Léon (1994)

Director:

Luc Besson

Writer:

Luc Besson (writer)

Release Date:

18 November 1994 (USA)

Genre:

Crime | Drama | Thriller

Tagline:

If you want a job done well hire a professional.

Plot:

Professional assassin Leon reluctantly takes care of 12-year-old Mathilda, a neighbor whose parents are killed, and teaches her his trade.

Plot Keywords:

Drugs | Revenge | Apartment | Neighbor | Hitman

Awards:

2 wins & 8 nominations

Cast

Jean Reno	...	Léon
Gary Oldman	...	Stansfield
Natalie Portman	...	Mathilda
Danny Aiello	...	Tony
Peter Appel	...	Malky
Willi One Blood	...	1st Stansfield man
Don Creech	...	2nd Stansfield man
Keith A. Glascoe	...	3rd Stansfield man (Benny)
Randolph Scott	...	4th Stansfield man
Michael Badalucco	...	Mathilda's Father
Ellen Greene	...	Mathilda's Mother
Elizabeth Regen	...	Mathilda's Sister
Carl J. Matusovich	...	Mathilda's Brother
Frank Senger	...	Fatman
Lucius Wyatt Cherokee	...	Tonto (as Lucius Wyatt 'Cherokee')

Also Known As:

Léon (UK)
Leon: The Professional (USA) (longer version)
The Professional (USA)

MPAA:

Rated R for scenes of strong graphic violence, and for language.

Runtime:

110 min | France:136 min (uncut version) | 133 min (International version) | Turkey:100 min (TV version)

Country:

France

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS (8 channels)

Certification:

South Korea:18 (original rating) | Brazil:14 | Iceland:16 | Australia:M (tv rating) | Singapore:PG (cut) | Philippines:R-18 | Italy:T | Finland:K-15 (director's cut) | Finland:K-15 (DVD rating) | South Korea:15 (DVD rating) (2002) | South Korea:18 (director's cut) | UK:15 (DVD re-rating) | Argentina:16 | Australia:R | Canada:18 (Nova Scotia) | Canada:R (Manitoba/Ontario) | Chile:18 | France:-12 (original version) | Germany:16 | Hong Kong:IIB (director's cut) | Israel:PG | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Portugal:M/16 | Spain:18 | Sweden:15 | UK:18 | USA:R (original rating) | USA:Unrated (director's cut) | Canada:16+ (Quebec)

Filming Locations:

1 Centre Street, New York City, New York, USA

Company:

Gaumont

Trivia:

The original script had more scenes with "awkward sexual tension" between Mathilda and Léon. These scenes were later cut out for the American release dubbed "The Professional", but were included in the 1996 European release, as well as in the deleted scenes of the special edition DVD. They were reintegrated back into the film for the 'International Cut', which is now available on DVD.

Goofs:

Incorrectly regarded as goofs: When Matilda is watching "Transformers" (1984) for the final time in the film, scenes from different episodes of the series are used straight after each other. This was a conscious decision by the filmmaker to use scenes to echo Mathida's state of mind.

Quotes:

[first lines]
Tony: Allora, come stai, Leone?
Léon: Bene.
[Tony puts out his cigarette in an ashtray]
Tony: OK. OK. Let's talk business.

Movie Connections:

Referenced in Dogma (1999)

Soundtrack:

Shape Of My Heart

"I take no pleasure in taking life..."

"...if it's from a person who doesn't care about it."

What really stands out for me (aside from the really excellent direction of the action sequences) is the too-brilliant for its own good script. Oldman,Reno, and Portman deliver lines that would seem goofy if spoken by lesser performers. Oldman especially chews the scenery in a way that's both amusing and utterly menacing. I wonder if his Beethoven obsession is a nod to the ultra-violent Alex from A Clockwork Orange?

The American version ("The Professional") was the first version I saw. I'd originally had no real intention of seeing it because I'd read a pretty savage review of it likening it to child pornography. Clearly this particular reviewer had his head firmly planted in his rear. I'm surprised he could find room what with that tremendous stick in the way. Anyway, once I finally saw "Leon" for myself - thanks to my cinemaphile grandfather - I observed no such thing. This wasn't smut, it was love. Leon has no interest in Matilda sexually, but loves her as a father would love a daughter.

If you have a choice then go for the longer director's cut. You get about 15 minutes more film - and not just filler. These are scenes that truly expand upon the story.

My only complaints are about the almost complete under use of the completely underrated Danny Aiello, and Oldman's single dimensional evilness.