| Photos (see all 1 | slideshow) |
| Diane Lane | ... | Corinne Burns | |
| Ray Winstone | ... | Billy - Vocals for The Looters | |
| Peter Donat | ... | Harley Dennis | |
| David Clennon | ... | Dave Robell - The Agent | |
| John Lehne | ... | Stu McGrath | |
| Cynthia Sikes | ... | Alicia Meeker | |
| Janet Wright | ... | Aunt Linda's Friend Brenda | |
| Mia Bendixsen | ... | Pregnant Girl in Ladies' Room | |
| Laura Dern | ... | Jessica McNeil | |
| Stuart Ferguson | ... | Gold Key D.J. | |
| Marin Kanter | ... | Tracy Burns | |
| Paul Cook | ... | Danny - Drummer for The Looters | |
| Steve Jones | ... | Steve - Guitarist for The Looters | |
| Barry Ford | ... | Lawnboy | |
| Paul Simonon | ... | Johnny - Bassist for The Looters | |
| Fee Waybill | ... | Lou Corpse - Vocals for The Metal Corpses (as John 'Fee' Waybill) | |
| Christine Lahti | ... | Aunt Linda | |
| Vince Welnick | ... | Jerry Jervey - Guitarist for The Metal Corpses | |
| Vern Willis | ... | Corpses' Bass | |
| Douglas Mackinnon | ... | Corpses' Drummer | |
| Susan Bracher | ... | Springfield Jill | |
| Diana Wygod | ... | Billy's Groupie | |
| James Nichols | ... | The Roadie | |
| Angie Crowe | ... | Skunk #1 | |
| Venus Allin | ... | Skunk #2 (as Venus Allen) | |
| Leeann Decou | ... | Skunk #3 | |
| Daniella Cicconi | ... | Skunk #4 | |
| Mary Arnold | ... | Skunk #5 | |
| Elizabeth Daily | ... | Motel Maid | |
| John Morris | ... | Black Randy | |
| The Metro Squad | ... | Themselves | |
| Heather Elton | ... | Attacking Skunk | |
| rest of cast listed alphabetically: | |||
| Britt S. Baker | ... | Skunk (uncredited) | |
| Shelley Barr | ... | Girl in Washroom / Concert (uncredited) | |
| Zareen Engineer | ... | Skunk (uncredited) | |
| Debbie Rochon | ... | Skunkette (uncredited) | |
| Brent Spiner | ... | Corinne Burns's boss (uncredited) | |
Directed by | |||
| Lou Adler | |||
Writing credits(in alphabetical order) | ||
| Nancy Dowd | writer (as Rob Morton) | |
Produced by | |||
| Lou Lombardo | .... | executive producer | |
| Joe Roth | .... | producer | |
Cinematography by | |||
| Bruce Surtees | |||
Film Editing by | |||
| Tom Benko | |||
Casting by | |||
| Margery Simkin | |||
Production Design by | |||
| Leon Ericksen | |||
Set Decoration by | |||
| Peter Young | |||
Makeup Department | |||
| Susan Boyd | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Tommy Thompson | .... | assistant director | |
Art Department | |||
| Christopher Green | .... | assistant art director | |
| Michael Nemirsky | .... | on-set dresser | |
Sound Department | |||
| Clancy T. Troutman | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Kirk Bales | .... | dolly grip | |
| Ralph Gerling | .... | camera operator | |
| Charles Saldana | .... | key grip | |
Casting Department | |||
| Lynne Carrow | .... | casting: Canada | |
Other crew | |||
| Caroline Coon | .... | consultant | |
| Wayne McLaughlin | .... | production assistant | |
| John Wardlow | .... | location manager: Canada | |
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| Josie and the Pussycats | This Is Spinal Tap | Sid and Nancy | American Beauty | The Driller Killer |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Canada section | Add this title to MyMovies |
This film deserved a better shot at finding an audience than it got from its studio, which basically declared it unreleasable and threw it away. To be sure, it's not for ALL tastes but it's WAY better than a lot of the teen-oriented dreck that made millions in the 80s..Basically the story of the rise and fall of a street-wise girl (Diane Lane) and her punk rock band, the film has moments of satire and drama that ring remarkably true, even in this day and age. This is the only other film I know of directed by famed Los Angeles music producer Lou Adler (his other was the first Cheech & Chong monster hit "Up In Smoke")....this film has the same loose, anything-goes style but Adler shows that he works well with actors, getting fresh and inspired performaces all around. The only print seen for years of this film has been on USA Network's "Up All Night" and it was ruthlessly edited. I'd like to see this one show up on a premium channel like Cinemax or Showtime so I could see it completely uncut (since the chances of seeing it released on video are no doubt slim to none)