| Tsutomu Yamazaki | ... | Goro | |
| Nobuko Miyamoto | ... | Tampopo | |
| Ken Watanabe | ... | Gun | |
| Kôji Yakusho | ... | Man in White Suit | |
| Rikiya Yasuoka | ... | Pisuken | |
| rest of cast listed alphabetically: | |||
| Mario Abe | ... | Resutoran no shachô | |
| Sen Hara | ... | Old woman, pressing Camembert cheese | |
| Isao Hashizume | ... | Waiter | |
| Hisashi Igawa | ... | Running man | |
| Kensô Katô | ... | Hira | |
| Toshimune Kato | ... | Young Employee | |
| Yoshihiro Katô | |||
| Yoshi Katô | ... | Noodle-making master | |
| Fukumi Kuroda | ... | Man in White Suit's Mistress | |
| Nobuo Nakamura | ... | Old gentleman | |
| Mariko Okada | ... | Supageti sensei | |
| Hideji Ôtaki | ... | Rich Old Man | |
| Ryutaro Otomo | ... | Râmen no sensei | |
| Yoshihei Saga | ... | Sararîman | |
| Kinzoh Sakura | ... | Shohei | |
| Setsuko Shinoi | ... | Old Man's Mistress | |
| Hitoshi Takagi | ... | Restaurant Owner | |
| Chôei Takahashi | ... | Sararîman | |
| Ei Takami | ... | Homeless | |
| Akio Tanaka | ... | Sararîman | |
| Masahiko Tsugawa | ... | Sûpâ no shachô | |
| Yoriko Douguchi | ... | Pearl Diver (uncredited) | |
| Narutoshi Hayashi | ... | (uncredited) | |
Directed by | |||
| Juzo Itami | |||
Writing credits(in alphabetical order) | ||
| Juzo Itami | writer | |
Produced by | |||
| Seigo Hosogoe | .... | producer | |
| Juzo Itami | .... | producer | |
| Yasushi Tamaoki | .... | producer | |
Original Music by | |||
| Kunihiko Murai | |||
Cinematography by | |||
| Masaki Tamura | |||
Film Editing by | |||
| Akira Suzuki | |||
Costume Design by | |||
| Emiko Kogo | |||
Sound Department | |||
| Fumio Hashimoto | .... | sound recordist | |
| Masatoshi Saito | .... | sound effects editor | |
Other crew | |||
| Izumi Ishimori | .... | food designer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Japan section |
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"Tampopo" is a movie that most anyone will find quite funny, but it will be even more funny to those familiar with the Japanese people. (If you have ever had the opportunity/misfortune to try to eat mochi, this movie contains a scene that will have you rolling on the floor!) It is an excellent example of the ability of the Japanese to laugh at themselves, at those things that are peculiarly Japanese, and at their love affair with western (and particularly American) culture.
The Japanese have long had a tremendous admiration for the nerve and individuality of the Americans. They admire those traits mostly because they are all but forbidden in Japanese society. Their love affair with the American Western film genre is on display in the main story line in which the lone good-hearted cowboy rides into town to save the damsel in distress. However, the movie is mostly a series of humorous vignettes on the foibles of Japanese culture. They are so funny because they remind us of the eccentricities present in our culture as well.