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Lorne Cameron (story) &
David Hoselton (story) ...
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7 July 1995 (USA) more
Their greatest battle would be for her love.
Lancelot falls in love with Guinevere, who is due to be married to King Arthur. Meanwhile, a violent warlord tries to seize power from Arthur and his Knights of the Round Table. full summary | add synopsis
Sean Connery Tops Poll for Worst Film Accent
(From Worst Previews. 31 August 2009, 4:30 PM, PDT)
New Excalibur Coming
(From Cinema Blend. 28 July 2009, 2:14 AM, PDT)
King Arthur's tale made into uninteresting film. more (159 total)
| Sean Connery | ... | King Arthur | |
| Richard Gere | ... | Lancelot | |
| Julia Ormond | ... | Guinevere | |
| Ben Cross | ... | Prince Malagant | |
| Liam Cunningham | ... | Agravaine | |
| Christopher Villiers | ... | Sir Kay | |
| Valentine Pelka | ... | Sir Patrise | |
| Colin McCormack | ... | Sir Mador | |
| Ralph Ineson | ... | Ralf | |
| John Gielgud | ... | Oswald | |
| Stuart Bunce | ... | Peter, King's Stableman | |
| Jane Robbins | ... | Elise | |
| Jean Marie Coffey | ... | Petronella | |
| Paul Kynman | ... | Mark | |
| Tom Lucy | ... | Sir Sagramore | |
| John Blakey | ... | Sir Tor | |
| Robert Gwyn Davin | ... | Sir Gawaine | |
| Sean Blowers | ... | Sir Carados | |
| Alexis Denisof | ... | Sir Gaheris | |
| Daniel Naprous | ... | Sir Amant | |
| Jonathan Cake | ... | Sir Gareth | |
| Paul Bentall | ... | Jacob | |
| Jonty Miller | ... | Gauntlet Man | |
| Rose Keegan | ... | Mark's Wife | |
| Mark Ryan | ... | Challenger | |
| Jeffery Dench | ... | Elder | |
| Neville Phillips | ... | Elder | |
| Oliver Lewis | ... | Marauder | |
| Wolf Christian | ... | Marauder | |
| Angus Wright | ... | Marauder | |
| Jonathan Jaynes | ... | Guard | |
| Eric Stone | ... | Guard | |
| Ryan Todd | ... | Young Lancelot | |
| Albie Woodington | ... | Scout | |
| Richard Claxton | ... | Child | |
| Dido Miles | ... | Grateful Woman | |
| Michael Hodgson | ... | Young Man in Crowd | |
| Susannah Corbett | ... | Young Woman in Crowd | |
| Susan Breslau | ... | Wedding Guest | |
| Kate Zucker | ... | Flower Girl | |
| Bob Zucker | ... | Little Boy with Birds | |
| Charlotte Zucker | ... | Bread Vendor | |
| Burton Zucker | ... | Bread Vendor (as Burt Zucker) | |
| rest of cast listed alphabetically: | |||
| Sacha Bennett | ... | Unidentified Role (uncredited) | |
| Rob Brydon | ... | Man in Crowd (uncredited) | |
| Harry Fielder | ... | Bearded villager (uncredited) | |
| Derek Pykett | ... | Soldier (uncredited) | |
| Tony Rycyk | ... | Action Knight in Opening Sequence (uncredited) | |
Directed by | |||
| Jerry Zucker | |||
Writing credits(WGA) | ||
| Lorne Cameron | (story) & | |
| David Hoselton | (story) and | |
| William Nicholson | (story) | |
| William Nicholson | (screenplay) | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Adam Greenberg | |||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| John Box | |||
Art Direction by | |||
| Robert W. Laing | (supervising art director) (as Bob Laing) | ||
| Giles Masters | |||
| Stephen Scott | |||
| Michael White | (supervising art director) | ||
Set Decoration by | |||
| Malcolm Stone | |||
Costume Design by | |||
| Nanà Cecchi | |||
Makeup Department | |||
| Peter Robb-King | .... | makeup artist | |
| Elaine Short | .... | hair stylist | |
Production Management | |||
| Hunt Lowry | .... | unit production manager | |
| Chantal Feghali | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Chris Carreras | .... | assistant director | |
| Jamie Christopher | .... | second assistant director | |
| Robert Grayson | .... | third assistant director | |
| Cliff Lanning | .... | key second assistant director | |
| Mark Layton | .... | second assistant director: second unit | |
| Terry Madden | .... | first assistant director: second unit | |
| Josh Robertson | .... | second second assistant director | |
| Richard Whelan | .... | second assistant director | |
| Arthur Wooster | .... | second unit director | |
| Geoff Dibben | .... | co-second assistant director (uncredited) | |
