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Michele Soavi (writer)
Documentary on horror/mystery film maker Dario Argento. Features an in-depth interview with Argento and covers his work from 1969 to 1985. more | add synopsis
Dario's Big Pitch more (7 total)
| Romano Albani | ... | Himself | |
| Dario Argento | ... | Himself | |
| Fiore Argento | ... | Herself / Vera Grandt | |
| Urbano Barberini | ... | Himself | |
| Patrick Bauchau | ... | Himself / Insp. Rudolf Geiger | |
| Michael Brandon | ... | Himself | |
| Flavio Bucci | ... | Himself | |
| Clara Calamai | ... | Herself | |
| Stefania Casini | ... | Herself / Sara | |
| Jennifer Connelly | ... | Herself | |
| Mirella D'Angelo | ... | Herself | |
| Keith Emerson | ... | Himself | |
| David Emge | ... | Himself | |
| Mimsy Farmer | ... | Herself | |
| Ken Foree | ... | Himself | |
| James Franciscus | ... | Himself | |
| Jessica Harper | ... | Herself / Suzy Banyon | |
| David Hemmings | ... | Himself | |
| Natasha Hovey | ... | Herself | |
| Karl Malden | ... | Himself | |
| Davide Marotta | ... | Himself / Bruckner Monster | |
| Leigh McCloskey | ... | Himself / Mark Elliott | |
| Macha Méril | ... | Herself | |
| Irene Miracle | ... | Herself / Rose Elliott | |
| Tony Musante | ... | Himself | |
| Daria Nicolodi | ... | Herself / Various | |
| Donald Pleasence | ... | Himself / Prof. John McGregor | |
| Aldo Reggiani | ... | Himself | |
| Eva Renzi | ... | Herself | |
| Eva Robin's | ... | Herself | |
| Tom Savini | ... | Himself | |
| Michele Soavi | ... | Himself | |
| Luciano Tovoli | ... | Himself |
Directed by | |||
| Michele Soavi | |||
Writing credits(in alphabetical order) | ||
| Michele Soavi | writer | |
Cinematography by | |||
| Gianlorenzo Battaglia | |||
| Stefano Ricciotti | |||
Film Editing by | |||
| Piero Bozza | |||
Makeup Department | |||
| Antonio Altavilla | .... | makeup artist | |
Production Management | |||
| Fabrizio Diaz | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Claudio Lattanzi | .... | assistant director | |
Sound Department | |||
| Nick Alexander | .... | sound editor | |
| Luciano Anzellotti | .... | sound effects | |
| Massimo Anzellotti | .... | sound effects | |
| Giancarlo Laurenzi | .... | sound mixer | |
Visual Effects by | |||
| Aldo Mafera | .... | titles and opticals | |
Camera and Electrical Department | |||
| Aldo Bergamini | .... | assistant camera | |
| Maurizio di Stefano | .... | electrician | |
| Mario Massaccesi | .... | electrician | |
| Giancarlo Mereschini | .... | grip | |
| Auguste Pascarlla | .... | grip | |
Editorial Department | |||
| Roberto Priori | .... | assistant editor | |
Other crew | |||
| Renato Rinaldo | .... | production accountant | |
| Luciano Vittori | .... | laboratory technician | |
Dario Argento's World of Horror
Dario Argento's world of horror (Italy) (video box title)
more
USA:76 min | Argentina:76 min
1.33 : 1 more
Featured in Stephen King's World of Horror (1986) (TV) more
Inferno more
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| The Making of a Horror Film | The Fear of God: 25 Years of 'The Exorcist' | Swiss Movement | Full Tilt Boogie | Pure Rage: The Making of '28 Days Later' |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Italy section | Add this title to MyMovies |
No one can deny Dario Argento. Earning a place in horror as a pioneer while being as visually adept as Peter Jackson, John Woo or David Fincher. Unfortunately, his style over substance approach has limited his exposure to the European shores and to probing pesky horror fans. This could be the reason why 'Dario Argento's World of Horrors' comes off as more of a commercial than a documentary. It does have its meat, with behind the scenes footage and interviews but it also comes off somewhat contrived. The interviews, for instance, have him talking directly to the camera expressing thoughts and reasons on various projects. While this gives a somewhat intimate approach it also looks staged and heavy handed with Dario looking like he's just talking to himself. Once more the editing is just too abrupt and distracting making it look extremely amateurish with the result being uneven pacing between interviews and selected scenes. OK, this was Michele Soavi's first gig, but harsh cuts and uneven progression are something an editor is hired to fix. More importantly it never really fleshes out his many film contributions but instead seems content to be Argento's argument to the world that he is a valid director. Almost like propaganda. Yuck. It's too bad, because the proof is in the pudding. The more we discover about his films the more we see how inventive and influential his style is. The interesting info is just glanced over here and I wanted more. Such as his Technicolor filming of Suspiria, the makeup effects in Demons, or the fantastic production design for Tenebre. Footage was shown but never explained or commented on. I wanted to see more about his various styles of camera work that seems almost ripped off by contemporary films. Also you could have put aside an hour alone on his work with composer Ennio Morricone and the band Goblin. Now group this with the fact that it's somewhat dated (Miami vice music and all) and what you have is an interesting but uninspired 76 minutes.