| Photos (see all 44 | slideshow) | Videos (see all 5) |
| Susan Sarandon | ... | Sister Helen Prejean | |
| Sean Penn | ... | Matthew Poncelet | |
| Robert Prosky | ... | Hilton Barber | |
| Raymond J. Barry | ... | Earl Delacroix | |
| R. Lee Ermey | ... | Clyde Percy | |
| Celia Weston | ... | Mary Beth Percy | |
| Lois Smith | ... | Helen's mother | |
| Scott Wilson | ... | Chaplain Farlely | |
| Roberta Maxwell | ... | Lucille Poncelet | |
| Margo Martindale | ... | Sister Colleen | |
| Barton Heyman | ... | Capt. Beliveau | |
| Steve Boles | ... | Sgt. Neal Trapp | |
| Nesbitt Blaisdell | ... | Warden Hartman | |
| Ray Aranha | ... | Luis Montoya | |
| Larry Pine | ... | Guy Gilardi | |
| Gil Robbins | ... | Bishop Norwich | |
| Kevin Cooney | ... | Gov. Benedict | |
| Clancy Brown | ... | State trooper | |
| Adele Robbins | ... | Prison nurse | |
| Michael Cullen | ... | Carl Vitello | |
| Peter Sarsgaard | ... | Walter Delacroix | |
| Missy Yager | ... | Hope Percy | |
| Jenny Krochmal | ... | Emily Percy | |
| Jack Black | ... | Craig Poncelet | |
| Jon Abrahams | ... | Sonny Poncelet | |
| Arthur Bridgers | ... | Troy Poncelet | |
| Steve Carlisle | ... | Helen's brother | |
| Helen Hester | ... | Helen's sister | |
| Eva Amurri | ... | Helen (9 years old) | |
| Jack Henry Robbins | ... | Opossum kid #1 | |
| Gary 'Buddy' Boe | ... | Opossum kid #2 | |
| Amy Long | ... | Opossum kid #3 | |
| Dennis F. Neal | ... | Henry | |
| Molly Bryant | ... | Nellie | |
| Pamela Garmon | ... | Mirabeau | |
| Adrian Colon | ... | Reporter | |
| John D. Wilmot | ... | Supporter | |
| Margaret Lane | ... | Reporter #1 | |
| Sally Ann Roberts | ... | Reporter #2 | |
| Alec Gifford | ... | Reporter #3 | |
| John Hurlbutt | ... | Reporter #4 | |
| Mike Longman | ... | News anchor | |
| Pete Burris | ... | Parent #1 | |
| Joan Glover | ... | Parent #2 | |
| Florrie Hathorn | ... | Parent #3 | |
| Lenore Banks | ... | Parent #4 | |
| Idella Cassamier | ... | Idella | |
| Marlon Horton | ... | Herbie | |
| Kenitra Singleton | ... | Kenitra | |
| Palmer Jackson | ... | Palmer | |
| Johnathan Thomas | ... | Johnathan | |
| Walter Breaux Jr. | ... | Guard #1 | |
| Scott Sowers | ... | Guard #2 | |
| Cortez Nance Jr. | ... | Guard #3 | |
| Adam Nelson | ... | Guard #4 | |
| Dalvin Ford | ... | Guard #5 | |
| Derek Steeley | ... | Guard #6 | |
| Jeremy Knaster | ... | Guard #7 | |
| Mary Robbins | ... | Aide to Gov. Benedict | |
| Miles Robbins | ... | Boy in church | |
| rest of cast listed alphabetically: | |||
| Marcus Lyle Brown | ... | Parole Board Member (uncredited) | |
| Joanna Doherty | ... | Nun (uncredited) | |
| Anthony Michael Frederick | ... | Trustee (uncredited) | |
| Rawleigh Moreland | ... | La. Senator (uncredited) | |
| Helen Prejean | ... | Woman at vigil (uncredited) | |
| Codie Scott | ... | Cop (uncredited) | |
Directed by | |||
| Tim Robbins | |||
Writing credits(WGA) | ||
| Helen Prejean | (book "Dead Man Walking") (as Sister Helen Prejean C.S.J.) | |
| Tim Robbins | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Eric Fellner | .... | executive producer | |
| Jon Kilik | .... | producer | |
| Allan F. Nicholls | .... | associate producer (as Allan Nicholls) | |
| Tim Robbins | .... | producer | |
| Mark Seldis | .... | associate producer | |
| Rudd Simmons | .... | producer | |
| Bob White | .... | associate producer | |
Original Music by | |||
| David Robbins | |||
Cinematography by | |||
| Roger Deakins | (as Roger A. Deakins) | ||
Film Editing by | |||
| Lisa Zeno Churgin | |||
| Ray Hubley | |||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Tom Warren | |||
Costume Design by | |||
| Renee Ehrlich Kalfus | (as Renée Ehrlich Kalfus) | ||
Makeup Department | |||
| Michal Bigger | .... | key makeup artist | |
| Marilyn Carbone | .... | makeup designer: Ms. Sarandon | |
