| Photos (see all 20 | slideshow) | Videos |
| Gena Rowlands | ... | Victoria Snelling | |
| Winona Ryder | ... | Corky | |
| Lisanne Falk | ... | Rock Manager | |
| Alan Randolph Scott | ... | Rock Musician #1 | |
| Anthony Portillo | ... | Rock Musician #2 | |
| Armin Mueller-Stahl | ... | Helmut Grokenberger | |
| Giancarlo Esposito | ... | YoYo | |
| Rosie Perez | ... | Angela | |
| Richard Boes | ... | Cab Driver #1 | |
| Isaach De Bankolé | ... | Driver (Paris) | |
| Béatrice Dalle | ... | Blind Woman | |
| Pascal N'Zonzi | ... | Passenger #1 (as Pascal Nzonzi) | |
| Emile Abossolo M'bo | ... | Passenger #2 (as Émile Abossolo-M'bo) | |
| Stéphane Boucher | ... | Man in Accident (as Stephane Boucher) | |
| Noel Kaufmann | ... | Man on Motorcycle | |
| Roberto Benigni | ... | Driver (Rome) | |
| Paolo Bonacelli | ... | Priest | |
| Gianni Schettino | ... | Transvestite #1 | |
| Antonio Ragusa | ... | Transvestite #2 | |
| Nicola Facondo | ... | Lover | |
| Camilla Begnoni | ... | Lover | |
| Romolo Di Biasi | ... | Angry Driver | |
| Donatella Servadio | ... | Dispatcher (Rome) (voice) | |
| Matti Pellonpää | ... | Mika | |
| Kari Väänänen | ... | Man #1 | |
| Sakari Kuosmanen | ... | Man #2 | |
| Tomi Salmela | ... | Man #3 | |
| Eija Vilpas | ... | Dispatcher (Helsinki) (voice) | |
| Jaakko Talaskivi | ... | Factory Worker #1 | |
| Klaus Heydemann | ... | Factory Worker #2 |
Directed by | |||
| Jim Jarmusch | |||
Writing credits(in alphabetical order) | ||
| Jim Jarmusch | written by | |
Produced by | |||
| Masahiro Inbe | .... | co-executive producer | |
| Jim Jarmusch | .... | producer | |
| Demetra J. MacBride | .... | co-producer | |
| Rudd Simmons | .... | line producer | |
| Jim Stark | .... | executive producer | |
| Noboru Takayama | .... | co-executive producer | |
Original Music by | |||
| Tom Waits | |||
Cinematography by | |||
| Frederick Elmes | |||
Film Editing by | |||
| Jay Rabinowitz | |||
Production Management | |||
| Kathie Hersch | .... | production manager: New York | |
| Pierre-Yves Parrinet | .... | unit manager: Paris | |
| Manuela Pineskj | .... | production manager: Rome (as Manuele Pineski-Berger) | |
| Gilles Sacuto | .... | production manager: Paris | |
| Susan Shapiro | .... | production manager: Los Angeles | |
| William Watkins | .... | unit manager: New York (as William H. Watkins) | |
Art Department | |||
| Diana Burton | .... | property master: second unit, New York | |
| Jeff Butcher | .... | property master: New York | |
| Kari Laine | .... | set decorator: Helsinki | |
| Johan Le Teneux | .... | set decorator: Los Angeles | |
| Laurent Saimond | .... | set decorator: Paris | |
| Giuseppe Strino | .... | property master: Rome | |
| Christian Waelder | .... | set carpenter: Los Angeles | |
| Neal W. Zoromski | .... | property master | |
Sound Department | |||
| Elisha Birnbaum | .... | foley artist | |
| Felipe Borrero | .... | sound mixer: second unit, New York | |
| Moe Chamberlain | .... | boom operator: Los Angeles (as Patrick 'Moe' Chamberlain) | |
| Anthony J. Ciccolini III | .... | sound designer (as Anthony 'Chic' Ciccolini III) | |
| Eugene Gearty | .... | sound effects editor | |
| Thomas A. Gulino | .... | dialogue editor | |
| Richard King | .... | foley editor (as Richard Q. King) | |
| Drew Kunin | .... | location sound mixer | |
| George A. Lara | .... | foley engineer | |
| Richard Murphy | .... | boom operator: New York | |
| Giampaolo Pippa | .... | boom operator: Rome | |
| Rocky Quiroz | .... | boom operator: Los Angeles (as Raquel Quiroz) | |
| Benno Schoberth | .... | assistant sound editor | |
| Stuart Stanley | .... | dialogue editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Brian Vancho | .... | foley artist | |
Casting Department | |||
| Susan Shopmaker | .... | extras casting: New York | |
Editorial Department | |||
| Tim Brennan | .... | negative matcher | |
| Joe Fineman | .... | post-production consultant | |
| Tony Grocki | .... | assistant film editor | |
| Susan Littenberg | .... | apprentice editor | |
| Kimmo Taavila | .... | assistant editor: Helsinki | |
Music Department | |||
| Josef Brinckmann | .... | musician: accordian | |
| Matthew Brubeck | .... | musician: cello | |
| Ralph Carney | .... | musician: horns | |
| Joe Gore | .... | musician: guitar | |
| Mule Patterson | .... | musician: percussion | |
| Jim Sotet | .... | musical advisor | |
| Clark Suprynowitz | .... | musician: bass | |
| Francis Thumm | .... | musician: keyboards | |
Transportation Department | |||
| James Leavey | .... | transportation captain: New York (as James F. Leavey) | |
Thanks | |||
| Claire Denis | .... | acknowledgment: advice and inspiration | |
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| David & Layla | Go-Get-'Em, Haines | Lost in Translation | The Blue Hour | Dancer in the Dark |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
A fantastic piece of entertainment: five little stories, five cities, four languages. That's all. This movie has no message but it portrays five regions of the world most sensitively.
The L.A. episode is the weakest. It is not bad but it has one big problem: it is the first one. People start watching the movie and expect something sensational. This first episode cannot present anything spectacular, only first class character acting. There are no big surprises or twists, the episode is not particularly funny or anything. Honestly, when I saw the first minutes of this movie I thought: `O dear, I'm going to fall asleep!'
Then, the N.Y. story came. This one made me laugh real hard, and it made Armin Mueller Stahl one of my favourite actors. I started to love this movie, and I was well prepared for the Paris episode, which is, in my opinion the best, the most satisfying of them.
I found the story of the Roberto Benigni episode rather stupid, but his talent in exaggerating (so he did this even seven years before 1999's Oscar ceremony!) made up for it.
Then, the huge contrast: The liveliest episode is followed by the dreariest. Finnish workers tell each other stories from their lives, each trying to tell the saddest.
`Night on Earth' is not a movie for everybody but I think it is, in any case, the ideal movie to watch on television at two o'clock in the morning.