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Paul Schrader (written by)
8 February 1980 (USA) more
His business is pleasure! more
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle... more | add synopsis
Nominated for 2 Golden Globes. more
Exclusive: Sam Rockwell Explains What Inspired His 'Iron Man 2' Character
(From MTV Splash Page. 5 November 2009, 4:11 PM, PST)
The 11th Mumbai Film Festival glitters on opening night
(From BollywoodHungama. 30 October 2009, 5:45 AM, PDT)
Death of LA in the 80s more (48 total)
| Richard Gere | ... | Julian | |
| Lauren Hutton | ... | Michelle | |
| Hector Elizondo | ... | Sunday | |
| Nina Van Pallandt | ... | Anne | |
| Bill Duke | ... | Leon | |
| Brian Davies | ... | Charles Stratton | |
| K Callan | ... | Lisa Williams | |
| Tom Stewart | ... | Mr. Rheiman | |
| Patricia Carr | ... | Judy Rheiman (as Patti Carr) | |
| David Cryer | ... | Lt. Curtis | |
| Carole Cook | ... | Mrs. Dobrun | |
| Carol Bruce | ... | Mrs. Sloan | |
| Frances Bergen | ... | Mrs. Laudner | |
| Macdonald Carey | ... | Hollywood Actor (as MacDonald Carey) | |
| William Dozier | ... | Michelle's Lawyer | |
| Peter Turgeon | ... | Julian's Lawyer | |
| Robert Wightman | ... | Floyd Wicker | |
| Richard Derr | ... | Mr. Williams | |
| Jessica Potter | ... | Jill | |
| Gordon Haight | ... | Blond Boy | |
| Carlo Alonso | ... | Salesman | |
| Michael Goyak | ... | Jason | |
| Frank Pesce | ... | Suspect #4 | |
| Judith Ransdell | ... | Cloak Room Girl | |
| John Hammerton | ... | Perino's Maitre d' | |
| Michele Drake | ... | 1st Girl at Beach | |
| Linda Horn | ... | 2nd Girl at Beach | |
| Faye Michael Nuell | ... | Woman at Juschi's | |
| Eugene Jackson | ... | Bootblack | |
| Roma Alvarez | ... | Maid | |
| Dawn Adams | ... | Coed | |
| Bob Jardine | ... | College Professor | |
| Harry Davis | ... | Parke Bernet Representative | |
| Nanette Tarpey | ... | Waitress | |
| Maggie Jean Smith | ... | Girl at Daisy | |
| Pamela Fong | ... | Girl at Daisy | |
| Randy Stokey | ... | Boy at Sorel | |
| Harris Weingart | ... | Maitre d' Cocktail Lounge | |
| James Currie | ... | Bartender Cocktail Lounge | |
| Norman Stevans | ... | Waiter Cocktail Lounge | |
| Betty Canter | ... | Woman at Political Dinner | |
| Laura Gile | ... | Woman at Political Dinner | |
| Brent Dunsford | ... | Man at Political Dinner | |
| Barry Satterfield | ... | Street Hustler | |
| Sam L. Nickens | ... | Waiter Country Club | |
| William Valdez | ... | Prison Guard | |
| Mary Helen Barro | ... | Reporter | |
| John H. Lowe | ... | Reporter | |
| Kopi Sotiropulos | ... | Reporter | |
| Gordon W. Grant | ... | Reporter | |
| Ron Cummins | ... | Reporter |
Directed by | |||
| Paul Schrader | |||
Writing credits | ||
| Paul Schrader | (written by) | |
Produced by | |||
| Jerry Bruckheimer | .... | producer | |
| Freddie Fields | .... | executive producer | |
Original Music by | |||
| Giorgio Moroder | |||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Richard Halsey | |||
Casting by | |||
| Vic Ramos | |||
Art Direction by | |||
| Edward Richardson | (as Ed Richardson) | ||
Set Decoration by | |||
| George Gaines | |||
Makeup Department | |||
| Christine Lee | .... | hair stylist (as Chris Lee) | |
| Daniel C. Striepeke | .... | makeup artist (as Dan Striepeke) | |
Production Management | |||
| Neil A. Machlis | .... | unit production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| William S. Beasley | .... | second assistant director (as Bill Beasley) | |
| Peter Bogart | .... | assistant director | |
| Duncan Henderson | .... | trainee assistant director | |
Art Department | |||
| Matty Azzarone | .... | assistant property master (as Matti Azzarone) | |
| R. Gilbert Clayton | .... | production illustrator (as Gil Clayton) | |
| Kenneth Crawford | .... | assistant property master | |
| Tim Donelan | .... | assistant lead person | |
| Mark Fabus | .... | set designer | |
| Mike Grover | .... | set dresser | |
| Mike Higelmire | .... | lead person | |
| Gus Kanelakos | .... | constructor | |
| Gary Kudroff | .... | assistant lead person | |
