| Francesca Annis | ... | Tuppence Beresford (10 episodes, 1983-1984) | |
| James Warwick | ... | Tommy Beresford (10 episodes, 1983-1984) | |
| Reece Dinsdale | ... | Albert (9 episodes, 1983-1984) |
Series Directed by | |||
| Christopher Hodson | (5 episodes, 1983-1984) | ||
| Paul Annett | (3 episodes, 1983-1984) | ||
| Tony Wharmby | (2 episodes, 1983) | ||
| John A. Davis | (unknown episodes) | ||
Series Writing credits | ||
| Agatha Christie | (10 episodes, 1983-1984) | |
| Jonathan Hales | (3 episodes, 1983-1984) | |
| Gerald Savory | (3 episodes, 1983-1984) | |
| Paul Annett | (2 episodes, 1983) | |
| David Butler | (2 episodes, 1983) | |
Series Produced by | |||
| Jack Williams | .... | producer (4 episodes, 1983) | |
Series Original Music by | |||
| Joseph Horovitz | (4 episodes, 1983) | ||
Series Film Editing by | |||
| Ray Helm | (unknown episodes) | ||
Series Casting by | |||
| Corinne Rodriguez | (4 episodes, 1983) | ||
Series Production Design by | |||
| Bryan Bagge | (1 episode, 1983) | ||
Series Costume Design by | |||
| Penny Lowe | (2 episodes, 1983) | ||
Series Makeup Department | |||
| Pauline Boulton | .... | makeup artist (4 episodes, 1983) | |
Series Production Management | |||
| Jeremy Canney | .... | location production manager (2 episodes, 1983) | |
Series Art Department | |||
| John Tribe | .... | graphic designer (4 episodes, 1983) | |
Series Sound Department | |||
| Paul Faraday | .... | sound supervisor (3 episodes, 1983) | |
| Bill Cross | .... | sound (2 episodes, 1983) | |
Series Camera and Electrical Department | |||
| Tim Piper | .... | camera operator (3 episodes, 1983) | |
| Paul Stripp | .... | vision controller (3 episodes, 1983) | |
| Tony Maynard | .... | senior camera operator (2 episodes, 1983) | |
Series Editorial Department | |||
| Clayton Parker | .... | editor: video tape (4 episodes, 1983) | |
| Anne Gurney | .... | vision mixer (2 episodes, 1983) | |
Series Other crew | |||
| John Quilty | .... | floor manager (4 episodes, 1983) | |
| Ken Ward | .... | stage manager (4 episodes, 1983) | |
| Teena Steel | .... | stage manager (2 episodes, 1983) | |
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| External reviews | IMDb TV section | IMDb Crime section |
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I read a few other reviews, of this series, & felt like saying that they seemed to miss the point. Being familiar with the original novel "The Secret Adversary" (which was made into a full-length TV feature after these) as well as the "Partners in Crime" short stories I believe that those involved with this series captured the spirit the author intended very well indeed.
The tone of the original stories was much lighter than that of other Agatha Christie novels and the playfulness & risque humor (which come across clearly in the dramatizations) came right from the characters in the books. I also believe the overly stylized performances were perfect for the period & mood of the pieces. The acting actually comes across more as a good staging of a Bernard Shaw or Oscar Wilde play in the style of the early 20th century than as a current modern TV program & I for one completely enjoyed the contrast.
2 side notes: I've purchased these on DVD as well as the sets of the Poirot series & while the Poirot are exceptional (wonderfully made & acted) I actually enjoy re-watching the "Partners in Crime" Series more because the emphasis is much less on the crime than on the characters, compared to the Poirot series which always seems to need a twist (right out of Christie) and some kind of action/chase sequence (not so much from Christie).
Also, I'd personally love to see James Warwick and Francesca Annis reprise these roles 20 years on, since there were several novels ("By the Pricking of my Thumbs" and "Postern of Fate" are the two I remember) which caught up with Tommy & Tuppence later in their lives.