| Allison Gordin | .... | assistant makeup artist: New Orleans | |
| Michael Kriston | .... | hair stylist: Mr. Penn | |
| Aaron F. Quarles | .... | key hair stylist | |
| Lizz Scalice | .... | additional hair stylist: New York | |
| Donna Spahn | .... | assistant hair stylist: New Orleans | |
| Stacy Kelly | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Nancy Kriegel | .... | production supervisor | |
| Rudd Simmons | .... | unit production manager | |
| Graham Stumpf | .... | post-production supervisor | |
Sound Department | |||
| Gary Chester | .... | sound mixing engineer | |
| Gary Chester | .... | sound recording engineer | |
| Anthony J. Ciccolini III | .... | dialogue editor (as Anthony 'Chic' Ciccolini III) | |
| Rick Dior | .... | sound re-recording mixer | |
| Scott Dior | .... | sound recordist | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby | |
| Joel Holland | .... | sound recordist | |
| George A. Lara | .... | foley mixer (as George Lara) | |
| Hal Levinsohn | .... | adr editor | |
| Tod A. Maitland | .... | sound mixer | |
| James Murray | .... | second assistant sound recording engineer (as Jim Murray) | |
| Yvette Nabel | .... | assistant sound editor | |
| Bob Olari | .... | sound recordist | |
| T.J. O'Mara | .... | boom operator | |
| Daniel Pagan | .... | apprentice sound editor | |
| Harry Peck Bolles | .... | dialogue editor | |
| Charleen Richards | .... | adr mixer: Los Angeles | |
| Dan Sable | .... | supervising sound editor | |
| Lynn Sable | .... | sound editor | |
| Brian Vancho | .... | foley walker (as Bryan Vancho) | |
| Yvonne Yedibalian | .... | assistant sound recording engineer | |
| Paul J. Zydel | .... | adr mixer: New York (as Paul Zydel) | |
Casting Department | |||
| Jordan Beswick | .... | casting assistant | |
| Vicki Cosentino | .... | extras casting: New York | |
| Rebecca Gibson | .... | casting assistant: New Orleans | |
| Tracy Kilpatrick | .... | local extras casting: New Orleans | |
| Grant Wilfley | .... | extras casting: New York | |
Costume and Wardrobe Department | |||
| Kim Marie Druce | .... | assistant costume designer | |
| Alix Hester | .... | wardrobe production assistant: New York | |
| Bonney Langfitt | .... | additional wardrobe: New Orleans | |
| Gina Lombardino | .... | assistant wardrobe | |
| Jeanne Normand | .... | assistant wardrobe | |
| Hartsell Taylor | .... | wardrobe supervisor | |
| Peter White | .... | wardrobe supervisor | |
Editorial Department | |||
| Julie Daggett | .... | editing production assistant: New Orleans | |
| Barry Gastelu | .... | post-production intern | |
| Agnes Grandits | .... | second assistant editor (as Agnès Challe-Grandits) | |
| Allison R. Hebble | .... | post-production assistant: Tim Robbins | |
| Kristen M. Johnson | .... | assistant editor (as Kristen Johnson) | |
| Clare Larson | .... | first assistant editor | |
| Chris Lechler | .... | apprentice editor: New Orleans | |
| Sandra Nash | .... | apprentice editor | |
| Eddie Nichols | .... | apprentice editor | |
| James Nichols Jr. | .... | apprentice editor | |
| Anne O'Brien | .... | apprentice editor | |
| Angela Organ | .... | apprentice editor | |
| Tom Salvatore | .... | color timer | |
| Shawna Starkman | .... | assistant editor | |
| Chris Talbott | .... | post-production assistant | |
| Michael J. Wechsler | .... | apprentice editor | |
| Mary Wigmore | .... | post-production assistant | |
| Sara Corrigan | .... | apprentice editor (uncredited) | |
Music Department | |||
| Farrukh Fateh Ali Khan | .... | musician: harmonium and vocals | |
| John Beal | .... | musician: bass | |
| David Richard Campbell | .... | orchestrator (as David Campbell) | |
| Frank Centeno | .... | musician: bass guitar | |
| Mino Cinélu | .... | musician: percussion, wood flute and accordion | |
