| Annabi Abdelialil | ... | Cain | |
| Omero Antonutti | ... | Noah | |
| Sabir Aziz | ... | Adam | |
| B. Haddan Mohammed | ... | Abel | |
| Haddou Zoubida | ... | Eve |
Directed by | |||
| Ermanno Olmi | |||
Writing credits(in alphabetical order) | ||
| Ermanno Olmi | writer | |
Produced by | |||
| Franco Bollati | .... | executive producer | |
| Giampietro Bonamigo | .... | line producer | |
| Paolo Piria | .... | associate producer | |
Original Music by | |||
| Ennio Morricone | |||
Film Editing by | |||
| Paolo Cottignola | |||
| Fabio Olmi | |||
Casting by | |||
| Abdessamad Dinia | |||
Production Design by | |||
| Paolo Biagetti | |||
Set Decoration by | |||
| Titus Dieter Vossberg | |||
Costume Design by | |||
| Enrico Sabbatini | |||
Makeup Department | |||
| Leila Ben Barka | .... | makeup artist | |
| Mario Michisanti | .... | key makeup artist | |
| Maurizio Silvi | .... | makeup artist | |
Production Management | |||
| Francesco Fantacci | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Piergiorgio Gay | .... | first assistant director | |
| Zinedine Ibnou Jabal | .... | second assistant director | |
Sound Department | |||
| Paolo Centoni | .... | sound mixer | |
Special Effects by | |||
| Thierry Toscan | .... | special effects | |
Stunts | |||
| Joel Proust | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Giovanni Viti | .... | assistant costume designer | |
Editorial Department | |||
| Paola Bocci | .... | assistant editor | |
Transportation Department | |||
| Marco Quintili | .... | transportation manager | |
Other crew | |||
| Laura Bettanin | .... | production secretary | |
| Milena Bono | .... | production coordinator | |
| Cristina De Gregorio | .... | continuity | |
| Augusto Grassi | .... | jeweler | |
| Augusto Grassi | .... | leather master | |
| Elisabetta Olmi | .... | production coordinator | |
| Roberto Penna | .... | production auditor | |
| Driss Saber | .... | production assistant | |
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| Samson and Delilah | Jesus | Jacob | Il sole anche di notte | Cristo si è fermato a Eboli |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
An interesting attempt at a visual representation (set to Paul Scoffield's narration) of the book of Genesis. For the most part, the opening creation is a montage of unrelated images. Then the film moves to a somewhat abstract portrayal of Adam and Eve, Cain and Abel, Tubal Cain, then Noah and his family. Throughout are some quotes from the Psalms, Song of Songs, Isaiah, and I what I am certain are extra-biblical references. One sequence I found very interesting was the use of modern images of war and frenetic city life intertwined with portrayals of ungodly lifestyles in Noah's day to communicate that we are on the verge of God's coming judgment, just as his culture was. Very well done, I thought.
Overall, I give this film a 5/10- I wanted to give it a lot more, but it moves along at too slow a pace, with much of the film work seeming like filler material. This film is a lot less than I expected and I'm not sure I'd have been so quick to buy it ($5 at a garage sale) if I knew what it actually was.