5 articles from 2009
17 November 2009 6:21 PM, PST | DreadCentral.com | See recent Dread Central news »
And Universal's The Wolfman continues down a bumpy road toward its February 12, 2010, release date. On the editing front Dennis (The Chronicles of Riddick, The Fog-2005 version) Virkler is apparently out, and Mark Goldblatt and Walter Murch are in.
Goldblatt started out strong with The Howling, Halloween II, The Terminator (1 and 2), and he most recently worked on X-Men: The Last Stand and G-Force. Murch did editing and sound work on such diverse fare as Apocalypse Now, The Talented Mr. Ripley, The Godfather: Part III, and Jarhead.
The news was somewhat buried in a Variety article, but /Film did a good job fleshing it out. At this point we can only wonder about director Joe Johnston’s day-to-day involvement with the picture after all the myriad changes it's undergone, and as more details are made available, we'll pass them on.
The Wolfman - Trailer 2
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- Uncle Creepy
17 November 2009 1:02 PM, PST | Cinematical | See recent Cinematical news »
As you've probably already heard, the Academy of Motion Picture Arts and Sciences is shaking things up at this year's Oscars by having 10 Best Picture nominees instead of five, and by moving the honorary awards (read: the boring part of the show) to a special ceremony of their own. That ceremony will be held in November, and-- holy crap, it was this weekend! The almost-Oscars were on Saturday!
They're called the Governors Awards, and while they won't be televised, the AMPAS website has some photos and background info. Honorary Oscars went to actress Lauren Bacall (pictured), cinematographer Gordon Willis (the Godfather trilogy, Manhattan, All the President's Men), and director/producer Roger Corman (numerous MST3K films). Astonishingly, the legendary Bacall has only received one Oscar nomination in her 65-year career, for The Mirror Has Two Faces. Willis was nominated for The Godfather: Part III and Zelig. Corman, who has directed »
- Eric D. Snider
8 September 2009 2:04 AM, PDT | Boxwish.com | See recent BoxWish news »
This week we’ve delving into the dusty depths of our music collections to muse on how movies have affected them. Music is an integral and downright essential ingredient in the cinematic recipe, whether it be a haunting score or a pulsing soundtrack crammed full of recognizable chart-toppers, and as such we’re doffing our cap to these tuneful treasures by asking everyone at Team Boxwish: “Have you ever been inspired by a movie to buy an artist’s music?”
Tim: “Definitely, I’m a soundtrack obsessive. I became a big fan of Hans Zimmer because of his tracks on Gladiator and Black Hawk Down, and the whole soundtrack he did for The Last Samurai was amazing. I got introduced to Eddie Vedder because of Into the Wild (I was online buying the soundtrack before I’d even finished watching the movie!) Last, but certainly not least, I know I »
10 June 2009 1:10 AM, PDT | Rope of Silicon | See recent Rope Of Silicon news »
At the beginning of this week I brought you my exclusive one-on-one interview with Francis Ford Coppola as his latest film, Tetro, hits theaters tomorrow, Thursday, June 11. I figured why stop there and decided this week's quiz would focus on the Oscar-winning director and see just how well you know the man that brought us such classics as the Godfather trilogy, The Conversation and Apocalypse Now. The questions range from his work as a director, producer and writer and touch upon his Oscar history, box-office accomplishments and even a question regarding his family ties to actors you may or may not know. This quiz may be a little tougher than some of my others, but if that's the case you may learn a couple of things. Win-win right? Check out the sample question below or click here to get started: Francis Ford Coppola won the Best Director Oscar for which one of the following films? »
- Brad Brevet
21 February 2009 2:33 PM, PST | Cinematical | See recent Cinematical news »
It's difficult to pick a favorite scene from the Lord of the Rings trilogy -- but at least picking the one that won Best Picture narrows it down. This has always been one of my favorite scenes in The Return of the King, and it does capture the themes of Tolkien in one haunting moment. A new age is beginning and an old one is dying, and there is nothing achieved without great and bitter losses. Even romance and the promise of life comes at a high price. If Arwen chooses a mortal life, she will be separated from her family, her people, and from an endless life of song, beauty, and memory in the Gray Havens. In Tolkien's mythology, the decision has ramificatications beyond this world, and her parting from her father is more permanent than even the film hints at.
Some trivia, courtesy of IMDb:
The movie marks »
- Elisabeth Rappe
5 articles from 2009
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