| Ry Cooder | .... | music producer: songs | |
| Ry Cooder | .... | musician: additional guitar | |
| Joel Diamond | .... | musician: hammond organ | |
| David Düsing | .... | choral contractor | |
| Seamus Egan | .... | musician: uilleann pipes and bouzoki | |
| Norwood Fisher | .... | musician: bass guitar | |
| Phillip Fisher | .... | musician: drums | |
| Eric Friedlander | .... | musician: violincello | |
| Juliet Haffner | .... | orchestral contractor | |
| Juliet Hafner | .... | musician: viola | |
| Dildar Hussain | .... | musician: tabla | |
| Julianne Jordan | .... | music project manager (as Julianne Kelley) | |
| David Klotz | .... | music assistant | |
| Gale Limansky | .... | soloist | |
| Richard Locker | .... | musician: violincello | |
| Jill Meyers | .... | music business affairs | |
| Alison Miner | .... | music consultant: New Orleans | |
| Eugene J. Moye | .... | musician: violincello (as Eugene Moye) | |
| Patrick Mullins | .... | music editor | |
| Annie Ohayon | .... | music consultant: New York | |
| Frankie Pine | .... | music licensing manager | |
| Susan Pray | .... | musician: viola | |
| David Ratajczak | .... | musician: drums | |
| David Robbins | .... | music supervisor | |
| David Robbins | .... | musician: electric and acoustic guitars | |
| Gil Robbins | .... | choral arrangement | |
| Gil Robbins | .... | conductor | |
| Ira Selsky | .... | music business affairs | |
| Dawn Soler | .... | executive in charge of music (as Dawn Solér) | |
| David Spinozza | .... | additional musician: guitar | |
| Georgi Sviridov | .... | composer: song "Sacred Love" | |
| John Vartan | .... | musician: oud, kementci and tambour | |
| Ron Wasserman | .... | musician: bass | |
| Frederic Zlotkin | .... | musician: violincello | |
Other crew | |||
| Eva Amurri | .... | adr loop group | |
| Sallie Jones Arata | .... | assistant production coordinator: New Orleans | |
| Lee Arenberg | .... | adr loop group | |
| Scott August | .... | set production assistant: New Orleans | |
| Marcus Barben | .... | assistant chef: New Orleans | |
| Ned Bellamy | .... | adr loop group | |
| Debbie Berins | .... | office personal assistant: New Orleans | |
| Susie Blanchard | .... | set medic: New Orleans | |
| Brian Brophy | .... | adr loop group | |
| Molly Bryant | .... | adr loop group | |
| Eva Z. Cabrera | .... | script supervisor | |
| David Carmel | .... | assistant: Tim Robbins | |
| Cynthia Carriere | .... | location production assistant: New Orleans | |
| Greg Cattano | .... | security production assistant: New York | |
| Kayla Chaillot | .... | craft service: New Orleans | |
| Liza Chasin | .... | president of development and production: Working Title | |
| Holly Cherry | .... | assistant: Sean Penn | |
| Rashid Chinchanwala | .... | head of finance: Working Title | |
| Kay Collyer | .... | legal service | |
| Adrian Colon | .... | set production assistant: New Orleans | |
| Pierce Cravens | .... | adr loop group | |
| Christine Donatelli | .... | set production assistant: New Orleans | |
| Howard Fabrick | .... | legal service | |
| Jeremy Fader | .... | office personal assistant: New York | |
| Abby Fender | .... | adr loop group | |
| David 'Flip' Filippi | .... | set production assistant: New York | |
| Jeff Foster | .... | adr loop group | |
| Brad Fox | .... | tattoo artwork performer | |
| Jane Frazer | .... | head of production: Working Title | |
| Bonnie Friedman | .... | production secretary: New Orleans | |
| Lisa Gaede | .... | set production assistant: New York | |
| Kyle Gass | .... | adr loop group | |
| Shelley Geiler | .... | assistant to producers | |
| Chris Gilmer | .... | key set production assistant | |
| Michele Giordano | .... | production coordinator (as Michelle Giordano) | |
| Jill Goldstein | .... | legal service | |
| Oliver Goodenough | .... | legal service | |