| Pat O'Connor | .... | property master | |
| Ferdinando Scarfiotti | .... | visual consultant | |
| Julian Zutz | .... | construction coordinator | |
| Steven Kerlagon | .... | gangboss painter (uncredited) | |
Sound Department | |||
| Ray Alba | .... | sound effects editor | |
| Carolyn Colwell | .... | assistant sound effects editor | |
| Robert Glass | .... | sound re-recording mixer (as Bob Glass) | |
| Janice Hampton | .... | dialogue loop editor | |
| Carl Mahakian | .... | sound effects editor | |
| Bert Schoenfeld | .... | sound effects editor | |
| Pat Suraci | .... | boom operator | |
| Wynn Tennison | .... | second boom operator | |
| Robert Thirlwell | .... | sound re-recording mixer (as Bob Thirlwell) | |
| Barry Thomas | .... | sound mixer | |
| John Wilkinson | .... | sound re-recording mixer (as Doc Wilkinson) | |
Stunts | |||
| Jeoffrey Brown | .... | stunt coordinator | |
Camera and Electrical Department | |||
| King Baggot | .... | camera operator | |
| Kirsten Glover | .... | camera technician | |
| Marlin Hall | .... | key grip | |
| Leslie Hill | .... | camera technician | |
| George Holmes | .... | gaffer | |
| Larry Keys | .... | best boy electric (as Larry Keyes) | |
| Dan Mazzola | .... | best boy electric (as Dan Marzola) | |
| Steve Pellant | .... | electrician | |
| Víctor Pérez | .... | electrician | |
| Dennis Rotta | .... | dolly grip | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Rodney Veto | .... | second grip | |
| Richard Walden | .... | camera technician | |
| Larry Yates | .... | grip | |
| Ron Grover | .... | still photographer (uncredited) | |
Casting Department | |||
| Dolores Chevron | .... | casting assistant | |
| Carl Joy | .... | extras casting | |
| Bob Kindelon | .... | extras casting | |
Costume and Wardrobe Department | |||
| Giorgio Armani | .... | costumes: Richard Gere | |
| Bernadene C. Mann | .... | costumer (as Bernadene Mann) | |
| Alice Rush | .... | costume coordinator | |
Editorial Department | |||
| Patricia Lee | .... | editorial apprentice | |
| Priscilla Nedd-Friendly | .... | assistant film editor (as Priscilla Nedd) | |
| Bruce Pearson | .... | color timer (uncredited) | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Allison Caine | .... | vocal effects advisor | |
| Harold Faltermeyer | .... | music advisor | |
Transportation Department | |||
| Mike Avisov | .... | transportation captain | |
| Howard A. Small | .... | transportation coordinator (as Howard Small) | |
Other crew | |||
| Irene Berkman | .... | secretary | |
| Tony Cacciotti | .... | trainer: Mr. Gere | |
| Beverly Davis | .... | assistant: Mr. Schrader | |
| Lois Kramer Hartwick | .... | location manager (as Lois Kramer) | |
| Tom Jacobson | .... | technical advisor | |
| Eric Jewett | .... | assistant: Mr. Schrader | |
| Patti Kaling | .... | assistant: Mr. Bruckheimer (as Patti Kailing) | |
| Gary Kalkin | .... | publicist | |
| Cynnie Troup | .... | script supervisor (as Cynne Troup) | |
| John Weismuller | .... | craft service | |
117 min
Color (Metrocolor)
1.85 : 1 more
Canada:18+ (Quebec) | Canada:R (Manitoba/Nova Scotia/Ontario) | Singapore:M18 | Portugal:M/16 | USA:R (Certificate #25613) | Norway:15 (TV rating) | New Zealand:R16 | Argentina:18 | Australia:M | Finland:K-16 | Hong Kong:III | Norway:16 (1980) | Spain:18 | Sweden:15 | UK:18 | West Germany:16 | Iceland:16 | UK:X (original rating)
Chevy Chase didn't like the erotic nature of the film and claimed that the part was largely rewritten at Richard Gere's request. more
Anne: Julie, I made you! I taught you everything you know! How to dress, table manners, how to move, how to make love... more
Referenced in An Officer and a Gentleman: 25 Years Later (2007) (V) more
Love and Passion more
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It's hard to precisely depict the impact of the smoky undertow of 1980s LA mores on the emotional and cultural landscape of the city, but Richard Gere's subversive topsy-turvy solo show comes close. Weird, well-shot and intriguing. The queasy feeling it leaves is hard to remove even days later. A/A-