Art Department | |||
| Steven Michael | .... | scenic artist | |
| Pierre Bohanna | .... | supervising modeler (uncredited) | |
| Peter Dorme | .... | draughtsman (uncredited) | |
| Darren Holland | .... | construction stagehand (uncredited) | |
| Peter Mann | .... | constructor (uncredited) | |
| Ginger McCarthy | .... | construction rigger (uncredited) | |
| Ron Nicholls | .... | stagehand (uncredited) | |
| Steve Payne | .... | stand-by props (uncredited) | |
| Richard Roberts | .... | assistant set decorator (uncredited) | |
| Bryn Siddall | .... | property buyer (uncredited) | |
| David Warren | .... | art department assistant (uncredited) | |
Sound Department | |||
| Ulrika Akander | .... | adr editor | |
| Colin Charles | .... | sound editor | |
| Gary Gegan | .... | sound re-recording mixer | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Cindy Marty | .... | sound effects editor | |
| John Morris | .... | supervising sound editor | |
| Walter Murch | .... | sound re-recording mixer | |
| Alicia Stevenson | .... | foley artist | |
| Ed Callahan | .... | sound effects editor (uncredited) | |
| John Hughes | .... | sound (uncredited) | |
| Ian MacGregor-Scott | .... | sound editor (uncredited) | |
| Thomas P. McNamara | .... | assistant sound editor (uncredited) | |
| Fred Peck III | .... | foley recordist (uncredited) | |
| Dennis C. Salcedo | .... | boom operator (uncredited) | |
Special Effects by | |||
| George Gibbs | .... | special effects | |
| Dave Chagouri | .... | prop maker (uncredited) | |
| Jason Chalmers | .... | special effects assistant (uncredited) | |
| Simon Cockren | .... | special effects technician (uncredited) | |
| Jim Davey | .... | scanning and recording (uncredited) | |
| Dan Frye | .... | propmaker (uncredited) | |
| Alan Hedgcock | .... | special effects makeup (uncredited) | |
| Matthew Horton | .... | special effects technician (uncredited) | |
| Cliff Wallace | .... | special effects makeup (uncredited) | |
| David Watkins | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | optical cameraman | |
| Mitchell S. Drain | .... | supervising digital artist: CRC | |
| Dennis Lowe | .... | visual effects supervisor | |
| Mark Nettleton | .... | senior compositor | |
| Nicholas Brooks | .... | visual effects (uncredited) | |
| John Decker | .... | blue screen unit (uncredited) | |
| Doug Ferris | .... | matte artist (uncredited) | |
| Rocco Gioffre | .... | matte artist (uncredited) | |
| José Granell | .... | model unit supervisor (uncredited) | |
| Ed Hawkins | .... | digital artist (uncredited) | |
| Antony Hunt | .... | executive producer: The Magic Camera Company (uncredited) | |
| Sharon Lark | .... | visual effects producer (uncredited) | |
| Kim Libreri | .... | chief technology officer (uncredited) | |
| Sue Rowe | .... | digital effects artist (uncredited) | |
| Marc Scott | .... | digital compositor (uncredited) | |
| Joseph Thomas | .... | digital tracking (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
| Pete Williams | .... | scanning and recording manager (uncredited) | |
| Aviv Yaron | .... | data operator: Cinesite (uncredited) | |
| Craig Zerouni | .... | digital effects artist (uncredited) | |
Camera and Electrical Department | |||
| Chuck Finch | .... | gaffer | |
| Gordon Hayman | .... | camera operator | |
| Martin Hume | .... | camera operator: second unit | |
| Billy Merrell | .... | best boy | |
| Tim Ross | .... | camera operator | |
| Micky Wilson | .... | gaffer: second unit | |
| Robert Binnall | .... | first assistant camera (uncredited) | |
| Paul Borg | .... | electrician (uncredited) | |
| Mark Evans | .... | electrician (uncredited) | |
| Kenny Groom | .... | focus puller (uncredited) | |
| Gifford Hooper | .... | aerial camera operator (uncredited) | |
| John Lake | .... | electrician (uncredited) | |
| Dean Morrish | .... | assistant camera (uncredited) | |
| Ian Murray | .... | rigger (uncredited) | |
| Sophia Wellington | .... | camera trainee (uncredited) | |
Animation Department | |||
| Marianne I. van Abbe | .... | background artist (uncredited) | |