| Brad 'Mo' Gremillion | .... | chef: New Orleans | |
| Joe Grimm | .... | adr loop group | |
| Dana A. Hanby | .... | assistant location manager: New Orleans | |
| Nancy Hartmann | .... | intern: New Orleans | |
| Gretchen Hatz | .... | office personal assistant: New York | |
| Gerry Hawkins | .... | title designer | |
| Hillary Hawkins | .... | adr loop group | |
| Allison R. Hebble | .... | assistant: Susan Sarandon | |
| Barbara Heller | .... | location manager: New Orleans | |
| Dionna Hickman | .... | adr loop group | |
| Billy Hinshelwood | .... | legal service | |
| Aldis Hodge | .... | adr loop group | |
| Edwin Hodge | .... | adr loop group | |
| Rachel Holroyd | .... | legal advisor: Working Title | |
| Lys Hopper | .... | location coordinator: New York | |
| Elston Howard | .... | assistant location manager: New Orleans | |
| Delroy Hunter | .... | parking coordinator: New York | |
| Ron James | .... | assistant: David Robbins | |
| Steven Josephs | .... | assistant chef: New Orleans | |
| Cole Kazdin | .... | intern: New York (as Nicole Kazdin) | |
| Candice Kersh | .... | legal service | |
| Genevieve King | .... | intern: New Orleans | |
| Israel Larios | .... | craft service: New York | |
| Melissa Logan | .... | accounting assistant: New York | |
| Joseph Lombardi | .... | accounting assistant: New York (as Joe Lombardi) | |
| M.J. Magbanua | .... | assistant production coordinator: New York | |
| Jill Meyers | .... | legal affairs | |
| Gary Miller | .... | chef: New Orleans | |
| Tim Monich | .... | dialect coach | |
| Anthony Monteforte | .... | craft service: New York | |
| Katherine Ann Moore | .... | publicist: New Orleans (as Katherine Moore) | |
| Angela Morrison | .... | head of business affairs: Working Title | |
| Tricia Parks | .... | adr loop group | |
| Victoria Person | .... | office personal assistant: New Orleans | |
| Dina Platias | .... | adr loop group | |
| Steve Porter | .... | adr loop group | |
| Brian Powell | .... | adr loop group | |
| Helen Prejean | .... | consultant (as Sister Helen Prejean, C.S.J.) | |
| Jason Clark Ramsey | .... | production secretary: New York | |
| Michael Remacle | .... | office personal assistant: New York | |
| Kathleen Richter | .... | assistant production accountant: New Orleans | |
| Adele Robbins | .... | adr loop group | |
| Jack Henry Robbins | .... | adr loop group | |
| Dean Robinson | .... | adr loop group | |
| James Roque | .... | set production assistant (as James Roque Jr.) | |
| Ben Rothman | .... | adr loop group | |
| Albert G. Ruben | .... | insurance | |
| Joe Russo | .... | office personal assistant: New Orleans | |
| Peter Schön | .... | assistant production coordinator: New York (as Peter Schon) | |
| Carla M. Schorr | .... | assistant production accountant: New York | |
| Ira Selsky | .... | legal affairs | |
| Patrick Sheedy | .... | post-production accountant | |
| Mindy Sheldon | .... | production accountant: New York | |
| Ron Terry | .... | craft service: New Orleans | |
| Patti Tippo | .... | adr loop group | |
| Cari Dean Whittemore | .... | adr loop group | |
| Robb Williams | .... | assistant sound mixing engineer | |
| Anne Wilson | .... | production accountant: New Orleans (as Anne Moosman) | |
| Dawn Wolf | .... | craft service: New York | |
| Eric David Zoback | .... | stage manager: New York | |
| Shirley Davis | .... | assistant production coordinator: New York (uncredited) | |
| Nicole DuBois | .... | body double: Missy Yager (uncredited) | |
Thanks | |||
| Simone Abkarian | .... | special thanks | |
| Farrukh Fateh Ali Khan | .... | thanks (as The Ali Khan Family) | |
| Nusrat Fateh Ali Khan | .... | thanks (as The Ali Khan Family) | |
| Rahat Ali Khan | .... | thanks (as The Ali Khan Family) | |
| Barry Ancelet | .... | special thanks | |
