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| Romano Albani | ... | Himself | |
| Dario Argento | ... | Himself | |
| Fiore Argento | ... | Herself / Vera Grandt | |
| Urbano Barberini | ... | Himself | |
| Patrick Bauchau | ... | Himself / Insp. Rudolf Geiger | |
| Michael Brandon | ... | Himself | |
| Flavio Bucci | ... | Himself | |
| Clara Calamai | ... | Herself | |
| Stefania Casini | ... | Herself / Sara | |
| Jennifer Connelly | ... | Herself | |
| Mirella D'Angelo | ... | Herself | |
| Keith Emerson | ... | Himself | |
| David Emge | ... | Himself | |
| Mimsy Farmer | ... | Herself | |
| Ken Foree | ... | Himself | |
| James Franciscus | ... | Himself | |
| Jessica Harper | ... | Herself / Suzy Banyon | |
| David Hemmings | ... | Himself | |
| Natasha Hovey | ... | Herself | |
| Karl Malden | ... | Himself | |
| Davide Marotta | ... | Himself / Bruckner Monster | |
| Leigh McCloskey | ... | Himself / Mark Elliott | |
| Macha Méril | ... | Herself | |
| Irene Miracle | ... | Herself / Rose Elliott | |
| Tony Musante | ... | Himself | |
| Daria Nicolodi | ... | Herself / Various | |
| Donald Pleasence | ... | Himself / Prof. John McGregor | |
| Aldo Reggiani | ... | Himself | |
| Eva Renzi | ... | Herself | |
| Eva Robin's | ... | Herself | |
| Tom Savini | ... | Himself | |
| Michele Soavi | ... | Himself | |
| Luciano Tovoli | ... | Himself |
Directed by | |||
| Michele Soavi | |||
Writing credits(in alphabetical order) | ||
| Michele Soavi | writer | |
Cinematography by | |||
| Gianlorenzo Battaglia | |||
| Stefano Ricciotti | |||
Film Editing by | |||
| Piero Bozza | |||
Makeup Department | |||
| Antonio Altavilla | .... | makeup artist | |
Production Management | |||
| Fabrizio Diaz | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Claudio Lattanzi | .... | assistant director | |
Sound Department | |||
| Nick Alexander | .... | sound editor | |
| Luciano Anzellotti | .... | sound effects | |
| Massimo Anzellotti | .... | sound effects | |
| Giancarlo Laurenzi | .... | sound mixer | |
Visual Effects by | |||
| Aldo Mafera | .... | titles and opticals | |
Camera and Electrical Department | |||
| Aldo Bergamini | .... | assistant camera | |
| Maurizio di Stefano | .... | electrician | |
| Mario Massaccesi | .... | electrician | |
| Giancarlo Mereschini | .... | grip | |
| Auguste Pascarlla | .... | grip | |
Editorial Department | |||
| Roberto Priori | .... | assistant editor | |
Other crew | |||
| Renato Rinaldo | .... | production accountant | |
| Luciano Vittori | .... | laboratory technician | |
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| The Making of a Horror Film | Fellini: Je suis un grand menteur | Swiss Movement | The Fear of God: 25 Years of 'The Exorcist' | Full Tilt Boogie |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Italy section | Add this title to MyMovies |
Dario Argento was a new breed of Italian directors that appeared on the scene in the late 1960's with the Giallo form of horror filmmaking. Giallo's were detective style structures and mixed with horror. Argento dealt with Serial Killers very well. With Mario Bava and perhaps Lucio Fulci (stretching that one a bit), Italian cinema entered a "golden era" of horror gore and exploitation during the 1970's.
World of Horror shows the best of Argento's movies, leading up to Demon's, which he produced only. Most scenes are either "Death Scenes" or "Stylistic Shots". Anyway, there is some technical shots, but the movie does not really go into detail about the technicals of his movies. However, you get a dose on what happens in his noggin, and that in itself is scary enough. If you happen to find this movie on video (good luck), try it out, but good luck trying to find some of his movies on video (I'm still looking for his "4 flies on Gray Velvet")