Casting Department | |||
| Suzy Freeman | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Ken Crouch | .... | costume supervisor (uncredited) | |
| Stephen Kill | .... | costume maker (uncredited) | |
| Jo Korer | .... | costumer (uncredited) | |
| Marcus Love-McGuirk | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Daniel Farrell | .... | first assistant editor | |
| Dale E. Grahn | .... | color timer | |
| Joe Woo Jr. | .... | associate film editor | |
| Tom Barrett | .... | assistant editor (uncredited) | |
| Catherine Chase | .... | first assistant editor (uncredited) | |
| Kim Jorgensen | .... | apprentice editor (uncredited) | |
Music Department | |||
| Alexander Courage | .... | orchestrator | |
| Kelly Mahan-Jaramillo | .... | assistant music editor | |
| Paul Salamunovich | .... | conductor: Los Angeles Master Chorale | |
Transportation Department | |||
| Hector Salomon | .... | driver | |
| Mark Davies | .... | driver: Hunt Lowry (uncredited) | |
| 'Chico' Hernandez | .... | driver (uncredited) | |
| Barry Stevenson | .... | unit bus driver (uncredited) | |
| Gerry Turner | .... | driver (uncredited) | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Bob Anderson | .... | sword master | |
| Susan d'Arcy | .... | unit publicist | |
| Steve Dent | .... | horse master | |
| Simon Downes | .... | floor runner | |
| Allan James | .... | location manager: Wales | |
| June Randall | .... | script supervisor | |
| Mark Ryan | .... | assistant sword master | |
| Caroline Sax | .... | script supervisor: second unit | |
| Charles Bodycomb | .... | armorer (uncredited) | |
| Aron Clayton | .... | location assistant (uncredited) | |
| Bill Darby | .... | location manager: Wales (uncredited) | |
| Teresa Darby | .... | location manager: second unit, Wales (uncredited) | |
| Laurence Edwards | .... | trainee crane technician (uncredited) | |
| Mark Ivie | .... | assistant swordmaster: Los Angeles (uncredited) | |
| Marianne Jenkins | .... | assistant production coordinator (uncredited) | |
| Abbe Lanning | .... | stand-in: Julia Ormond (uncredited) | |
| David Lanphier Jr. | .... | production assistant (uncredited) | |
| Chris Warren | .... | video coordinator (uncredited) | |
| Pam Weaver | .... | animal handler (uncredited) | |
Rated PG-13 for some brutal medieval battles.
134 min
Color (Technicolor)
1.85 : 1 more
Iceland:12 | Netherlands:12 | USA:PG-13 (certificate #33590) | Canada:PG (Ontario) | South Korea:12 (DVD rating) | South Korea:15 | Philippines:PG-13 | France:Unrated | Argentina:Atp | Australia:M | Finland:K-14 | Germany:12 (w) | Norway:15 | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:15 | UK:PG
Ashridge Park, Little Gaddesden, Hertfordshire, England, UK more
During filming, Richard Gere and his then wife Cindy Crawford took out an ad in the London Times scotching rumors as to the state of their marriage. A week after filming was completed, the couple made an announcement that their marriage was over. more
Continuity: Guinevere's plait after she mounts the white mare for the first time. more
King Arthur: There's a peace only to be found on the other side of war. If that war should come I will fight it! more
Referenced in "Game K N B: (2006-11-28)" (2006) more
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| Excalibur | King Arthur | The Adventures of Sir Galahad | Arthur the King | Knights of the Round Table |
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This is a painfully bad retelling of the Arthurian Legend. The bad guys use crossbow pistols and wear black leather ala Road Warrior, The good guys look like a high school production of Camelot. Camelot itself looks like part of Disneyland.
The story centers around Richard Gere as an unappealing Lancelot, Sean Connery as a doddering Arthur and Julia Ormond (Guenevere) who, despite being the high point of the film, is completely unable to convince us that she has any affection for the wizened Arthur.
Bad guys grimace, music sweeps heroically, rousing speaches and predictability ensue, followed by a forgettable conclusion.
Not worth it even for fans of the genre.