Der Name der Rose (1986)

Director:

Jean-Jacques Annaud

Writers:

Umberto Eco (novel)
Andrew Birkin (screenplay) ...

Release Date:

24 September 1986 (USA)

Genre:

Drama | Mystery | Thriller | Crime

Tagline:

Who, in the name of God, is getting away with murder?

Plot:

An intellectually nonconformist monk investigates a series of mysterious deaths in an isolated abbey.

Plot Keywords:

Death | Abbey | Monk | Franciscan | Apocalypse

Awards:

Won 2 BAFTA Film Awards. Another 14 wins & 2 nominations

Cast

Sean Connery	...	William of Baskerville
Christian Slater	...	Adso of Melk
Helmut Qualtinger	...	Remigio da Varagine
Elya Baskin	...	Severinus
Michael Lonsdale	...	The Abbot
Volker Prechtel	...	Malachia
Feodor Chaliapin Jr.	...	Jorge de Burgos
William Hickey	...	Ubertino da Casale
Michael Habeck	...	Berengar
Urs Althaus	...	Venantius
Valentina Vargas	...	The Girl
Ron Perlman	...	Salvatore
Leopoldo Trieste	...	Michele da Cesena
Franco Valobra	...	Jerome of Kaffa
Vernon Dobtcheff	...	Hugh of Newcastle

Also Known As:

The Name of the Rose (UK) (USA)
Il nome della rosa (Italy)
Le nom de la rose (France)

Runtime:

130 min

Country:

France | Italy | West Germany

Language:

English | Latin

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Portugal:M/12 | Iceland:14 | Canada:R (Nova Scotia/Ontario) | Spain:13 | UK:15 (re-rating) | Argentina:16 | Canada:13+ (Quebec) | Finland:K-16 | France:U | Netherlands:16 | Norway:15 | Singapore:M18 | Sweden:15 | UK:18 | USA:R | West Germany:16 | Canada:PA (Manitoba) | Australia:M

Filming Locations:

Abruzzo, Italy

Company:

Neue Constantin Film

Trivia:

One of the actors considered for the role of Salvatore was Franco Franchi, popular low-budget slapstick comedian in Italy, notorious for his rubber-face expressions. He refused the role, in spite of the international acknowledgment it brought, because he wanted to stay faithful to his image as a comedian.

Goofs:

Miscellaneous: When the monks proceed towards the final burning of their prisoners at the stake, Brother Berangar is among them, though he's supposed to be dead.

Quotes:

[first lines]
Voice of Adso as an Old Man: Having reached the end of my poor sinner's life, my hair now white, I prepare to leave on this parchment my testimony as to the wondrous and terrible events that I witnessed in my youth, towards the end of the year of our Lord 1327. May God grant me the wisdom and grace to be the faithful chronicler of the happenings that took place in a remote abbey in the dark north of Italy. An abbey whose name it seems, even now, pious and prudent to omit.

Movie Connections:

Referenced in 33 (2008)

"The step between ecstatic vision and sinful frenzy is all too brief."

The film opens in 1327, with a Franciscan monk and his young novice arriving to a remote abbey in the dark north of Italy to participate in a crucial debate between the emissaries of Pope John XXII and leaders of the Franciscan order, to decide whether the church should take vows of poverty or wealth...

After a series of murders—attributed to the presence of a supernatural force— that are taking place within the cold walls of the godforsaken battlement, Brother William of Baskerville (Connery) ends up undertaking an investigation to solve the secrets surrounding these unexplainable crimes… All of them bearing blackened fingers and blackened tongues…

What follows, brings William face to face with Bernardo Gui (F. Murray Abraham), the sadistic Grand inquisitor—appointed by the Pope to hunt down and free the Church of heretics—who sees the abbey enshrouded in a terrifying mystery and the devil roaming behind every foul deed… Gui burns every last suspected devil-worshipper in the village, forcing Baskerville to uncover the truth before innocent blood is shed…

As always, Connery lends dignity, intelligence as the acute and prudent monk who has knowledge, both of the human spirit and the wiles of the evil one… Connery plays his role with gusto…

Newcomer Christian Slater plays Connery's faithful sidekick, Adso, the youngest son of the Baron of Melk who sure does like to watch his master at work… One night—expressing fear and confusion— he gets feminine carnal delights from a peasant girl, 'a creature that rose like the dawn, was bewitching as the moon, radiant as the sun, terrible as an army poised for battle…'

For a moment, Ron Perlman steals the show as the heretical hunchbacked monk named Salvatore who is ugly yet phenomenal… His scenes with Abraham are stirring…

"The Name of the Rose" is atmospheric, but disturbing at many levels… Some might say, contradictory, leaving plenty of twists and turns unresolved and unexplained, but the film was a smash hit in Europe… Annaud succeeds in capturing the claustrophobia and panic of being truly lost in the menacing, creepy Dark Ages…