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Beryl Bainbridge (novel)
Charles Wood (writer)
21 July 1995 (USA) more
In a world of make believe Stella is about to discover the difference between true love... and real life. more
In Liverpool in 1947, a theatre company is planning to produce a series of plays. Sixteen year old Stella... more | add synopsis
2 nominations more
Spring Awakening's Morgan Karr To Sing At Joe's Pub 3/24
(From BroadwayWorld.com. 24 February 2009, 12:58 PM, PST)
Hugh Grant
(From The Hollywood News. 16 December 2008, 7:57 PM, PST)
Adorable blokes, aren't they? more (26 total)
Directed by | |||
| Mike Newell | |||
Writing credits(in alphabetical order) | ||
| Beryl Bainbridge | novel | |
| Charles Wood | writer | |
Produced by | |||
| Victor Glynn | .... | co-producer | |
| Conor Harrington | .... | co-producer | |
| Hilary Heath | .... | producer | |
| Philip Hinchcliffe | .... | producer | |
| John Kelleher | .... | executive producer | |
| Steve Matthews | .... | script producer | |
| Mark Shivas | .... | executive producer | |
| John Sivers | .... | executive producer | |
| Andrew Warren | .... | associate producer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| Dick Pope | |||
Film Editing by | |||
| Jon Gregory | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Mark Geraghty | |||
Art Direction by | |||
| David Wilson | (as Dave Wilson) | ||
Costume Design by | |||
| Joan Bergin | |||
Makeup Department | |||
| Ann Buchanan | .... | makeup artist | |
| Francesca Crowder | .... | hair stylist | |
| Stephanie O'Rourke | .... | assistant hair stylist | |
Production Management | |||
| George Adams | .... | executive production manager | |
| John McDonnell | .... | production manager | |
Art Department | |||
| Tommy Bassett | .... | construction manager | |
| Triona Coen | .... | stand-by props | |
| Clodagh Conroy | .... | art department stand-by | |
| Eddie Cunningham | .... | carpenter | |
| Owen Monaghan | .... | dressing props | |
| Paddy Murray | .... | stand-by props | |
| Tony Nicholson | .... | dressing props | |
| Eamonn O'Higgins | .... | property master | |
| Alan Scott | .... | painter | |
| Jeanne Vertigan | .... | production buyer | |
Sound Department | |||
| Philip Alton | .... | foley editor | |
| Sue Baker | .... | sound editor | |
| Brian Blamey | .... | dialogue editor | |
| Mick Boggis | .... | dubbing assistant | |
| Stephen Farrell | .... | sound trainee | |
| Derek Holding | .... | dialogue editor | |
| Tim Lewiston | .... | assistant dialogue editor | |
| Derek Lomas | .... | assistant sound editor | |
| Peter Maxwell | .... | sound re-recording mixer | |
| John Salter | .... | boom operator | |
| Peter Sutton | .... | sound mixer | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Stunts | |||
| Martin Grace | .... | stunts | |
Camera and Electrical Department | |||
| Ciarán Barry | .... | clapper loader | |
| Alan Butler | .... | focus puller | |
| Kenny Byrne | .... | second focus puller | |
| Tom Collins | .... | still photographer | |
| John Conroy | .... | assistant camera | |
| John Conroy | .... | clapper loader | |
| Seamus Corcoran | .... | additional camera operator | |
| Sean Corcoran | .... | camera operator: second unit | |
| Con Dempsey | .... | gaffer | |
| Kieran Dempsey | .... | best boy | |
| Terry Eiffe | .... | electrician | |
| Philip Fitzsimons | .... | electrician | |
| Jonathan Hession | .... | still photographer | |
| Philip Murphy | .... | grip | |
| Jimmy O'Meara | .... | rigger | |
| Tony Rowland | .... | key grip | |
| Des Whelan | .... | camera operator | |
Costume and Wardrobe Department | |||
| Eimer Ni Mhaoldomhnaigh | .... | assistant costume designer | |
| Gabriel O'Brien | .... | wardrobe trainee | |
| Maeve Paterson | .... | costume supervisor | |
| Ann Stokes | .... | wardrobe assistant | |
Editorial Department | |||
| Valentina Giambanco | .... | second assistant editor | |
| Mick Mahon | .... | editor trainee | |
| Clive Noakes | .... | color supervisor | |
| Ian Seymour | .... | first assistant editor | |
| Ben Yeates | .... | second assistant editor (as Ben Yates) | |
Music Department | |||
| Phil Chapman | .... | music mixer | |
| Allan Jenkins | .... | score assistant engineer | |
Transportation Department | |||
| Arthur Dunne | .... | transportation captain | |
Other crew | |||
| Chris Allies | .... | title designer | |
| Dougal Cousins | .... | location manager | |
| Daisy Cummins | .... | extras coordinator | |
| Janette Hamill | .... | location coordinator | |
| Andrew Hegarty | .... | location assistant | |
| Barbara Holloway | .... | publicist | |
| Gerry Lundberg | .... | unit publicist | |
| John McKenna | .... | chief armorer | |
| Johnny Mulligan | .... | assistant accountant (as John Mulligan) | |
| Suzanne Nicell | .... | location coordinator | |
| Andrew Noakes | .... | production accountant | |
| Sinead O'Brien | .... | production runner | |
| Anneliese O'Callaghan | .... | production coordinator | |
| Lisa Parker | .... | assistant production coordinator | |
| Laerke Sigfred Pedersen | .... | script supervisor | |
Rated R for sexuality and some language.
112 min
Color (Metrocolor)
Australia:MA | Finland:K-14 | Germany:12 (bw) | Iceland:12 (video rating) | Iceland:L (original rating) | Spain:13 | Sweden:11 | UK:15 | USA:R
Bewley's Oriental Cafe - 78-79 Grafton Street, Dublin, County Dublin, Ireland more
Alan Rickman was reportedly upset to find out that Georgina Cates had lied about her age (she was in her early 20's but stated she was only, indeed, 16) in order to land the role of Stella. He had gone out of his way to be extremely gentle around her during their intimate scenes because of her perceived age. more
Continuity: Stella's coat as her uncle leaves the bathroom. more
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I particulary enjoyed this film. I thought Hugh Grant did a great and decidedly out-of-turn portrayal of the deviant Meredith. Alan Rickman looked so cool on that motorcycle it wasn't even funny. The lighting in this film was excellent, and it's portrayal of petty theatre politics was pretty accurate even by modern standards. Georgina Cates was a wonderful Stella and the plot was well-developed. It seems as though most English adaptations of books tend to be better cinematically than original American films. Go figure.