| Jason Barry | .... | special thanks | |
| Thelma Bledsoe | .... | dedicatee | |
| Brigid Boden | .... | special thanks | |
| Sharon Boyle | .... | special thanks | |
| Clancy Brown | .... | special thanks | |
| Burl Cain | .... | special thanks | |
| Kimberly M. Carbo | .... | special thanks | |
| Gayle Carpenter | .... | special thanks | |
| Sam Caruso | .... | special thanks | |
| Steve Castellano | .... | special thanks | |
| Sam Cohn | .... | special thanks | |
| Ry Cooder | .... | special thanks | |
| Cindy Cook | .... | special thanks | |
| Maureen Crowe | .... | special thanks | |
| David Daugherty | .... | special thanks | |
| Rashid Ahmed Din | .... | special thanks | |
| Arlene Donovan | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| O.P. Donald Everard | .... | special thanks | |
| Rick Finkelstein | .... | special thanks | |
| Sister Lillian Flavin | .... | special thanks | |
| Peter Gabriel | .... | special thanks | |
| Elaine Goldsmith-Thomas | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Samantha Hart | .... | special thanks | |
| Nadine Hasan | .... | special thanks | |
| Ken Hertz | .... | special thanks | |
| Hyatt Hood | .... | special thanks | |
| Elton Jones | .... | special thanks | |
| Malcolm Joseph | .... | special thanks | |
| Dr. Katz | .... | special thanks | |
| Michael Kelly | .... | special thanks | |
| Erin Kovel | .... | special thanks | |
| Michael Kuhn | .... | special thanks | |
| Barry Levine | .... | special thanks | |
| Sister Margaret Maggio | .... | special thanks | |
| Norik Manoukian | .... | special thanks | |
| R. Dwayne McFatter | .... | special thanks | |
| Tom Mikkelsen | .... | special thanks | |
| Marc H. Morial | .... | special thanks | |
| Grant Morris | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Pliny Porter | .... | special thanks | |
| Kieran Alexander Presley | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Chelsea Robbins | .... | special thanks | |
| Gabrielle Robbins | .... | special thanks | |
| Lee Robbins | .... | dedicatee | |
| Thiery Robbins | .... | special thanks | |
| Julia Roberts | .... | special thanks | |
| Michael Sartisky | .... | special thanks | |
| Russell Schwartz | .... | special thanks | |
| Patti Scialfa | .... | special thanks | |
| Marjolaine Sebagh | .... | special thanks | |
| Jody Silverman | .... | special thanks | |
| Jack Snyder | .... | special thanks | |
| Bruce Springsteen | .... | special thanks | |
| Roger Stein | .... | special thanks | |
| Stewart Till | .... | special thanks | |
| Nicole Vaudry | .... | special thanks | |
| Eddie Vedder | .... | special thanks | |
| Keith Villere | .... | special thanks | |
| Bart Walker | .... | special thanks | |
| Suzanne Weinert | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
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In a world in which debatable and misunderstood subjects can be listed endlessly, this powerful 1995 film takes on one at the top of that list; moreover, it does it objectively and realistically, and with a sensibility and sensitivity that makes it a truly great film by anyone's measuring stick. And to add some irony to it all, even the subject matter of this film has been widely misunderstood, as it is wrongly perceived that this is a film about the pros and cons of the death penalty; it is not. At the heart of `Dead Man Walking,' directed by Tim Robbins, is a subject that in reality is possibly the most misunderstood of all, and with good reason, because it just may be the hardest thing there is for a human being to really-- and truly-- understand. And it is what this film is actually all about: Forgiveness. Real forgiveness; not excusing a heinous crime or the perpetrator thereof-- not saying that what's happened is okay-- but finding the strength to go on, and to do so by choosing life.
