| Photos (see all 20 | slideshow) |
| Jennifer Jason Leigh | ... | Anney Boatwright | |
| Ron Eldard | ... | Glen Waddell | |
| Glenne Headly | ... | Aunt Ruth | |
| Lyle Lovett | ... | Wade | |
| Jena Malone | ... | Ruth Anne 'Bone' Boatwright | |
| Dermot Mulroney | ... | Lyle Parsons | |
| Christina Ricci | ... | Dee Dee | |
| Michael Rooker | ... | Uncle Earle | |
| Diana Scarwid | ... | Aunt Raylene | |
| Susan Traylor | ... | Alma | |
| Grace Zabriskie | ... | Granny | |
| Richard Todd Sullivan | ... | Travis | |
| Pat Hingle | ... | Mr. Waddell | |
| Lindley Mayer | ... | Reese | |
| Jamison Stewart | ... | Grey | |
| Timothy Stewart | ... | Garvey | |
| Kelsey Elizabeth Boulware | ... | Bone at age 4 | |
| Jeffrey Pillars | ... | Truck Driver | |
| Rick Warner | ... | Young Clerk | |
| Joe Maggard | ... | Man at Cafe | |
| D.L. Anderson | ... | Woman at Cafe | |
| Nelson George | ... | Justice of the Peace | |
| Gene Dann | ... | Worker | |
| Jim Gloster | ... | Intern | |
| Derin Altay | ... | Mrs. Parsons | |
| Suellen Yates | ... | Mr. Waddells Wife (as Sue Ellen Yates) | |
| Sonny Shroyer | ... | Sheriff | |
| Jerry Winsett | ... | Brother Calvin | |
| J.C. Quinn | ... | Officer | |
| Laura Dern | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Janice McQueen Ward | ... | Neighbor (uncredited) | |
Directed by | |||
| Anjelica Huston | |||
Writing credits(WGA) | ||
| Dorothy Allison | (book) | |
| Anne Meredith | (teleplay) | |
Produced by | |||
| Amanda DiGiulio | .... | producer | |
| Gary Hoffman | .... | executive producer | |
Original Music by | |||
| Van Dyke Parks | |||
Cinematography by | |||
| Anthony B. Richmond | |||
Film Editing by | |||
| Éva Gárdos | |||
Casting by | |||
| John Brace | |||
| Linda Lowy | |||
Production Design by | |||
| Nelson Coates | |||
| Van Broughton Ramsey | |||
Set Decoration by | |||
| Burton Rencher | |||
Costume Design by | |||
| Van Broughton Ramsey | |||
Makeup Department | |||
| Patti Brand | .... | assistant makeup artist | |
| Susan Buffington | .... | assistant hair stylist | |
| Julie Hewett | .... | key makeup artist | |
| Medusah | .... | key hair stylist (as Medusah Aulenta-Spira) | |
| Nikoletta Skarlatos | .... | makeup artist | |
| Rita Troy | .... | assistant hair stylist | |
| Bernard Williams | .... | assistant hair stylist | |
| Dana Williams | .... | assistant hair stylist | |
Production Management | |||
| Amanda DiGiulio | .... | unit production manager | |
Art Department | |||
| Peter Battistelli | .... | construction coordinator | |
| Danya Browder | .... | art department coordinator | |
| Sean Christopher | .... | set dresser | |
| Valerie Fann | .... | art department buyer | |
| Alex Ferguson | .... | set dresser | |
| John France | .... | set dresser | |
| Steve George | .... | assistant propmaster (as Steven H. George) | |
| Kevin Hardison | .... | set designer | |
| Michael D. Harrell | .... | assistant props | |
| David E. Harshbarger | .... | property master | |
| Susan Jones | .... | assistant props | |
| Christopher Mahan | .... | on-set dresser | |
| Bob Osterman | .... | charge scenic | |
| Chester A. Spier | .... | lead man | |
| Birdie Talanca | .... | construction buyer | |
| Mike Underwood | .... | set dresser | |
Sound Department | |||
| Peter Bentley | .... | sound mixer | |
| Peter Bergren | .... | sound editor | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Thom 'Coach' Ehle | .... | stereo sound consultant | |
| David E. Fluhr | .... | sound re-recording mixer | |
| Phil Hadaway | .... | adr engineer | |
| David Hankins | .... | supervising sound editor | |
| John A. Merten | .... | sound recordist | |
| Brooke Satrazemis | .... | sound assistant | |
