| Myriem Roussel | ... | Marie | |
| Thierry Rode | ... | Joseph | |
| Philippe Lacoste | ... | L'ange Gabriel | |
| Manon Andersen | ... | La petite fille | |
| Malachi Jara Kohan | ... | Jésus | |
| Juliette Binoche | ... | Juliette | |
| Dick | ... | Le chien | |
| rest of cast listed alphabetically: | |||
| Anne Gautier | ... | Eva (uncredited) | |
| Johan Leysen | ... | Le professeur (uncredited) | |
| Serge Musy | ... | Petit garçon salle d'attente (uncredited) | |
Directed by | |||
| Jean-Luc Godard | |||
Writing credits(in alphabetical order) | ||
| Jean-Luc Godard | writer | |
Cinematography by | |||
| Jacques Firmann | |||
| Jean-Bernard Menoud | |||
Film Editing by | |||
| Anne-Marie Miéville | |||
Production Management | |||
| Philippe Malignon | .... | unit manager | |
| François Pellissier | .... | unit manager | |
Sound Department | |||
| François Musy | .... | sound | |
Music Department | |||
| Johann Sebastian Bach | .... | composer: stock music (as Bach) | |
| Antonín Dvorák | .... | composer: stock music (as Dvorak) | |
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| Sans toit ni loi | La buena vida | Ceux qui m'aiment prendront le train | The Pillow Book | Carne trémula |
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| News articles | IMDb Drama section | IMDb France section |
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Hail Mary is done in the exact same style as the only other late Godard film I've seen, First Name: Carmen, which, I believe, he did right before this one. The narrative is fractured, much more so than even his classical films such as Breathless and Pierrot le fou, and it is impossible to understand exactly what's going on. Like in many of his early films, he plays with sound effects and music. It may have been clever and interesting in Une femme est une femme, but it has grown old here.
Still, Hail Mary, like First Name: Carmen, musters enough mood to make it well worth seeing. With First Name: Carmen, I was interested at the beginning and bored by the end. Here, although the prologue is quite good, the first half of the real film bothered me, and the second half grew more interesting as it progressed. What I'm saying here is that you have to stick with it and be patient. It can be rewarding.
Also, Hail Mary seemed to me one of Godard's more visually accomplished films, probably second to Vivre sa vie. You'll see some of the most gorgeous photographs of clouds and the sun, the moon, fields, flowers, and nude women. Some of the nudes are absolutely stunning and it never felt to me pornographic (unlike First Name: Carmen). They reminded me of beautiful paintings that I have seen by the likes of Lucien Freud (I don't know if people know him, but I was particularly struck by some of his sleeping nudes; I think he is the son of Sigmund, and I know he was a companion of Francis Bacon). Other more abstract photos reminded me of Picasso. 7/10.