't act like you would expect him to, to him the priest stands for exactly what's wrong with the system, despite his humane qualities.
Technically, the film is adequate with an authentic enough feel. Still, very little in the picture is remarkable. Some interesting ideas, sure, but they aren't developed in a way that would hoist the film above the countless similar movies about war in the world.
1 out of 2 people found the following comment useful :-

A short masterpiece!, 23 March 2005
Author: xaggurat from Vantaa, Finland
A very strong, powerful, wild and emotional movie about such times during the Finnish Civil War of 1918. How could I say it... this is how those times should be portrayed in cinema. Kari Heiskanen does great work as Patrick Sillman. Tom Wentzel looks like Svejk lost, tired and wounded.
Too bad that short runtime doesn't appeal to great audiences - short movies are usually better cut thus can make a stronger message.
One of the best movies I've seen. Olli Saarela has not made so strong movies after this one, although Rukajärven Tie (Ambush) was pretty good.
If you somehow still get a chance to see this pearl, please do. It's certainly worth it.
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