| Ron Sistare | .... | boom operator | |
Stunts | |||
| John Copeman | .... | stunts | |
| Dale Frye | .... | stunts | |
| David Paul Lord | .... | stunts (as David Lord) | |
| Dean Mumford | .... | stunt coordinator | |
| Charles Page | .... | stunts | |
| Michele Waitman | .... | stunts | |
Casting Department | |||
| Lisa Mae Fincannon | .... | casting: North Carolina | |
| Regan Forman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Eliza Diggs | .... | seamstress | |
| Sonny Merritt | .... | costume supervisor | |
| Natalie Nye | .... | seamstress | |
| Alice Powell | .... | seamstress | |
| Jonny Pray | .... | set costumer | |
| Nina Proctor | .... | set costumer | |
| Nava R. Sadan | .... | set costumer | |
Editorial Department | |||
| Tracy Curtis | .... | first assistant film editor | |
| Stephanie Laing | .... | post-production coordinator (as Stephanie Cone) | |
| Sharon McGeeney | .... | negative cutter | |
| Bob McMillian | .... | color timer | |
| Ken Woodburn | .... | second assistant film editor | |
Music Department | |||
| Todd Hayen | .... | composer: additional music | |
| Frank Macchia | .... | orchestrator | |
| Robin Urdang | .... | music supervisor | |
| Richard Whitfield | .... | music editor | |
Transportation Department | |||
| Michael Coady | .... | driver | |
| Donell Crumpler Jr. | .... | transportation co-captain (as Donell Crumpler) | |
| Tyler C. Daum | .... | transportation coordinator | |
| Wayne Jones | .... | transportation captain | |
Other crew | |||
| Peter Paul Basler | .... | production assistant (as Peter Basler) | |
| David Curtis | .... | production assistant | |
| Louis Anthony Difelice | .... | location manager | |
| Robin Drinkwater | .... | script supervisor: second unit | |
| Alyce Fahsholtz | .... | assistant production coordinator | |
| Leigh French | .... | adr group coordinator | |
| Chad Graves | .... | production assistant | |
| Bass Hampton | .... | assistant location manager | |
| Therese Honeycutt | .... | craft service | |
| Stone Lyons | .... | production assistant | |
| Carla Meyer | .... | dialect coach | |
| Daniella Milton | .... | assistant: Ms. Huston | |
| Fay Moss | .... | auditor | |
| Thomas Parris | .... | production assistant | |
| Nina Proctor | .... | shop supervisor | |
| Thom Rainey | .... | script supervisor | |
| Shannon Rippy | .... | production coordinator | |
| Deborah Ross | .... | title designer | |
| Alicia Rudd | .... | animal wrangler | |
| Lisa G. Shillingburg | .... | first assistant accountant | |
| Tara Nicole Weyr | .... | production assistant | |
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Sure, it's imperfect, but then so are most classics. "It's a Wonderful Life" is loaded with stereotypes, banalities, and over-acting. "Casablanca" features trite dialog, and the characters of Paul Henreid and Ingrid Bergman seem pretty wishy-washy for supposed heroes. "Bastard" is a biographical tale. Biographies often are episodic and lack continuity just as real life is episodic and lacks continuity. Biographical dialog is sometimes unimaginative because it reflects real life speech; none of us has a professional writer feeding us our lines. However, what "Bastard" does have are unforgettable scenes and images of profound emotional impact, a gritty set of down-home characters presented with gutsy reality by a superlative cast, and Jena Malone. Actually, Miss Malone has relatively few lines in this movie, but her expressive face, and especially her fantastic eyes speak clearly and powerfully from the depths of her heart in every scene. And the lines she does speak stab into our hearts with deadly accuracy. A memorable performance in a memorable movie.