Director/screenwriter Tim Robbins has crafted and delivered a faithful adaptation of the novel by Sister Helen Prejean, in which she discusses her involvement with the death-row inmates to whom over the years she has ministered her faith in God. As chronicled in the film, what for her was to become a lifelong pursuit of not only justice, but human dignity, began with a simple letter from a death-row inmate at the Louisiana State Prison at Angola. Sentenced to death for rape and murder, Matthew Poncelet (Sean Penn) was reaching out to anyone who would listen, when his letter ended up in the hands of Sister Prejean (Susan Sarandon), who soon found herself venturing into a territory of which she had absolutely no knowledge or experience. And Robbins has successfully captured Sister Prejean's emotional and turbulent journey succinctly, while managing to keep it devoid of any maudlin sentimentality, which makes it not only real, credible and believable, but makes it a poignant and thoroughly emotionally involving experience for the audience. Through the medium of the cinema, what was once a personal, significant emotional experience for Sister Prejean, becomes one for everyone who sees this film, as well.
For her soul-stirring, impassioned portrayal of Sister Prejean, Susan Sarandon deservedly won the Oscar for Best Actress. Sensitive and fraught with emotional depth, her performance is incredibly touching and real, especially in the way in which she conveys Sister Prejean's underlying natural fragility and vulnerability, which she adamantly tempered with the toughness she needed to carry on with her endeavors on behalf of Poncelet (and in reality, a total of five since she began). Whatever your point of view regarding the matters examined in this film, Sister Prejean is without question an individual of heroic proportions, which Sarandon exquisitely personifies here; and she does it without resorting to any superfluous melodramatics, but rather by keeping it real, by subtly and humbly exploring the humanity of the person in a very believable expression of characterization. It's an extraordinary performance, arguably the best of Sarandon's brilliant career.
Turning in a career-best performance, as well, is Sean Penn, who was nominated for Best Actor for his portrayal of Poncelet (he lost out to Nicolas Cage, who won for his performance in `Leaving Las Vegas). Perfect for the part in every way, Penn has quite simply never been better, before or since. He effectively presents Poncelet as a real person, rather than as an overblown caricature of a monster capable of perpetrating the crimes depicted here. Not that it makes Poncelet any less despicable; just the opposite, in fact. It makes it genuinely disconcerting to be faced with the fact that someone who looks like a guy who could live next door to you could be capable of such things. And that's the strength of Penn's performance-- it's so disturbingly real, presented with depth and nuance; you have but to look into his eyes to find the imperfections of a troubled soul. A terrific performance, and -- as good as Cage was in `Vegas'-- Penn should have received the Oscar for it.
In another stand-out performance, Raymond J. Barry is memorable in a supporting role as Earl Delacroix, father of one of Poncelet's victims. With limited screen time, he nevertheless develops his character in such a way that enables you to empathize with him, as well as with Sister Prejean, as it is through him that we are given some insight into just how complex and seemingly tenuous her position is, at least on the surface. Barry presents Delacroix in such a way that gives the necessary balance and perspective to the story, which is ultimately extremely effective and helps to underscore the message of the film.
The supporting cast includes R. Lee Emery (Clyde Percy), Celia Weston (Mary Beth Percy), Lois Smith (Helen's Mother), Scott Wilson (Chaplin Farley), Roberta Maxwell (Lucille Poncelet), Margo Martindale (Sister Colleen) and Jack Black (Craig Poncelet). It is doubtful that this film will change anyone's mind one way or another about the death penalty, but that was never the intention; what was intended, was to make a thought-provoking, emotionally involving film, which is exactly what Robbins has accomplished with `Dead Man Walking.' Regardless of your personal point of view, this film will have an impact, and hopefully will open some minds to the true nature of forgiveness. For, as we see through the character of Earl Delacroix, true forgiveness is not something one merely decides to do, but is a task that can become a lifetime's work. And it's possibly one of the hardest things in life to effectively accomplish; and you come away from this film with an appreciation for individuals like Sister Prejean, who has selflessly dedicated her life to helping those in need, and to filmmakers like Robbins and Sarandon for bringing her to life for millions of people who otherwise would never have known her. I rate this one 10/10.